‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.
NEW YORK TIMES BESTSELLER Low-level entertainment lawyer Nick Carter thinks it’s a prank, not an alien encounter, when a redheaded mullah and a curvaceous nun show up at his office. But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. The entire cosmos, they tell him, has been hopelessly hooked on American pop songs ever since “Year Zero” (1977 to us), resulting in the biggest copyright violation since the Big Bang and bankrupting the whole universe. Nick has just been tapped to clean up this mess before things get ugly. Thankfully, this unlikely galaxy-hopping hero does know a thing or two about copyright law. Now, with Carly and Frampton as his guides, Nick has forty-eight hours to save humanity—while hoping to wow the hot girl who lives down the hall from him.
2007 Lambda Literary Award Finalist, LGBT Studies Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today. Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens—even the most oppressed—within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback’s Baadasssss Song. Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.
A Finalist for the PEN/Diamonstein–Spielvogel Award for the Art of the Essay Yes, every inch of the globe has been seen, mapped, photographed, and measured, but is it known? Robert Leonard Reid doesn’t think so. To draw a circle and calculate its diameter is not to know the circle. In this collection, Reid distinguishes himself from many science–based nature writers, using the natural world as a springboard for speculations and musings on the numinous and the sacred, injustice, homelessness, the treatment of Native Peoples in the United States, and what pushes mountaineers to climb. Ranging in their settings from eastern New Mexico to northern Alaska, Reid’s essays illustrate his belief that the American West is worth celebrating and caring for. Taking its title from an affecting speech given by renowned author Barry Lopez, Because It Is So Beautiful is a response to desperate questions surrounding America’s wildlands. Lopez’s words resonated with the young mountaineer–musician–mathematician Robert Leonard Reid, who was struggling to understand his relationship to the world, to find his vision as a writer. What he learned on that long–ago evening is knit throughout the nineteen pieces in the collection, which include essays from Reid’s previous books Arctic Circle, Mountains of the Great Blue Dream, and America, New Mexico; three essays that appear here in print for the first time; as well as revised and expanded versions of essays that appeared in Touchstone, The Progressive, and elsewhere.
Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address—or even fully recognize—the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood. Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the “African American Spanish Archive” in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.
SHARK! The cry that strikes fear into the hearts of beach lovers around the world. It carries a chill of terror, that death is nearby and waiting. Or injuries so shocking that the mind recoils from the thought. This book chronicles shark attacks both on Australia's fatal shores and overseas. It also records miraculous escapes - some so bizarre they defy belief, and some that display extraordinary courage in the face of extreme peril. Robert Reid interviews famous shark hunters and other adventurers who speak for the first time about their dangerous encounters with these fearsome predators. Reid investigates the phenomenon of the so-called 'rogue' sharks, those that stalk and kill humans in numbers, in the same place, at the same time. These are gripping stories that will both fascinate and frighten, stories that will take the reader into the realm of these strange but terrible creatures. They have ruled the oceans with ruthless efficiency for more than 400 million years. They are the silent killers of the deep.
The landmark book that established Robert Reid-Pharr as one of America's most exciting and challenging left intellectuals At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man spoils our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduced the eloquent voice of Robert Reid-Pharr in cultural criticism. At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America.
Filling an important need for K-12 educators, this highly practical book provides a step-by-step guide to cognitive strategy instruction, one of the most effective instructional techniques for struggling learners. The authors present well-validated strategies that target self-regulated learning and study skills as well as performance in specific content areas, such as writing, reading, and math. Detailed classroom examples illustrate how to teach the strategies systematically and monitor student outcomes. More than 20 reproducible worksheets, checklists, and other tools are included; purchasers get access to a webpage where they can download and print these materials in a convenient 8 1/2" x 11" size. New to This Edition *Chapter on lesson planning, including extensive sample lessons for two strategies. *Chapter on handwriting and spelling. *New material on response to intervention and on attention-deficit/hyperactivity disorder (ADHD). *Expanded coverage of working memory. *Additional strategies throughout the content-area chapters.
Paying particular attention to Black American novels written before the Civil War, the author shows how the household was utilized by these writers to normalize this relationship of body to community such that a person could enter a household as a white and leave it as a black.
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