From Sadness and Happiness: Poems by Robert Pinsky: CEREMONY FOR ANY BEGINNING Robert Pinsky Against weather, and the random Harpies--mood, circumstance, the laws Of biography, chance, physics-- The unseasonable soul holds forth, Eager for form as a renowned Pedant, the emperor's man of worth, Hereditary arbiter of manners. Soul, one's life is one's enemy. As the small children learn, what happens Takes over, and what you were goes away. They learn it in sardonic soft Comments of the weather, when it sharpens The hard surfaces of daylight: light Winds, vague in direction, like blades Lavishing their brilliant strokes All over a wrecked house, The nude wallpaper and the brute Intelligence of the torn pipes. Therefore when you marry or build Pray to be untrue to the plain Dominance of your own weather, how it keeps Going even in the woods when not A soul is there, and how it implies Always that separate, cold Splendidness, uncouth and unkind-- On chilly, unclouded mornings, Torrential sunlight and moist air, Leafage and solid bark breathing the mist.
Back cover: "With selections from Elizabeth Bishop, William Blake, Lewis Carroll, Marianne Moore, Frank O'Hara, Sappho, WIlliam Carlos Williams, and many others, "Singing school" offers a bold new approach to writing (and reading) poetry based on great poetry of the past. Instead of offering rules, theories, or recipes, Robert Pinsky's headnotes for each of the eighty poems and brief introductions to each section respect poetry's mysteries, in two senses of the word: techniques of craft and strokes of the inexplicable.
A collection of sharp, entertaining, and informative essays by poet Robert Pinsky, Poetry and the World is a passionate inquiry into poetry's place in the modem world. Combining the arts of criticism and autobiography, Pinsky writes about poets as diverse as Walt VVhitman and Philip Freneau, Marianne Moore and Frank O'Hara, about a visit to Poland during the early days of Solidarity, and his own childhood in a seedy New Jersey resort town. The scope and diversity of these essays confirm Pinsky's stature as not only one of our best poets, but as a perceptive and engaging critic as well.
A new book of poems by the three-time poet laureate Robert Pinsky, a writer "rarely equalled" (Louise Glück). Robert Pinsky, one of our most ambitious, inventive, and finely tuned poets, takes an original approach to the fraught, central matter of borders in Proverbs of Limbo, his first new book of poetry in eight years. In this collection, the poet mines and maps limbal regions: those spaces between differences that can be at once creative and oppressive, enlightening and dark, exciting and fatal. For Pinsky, they include the familiar borders between demographic categories, as well as limbal realities that are more personal—clashing ways of understanding, personal history and world history, health and illness, freedom and compulsion, intimacy and community, personality and culture—all the countless variations of in-between. The title Proverbs of Limbo tips its hat, at an angle, to the great poet William Blake’s Proverbs of Hell. Blake’s jagged, contrary proverbs resist, from within, the binary rights and wrongs of conventional Christianity: “The road of excess leads to the palace of wisdom”; “The tygers of wrath are wiser than the horses of instruction.” Here, Pinsky embodies a different resistance to different conventions of understanding. “The Buddha,” begins the title poem, “is a liquor store / On a busy corner.”
Truly the voice of the Jersey Shore." —Bruce Springsteen In late-1940s Long Branch, a historic but run-down Jersey Shore resort town, in a neighborhood of Italian, Black, and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father, and a rebellious tomboy mother, Pinsky was an unruly but articulate high school C student, whose obsession with the rhythms and melodies of speech inspired him to write. Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighborhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. He reflects on how writing poetry helped him make sense of life’s challenges, such as his mother’s traumatic brain injury, and on his notable public presence, including an unprecedented three terms as United States poet laureate. Candid, engaging, and wry, Jersey Breaks offers an intimate self-portrait and a unique poetic understanding of American culture.
The Poet Laureate's clear and entertaining account of how poetry works. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing." As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. This ideal introductory volume belongs in the library of every poet and student of poetry.
