The Songs Became the Stories: The Music in African-American Fiction, 1970-2005 is a sequel to The Music in African-American Fiction, which traced the representation of music in fiction from its mid-nineteenth-century roots in slave narratives through the Black Arts Movement of the 1960s. The Songs Became the Stories continues the historical, critical and musicological analyses of the first book through an examination of many of the major figures in African-American fiction over the past thirty-five years, including Ishmael Reed, Toni Morrison, Ntozake Shange, Nathaniel Mackey, Alice Walker, Albert Murray and John Edgar Wideman. The volume also includes an extensive annotated discography and excerpts from first-hand interviews with major African-American musical artists.
Greatness is not a concept for the fainthearted, but you can achieve it by creating a planand then acting on it. This inspirational collection of poems, quotes, and case studies reveal what it means to be great and provides a roadmap that shows how to achieve what so many others find so elusive. Youll also learn what some of historys greatest doers have said about greatness, including: Automaker Henry Ford, who weighing in on how our thoughts can move us forward or stymie us at every turn, said, Whether you think you can or you cant, either way, youre right. President Dwight Eisenhower, who commenting on leadership observed, The supreme quality of leadership is unquestionable integrity. Without it, no real leadership is possible no matter whether it is on a section gang, a football field, in an army or in an office. Author Dr. Orison Swett Marden, who said, The giants of the race have been men and women of concentration who have struck sledgehammer blows in one place until they have accomplished their purpose. Discover the motivation to become virtually unstoppable, and put your dreams into action with the timeless lessons in Greatness Awaits.
William Owen Carver (1868-1954) was a denominational stalwart and longtime professor of Missions and Comparative Religion at the Southern Baptist Theological Seminary. Over the years, Carver became embroiled in numerous denominational controversies. This book tells these stories.
At the heart of many fields - physics, chemistry, engineering - lies thermodynamics. While this science plays a critical role in determining the boundary between what is and is not possible in the natural world, it occurs to many as an indecipherable black box, thus making the subject a challenge to learn. Two obstacles contribute to this situation, the first being the disconnect between the fundamental theories and the underlying physics and the second being the confusing concepts and terminologies involved with the theories. While one needn't confront either of these two obstacles to successfully use thermodynamics to solve real problems, overcoming both provides access to a greater intuitive sense of the problems and more confidence, more strength, and more creativity in solving them. This book offers an original perspective on thermodynamic science and history based on the three approaches of a practicing engineer, academician, and historian. The book synthesises and gathers into one accessible volume a strategic range of foundational topics involving the atomic theory, energy, entropy, and the laws of thermodynamics.
Hank Lacayo Best Labor Themed Book, International Latino Book Awards Best Book Award, Division of Critical Criminology and Social Justice, American Society of Criminology In the early twentieth century, the brutality of southern prisons became a national scandal. Prisoners toiled in grueling, violent conditions while housed in crude dormitories on what were effectively slave plantations. This system persisted until the 1940s when, led by Texas, southern states adopted northern prison design reforms. Texas presented the reforms to the public as modern, efficient, and disciplined. Inside prisons, however, the transition to penitentiary cells only made the endemic violence more secretive, intensifying the labor division that privileged some prisoners with the power to accelerate state-orchestrated brutality and the internal sex trade. Reformers' efforts had only made things worse--now it was up to the prisoners to fight for change. Drawing from three decades of legal documents compiled by prisoners, Robert T. Chase narrates the struggle to change prison from within. Prisoners forged an alliance with the NAACP to contest the constitutionality of Texas prisons. Behind bars, a prisoner coalition of Chicano Movement and Black Power organizations publicized their deplorable conditions as "slaves of the state" and initiated a prison-made civil rights revolution and labor protest movement. These insurgents won epochal legal victories that declared conditions in many southern prisons to be cruel and unusual--but their movement was overwhelmed by the increasing militarization of the prison system and empowerment of white supremacist gangs that, together, declared war on prison organizers. Told from the vantage point of the prisoners themselves, this book weaves together untold but devastatingly important truths from the histories of labor, civil rights, and politics in the United States as it narrates the transition from prison plantations of the past to the mass incarceration of today.
Lights! Camera! Arkansas! traces the roles played by Arkansans in the first century of Hollywood’s film industry, from the first cowboy star, Broncho Billy Anderson, to Mary Steenburgen, Billy Bob Thornton, and many others. The Arkansas landscape also plays a starring role: North Little Rock’s cameo in Gone with the Wind, Crittenden County as a setting for Hallelujah (1929), and various locations in the state’s southeastern quadrant in 2012’s Mud are all given fascinating exploration. Robert Cochran and Suzanne McCray screened close to two hundred films—from laughable box-office bombs to laudable examples of filmmaking -- in their research for this book. They’ve enhanced their spirited chronological narrative with an appendix on documentary films, a ratings section, and illustrations chosen by Jo Ellen Maack of the Old State House Museum, where Lights! Camera! Arkansas! debuted as an exhibit curated by the authors in 2013. The result is a book sure to entertain and inform those interested in Arkansas and the movies for years to come.
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