“Since the death of Robert Lowell in 1977, no single figure has dominated American poetry the way that Lowell, or before him Eliot, once did . . . But among the many writers who have come of age in our fin de siècle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky.” —James Longenbach, The Nation With all the generosity and mastery we have come to expect from out three-time Poet Laureate, Robert Pinsky has written a bold, lyrical meditation on identity and culture as hybrid and fluid, violent as well as creative: the enigmatic, maybe universal, condition of the foundling. At the Foundling Hospital considers the foundling soul: its need to be adopted, and its need to be adaptive. These poems reimagine identity on the scale of one life or of human history: from “the emanation of a dead star still alive” to the “pinhole iris of your mortal eye.” What is a particular person? How unique? What is anyone born as? Born with? Born into? The poems of Robert Pinsky’s At the Foundling Hospital engage personality and culture as improvised from loss: a creative effort so pervasive it can be invisible.
Part of the Jewish Encounter series Poet, warrior, and king, David has loomed large in myth and legend through the centuries, and he continues to haunt our collective imagination, his flaws and inconsistencies making him the most approachable of biblical heroes. Robert Pinsky, former poet laureate of the United States, plumbs the depths of David’s life: his triumphs and his failures, his charm and his cruelty, his divine destiny and his human humiliations. Drawing on the biblical chronicle of David’s life as well as on the later commentaries and the Psalms—traditionally considered to be David’s own words—Pinsky teases apart the many strands of David’s story and reweaves them into a glorious narrative. Under the clarifying and captivating light of Pinsky’s erudition and imagination, and his mastery of image and expression, King David—both the man and the idea of the man—is brought brilliantly to life.
History of My Heart, winner of the William Carlos Williams Prize, first appeared in 1984. In The New Republic, J.D. McClatchy called it "one of the best books of the past decade." It is Pinsky's third volume of poems--and an ideal introduction to the work of a vital and original contemporary American poet.
Robert Pinsky, “our finest living example of [the American civic poet]” (New York Times), gathers poems that cope with the most extreme human emotions. Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate source for the urgent, varied experience of human emotion. Poems get under our skin; they offer solace with the balm, and the sting, of understanding. In The Book of Poetry for Hard Times, former Poet Laureate Robert Pinsky curates poems that explore the expanses of human emotion across centuries, from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood. Each poem reveals something new about our most profound and universal experiences; taken together they offer a sweeping ode to the power of poetry. “For anyone who knows these human feelings—and almost everyone does—this book will become an essential companion.”—Eavan Boland
Dollars, dolors. Callings and contrivances. King Zulu. Comus. Sephardic ju-ju and verses. Voodoo mojo, Special Forces. Henry formed a group named Professor Longhair and his Shuffling Hungarians. After so much renunciation And invention, is this the image of the promised end? All music haunted by all the music of the dead forever. Becky haunted forever by Pearl the daughter she abandoned For love, O try my tra-la-la, ma la belle, mah walla-woe. —from "Gulf Music" An improvised, even desperate music, yearning toward knowledge across a gulf, informs Robert Pinsky's first book of poetry since Jersey Rain (2000). On the large scale of war or the personal scale of family history, in the movements of people and cultures across oceans or between eras, these poems discover connections between things seemingly disparate. Gulf Music is perhaps the most ambitious, politically impassioned, and inventive book by this major American poet.
From "An Explanation of America" LAIR "Robert Pinsky" Inexhaustible, delicate, as if Without source or medium, daylight Undoes the mind; the infinite, Empty actual is too bright, Scattering to where the road Whispers, through a mile of woods Later, how quiet the house is: Dusk-like and refined, The sweet Phoebe-note Piercing from the trees; The calm globe of the morning, Things to read or to write Ranged on a table; the brain A dark, stubborn current that breathes Blood, a deaf wadding, The hands feeding it paper And sensations of wood or metal On its own terms. Trying to read I persist a while, finish the recognition By my breath of a dead giant's breath-- Stayed by the space of a rhythm, Witnessing the blue gulf of the air.
This is a small collection of poems expressing memories and fantasies, but more importantly serve as a backdrop to the discipline shown in the life of my father. Friends, real or fancied, here appear on a different kind of facebook. These faces have not aged in the decades since I first knew them and here they live from my heart, hidden no longer. Some fo the fantasies were inspired by the ficticous characters, "Dino," "Beach Boy," "Hamlet" and the "Saturday Night Fibber." Other poets grateful to have been quoted are: brother John Lash, Robert Pinsky, the former Poet Lauriate, Myra Burt and Ogden Nash who honored my long practice in allergy with his poem. DEDICATION: To Mother, a stately lady who gave me so much love; to the Haiberg family and Dorla, that flower who bloomed in the Dakotas and blessed me with daughter and sons and to Evelyn who contines that love. THANKS: to the Vencil family who tolerated me in critical times and also contributed to my thoughts expressed in these poems. Lastly, I thank DuEwa Frazier who motivated to take this endeavor by her own career in poetry.
In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other. The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers, offering judgments and enthusiasms from a viewpoint that is consistent but unstereotyped. Like his poetry, Robert Pinsky's criticism joins the traditional and the innovative in ways that are thoughtful and unmistakably his own. His book is a bold essay on the contemporary situation in poetry, on the dazzling achievements of modernism, and on the nature or "situation" of poetry itself.
The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.
Impassioned, Personal Poems From America's Poet Laureate "It spends itself regardless into the ocean. It stains and scours and makes things dark or bright: Sweat of the moon, a shroud of benediction, The chilly liquefaction of day to night, The Jersey rain, my rain, soaks all as one: It smites Metuchen, Rahway, Saddle River, Fair Haven, Newark, Little Silver, Bayonne. I feel it churning even in fair weather To craze distinction, dry the same as wet." --from "Jersey Rain" Jersey Rain--at once masterly and intimate--marks a fresh, lyrical stage of Robert Pinsky's work. Poems like "Samurai Song," "ABC," "Ode to Meaning," "To Television," and "The Green Piano" have already attracted a wide readership. Now, assembled in this book, they become part of a larger, fugue-like meditation on the themes of a life guided by Hermes: deity of music and deception, escort of the dead, inventor of instruments, the brilliant messenger and trickster of heaven.
America's Poet Laureate offers a fascinating journey inside the world of poetry to explore the fundamental workings of this literary art, explaining how different sounds can be used to express meaning and images. 25,000 first printing.
Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses. Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.
Truly the voice of the Jersey Shore." —Bruce Springsteen In late-1940s Long Branch, a historic but run-down Jersey Shore resort town, in a neighborhood of Italian, Black, and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father, and a rebellious tomboy mother, Pinsky was an unruly but articulate high school C student, whose obsession with the rhythms and melodies of speech inspired him to write. Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighborhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. He reflects on how writing poetry helped him make sense of life’s challenges, such as his mother’s traumatic brain injury, and on his notable public presence, including an unprecedented three terms as United States poet laureate. Candid, engaging, and wry, Jersey Breaks offers an intimate self-portrait and a unique poetic understanding of American culture.
When a one-hundred-year-old Swiss bank’s existence is threated by the global financial crisis, bank executives embark on a plan to claim the immense fortune of a client believed to have died in the Holocaust, and whose heirs are unaware of the massive inheritance they are in imminent danger of losing. US Treasury Consultant Jack Brennan becomes aware of the bank’s plan while investigating global money laundering operations. To thwart the bank’s efforts, he must decipher the hidden meaning of four equations found in a painting left behind by the ill-fated client. As time runs out, bank executives push harder to paper their scheme, obscuring their plot from prying eyes. Can Brennan see justice served on a powerful, influential bank? Or will the collusion of prominent members of the Swiss banking community succeed in thwarting his efforts? THIS IS AN ENTIRELY PLAUSIBLE AND VERY TOPICAL STORY! www.robertlandori.com
The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry. To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention. The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
Challenging the common perception of poets as standing apart from the mainstream of American culture, Robert von Hallberg gives us a fresh and unpredictable assessment of the poetry that has come directly out of the American experience since 1945. Who reads contemporary American poetry? More people than were reading new poetry in the 1920s, von Hallberg shows. How do poets respond to the public preoccupations of their readers? Often with fascination. Von Hallberg put the poems of Robert Creeley and John Ashbery together with the postwar outburst of systems analysis. The 1950s tourist poems of John Hollander, Adrienne Rich, W. S. Merwin, and James Merrill are treated as the cultural side of America's postwar rise to global political power There are chapters on the political poems of the 1950s and 1960s, and on Robert Lowell's sympathy for the imperialism of his liberal contemporaries. Poems of the 1970s on pop culture, especially Edward Dorn's Slinger, and some from the suburbs of the 1980s, are shown to reflect a curious peace between the literary and the mass cultures.
An original, engaging guide to creating a sustainable economy that will combat global warming while also improving our quality of life. Pick an environmental issue. Maybe air pollution, toxic waste, or deforestation. These all seem like solid choices, but none of these is actually an environmental problem--at least, not at its heart. Deep down, they are economic problems. Nearly all the issues we classify as environmental stem from defects in the DNA of America's current market system. This is emphatically true of our greatest environmental threat: global warming. With a focus on climate change, journalist and author Robert S. Devine reveals the fundamental flaws in the economy that enable environmental degradation. The Sustainable Economy is a book about economics, but it skips the equations and eases through the jargon, opting instead for compelling stories and surprising humor. Readers will encounter high-tech narwhals, struggling coal workers, orbiting giant mirrors, the kids who are suing the U.S. government over climate policy, and vanishing Alaskan towns. The Sustainable Economy looks at many of the most pressing climate issues, such as melting ice caps and farm-killing droughts, but by viewing them through the revealing lens of economics, the book delivers a fresh perspective. Devine shows how the basic mechanisms of supply and demand fail when it comes to global warming and the environment. Fortunately, he also lays out a path to an improved economy that can boost our well-being while also fostering a healthy environment. Most importantly, The Sustainable Economy shows how we can overcome the political and personal obstacles blocking progress toward a sustainable, just, and prosperous economy.
Proceedings in Memory of Robert Brooks, December 29, 2003-January 2, 2004 [and] January 5-9, 2004, Technion-Israel Institute of Technology, Haifa, Israel
Proceedings in Memory of Robert Brooks, December 29, 2003-January 2, 2004 [and] January 5-9, 2004, Technion-Israel Institute of Technology, Haifa, Israel
This volume contains articles based on talks given at the Robert Brooks Memorial Conference on Geometry and Spectral Theory and the Workshop on Groups, Geometry and Dynamics held at Technion - the Israel Institute of Technology (Haifa). Robert Brooks' (1952 - 2002) broad range of mathematical interests is represented in the volume, which is devoted to various aspects of global analysis, spectral theory, the theory of Riemann surfaces, Riemannian and discrete geometry, and numbertheory. A survey of Brooks' work has been written by his close colleague, Peter Buser. Also included in the volume are articles on analytic topics, such as Szego's theorem, and on geometric topics, such as isoperimetric inequalities and symmetries of manifolds. The book is suitable for graduate studentsand researchers interested in various aspects of geometry and global analysis.
Authoritative, comprehensive and definitive, Pulmonary Circulation builds on the success of its previous two editions by providing practising respiratory physicians with a highly-ordered, unique reference work on the structure, function and pathophysiology of the pulmonary circulation. New for the third edition: Thoroughly revised with comprehensive coverage from diagnosis and clinical evaluation of pulmonary hypertension, to imaging techniques, disorders and treatment A new truly global team of expert editors, authors and key opinion leaders provide a wealth of detail on the latest developments and issues New chapters, such as: paediatrics, critical care, special environments including high altitude and underwater More quality chapters, authors, illustrations with thorough and thoughtful referencing make this book a contemporary essential reference text Pulmonary Circulation remains an essential resource for pulmonary hypertension specialists and should prove invaluable in all respiratory, cardiac and intensive care units.
The Wall Street Journal called him “a living legend.” The London Times dubbed him “the most famous art detective in the world.” In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair. Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid. In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments. The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow. By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless. The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched. In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.
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