In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.
In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.
I first became interested in genealogy when I was about twelve. It was then that my paternal grandmother first introduced me to a book entitled Genealogy of the Fell Family in America Descended from Joseph Fell. This book, which was published in 1891, included my grandfather, Charles McConnell Lightburn. I was struck by the time span covered by the book—nearly three hundred years—and was fascinated by the fact that all of the people in that book were related to one another and to me either by blood or marriage! My grandmother later gave me that book, and it became the first book in my genealogical library. My grandfather and my great-aunt Mary told me that their father had fought for the North during the Civil War by the side of his older brother, who was a brigadier general. This fascinated me. They also told me that there was a town in West Virginia called Lightburn. I couldn’t wait to find it on a map! My own genealogical research did not begin until the late 1970s when I requested the Civil War records of my great grandfather, Calvin Luther Lightburn, and his brothers from the National Archives. During the 1980s, I continued my research, albeit at a very low level of activity. It was not until the early 1990s when I moved to the Washington, DC, area that I became intensively involved in—some might even say addicted to—genealogy. The resources in the Washington, DC, area are extensive, and I ended up spending many happy (and sometimes frustrating) hours conducting research in the National Archives, Library of Congress, and the library of the Daughters of the American Revolution. By 1999, I had amassed a great deal of genealogical information, most of which was stuffed in cardboard boxes. I was encouraged to put what I had on paper by Faye M. (Brown) Lightburn, who had published her book, Revolutionary Soldier Samuel Brown and Some of his Family in 1993. So after attending several related sessions at the National Genealogical Society Conference in the States, which was held that year in Providence, Rhode Island, I finally screwed up my courage and plunged in. I published the original book in 2003. This book is the second and probably last edition.
This remarkable exploration of the underbelly of New York City life from 1880 to 1930 takes readers through the city's inexhaustible variety of distinctive neighborhood cultures. Slumming in New York shows how the city's rich and poor, foreign-born and native-born, competed for a voice from such diverse vantage points as the East Side waterfront, the Bowery, the Tenderloin's "black bohemia," the Jewish Lower East Side, and mythic Harlem. Investigating a wide range of New York "slumming" narratives in which mainstream outsiders write about marginalized urban insiders, Robert M. Dowling shows how literary works transformed moral threats into cultural treasures.
Howard Frank Mosher has spent the greater part of his career depicting a relatively isolated section of Vermont known as the Northeast Kingdom. Yet, even as he writes about that particular area in the Green Mountain State, he is investigating age-old themes from among the best English and American literary works. His first novel, Disappearances (1977), signaled the arrival of a master craftsman harkening us back to Melville's Billy Budd and Moby-Dick, in terms of humankind's struggle against an ever present evil. A full 33 years after the publication of his first novel, the Vermont author, in Walking to Gatlinburg (2010), examined the polarity between cowardice and honor. In the intervening years, between Disappearances and Gatlinburg, Mosher explored crucial matters such as the disappearing wilderness, industrialization, black male/white female encounters, the necessity of humor, the quest for salvation, and the immortality of romantic love, all issues that he delved into as he staked out a unique terrain within the pantheon of Bunyan, Shakespeare, Dreiser, Twain, Faulkner, Steinbeck, Harper Lee, and others.
The different facets of American religious life are more thoroughly understood with an awareness of the Evangelical heritage that intersects the different denominational boundaries. Since Evangelicalism is not confined to one religious denomination or group, it has associations with a number of American religious movements such as Fundamentalism, Pentecostalism, the Charismatic Movement, and Revivalism. This study, modeled after the popular Greenwood Denominations in America series, analyzes the people, institutions, and the religious culture of modern American Evangelicals. Divided into three sections the book presents a history of American Evangelicalism, discusses themes and issues in modern American Evangelicalism, and provides a biographical dictionary of modern American Evangelical leaders. The combination of critical narrative and reference will appeal to religion scholars and American culture scholars alike. Separate bibliographies unique to the history section and to the themes and issues section provide valuable resources for further research. Equally helpful is the bibliographic material that completes each entry in the biographical dictionary section of the book. The three part organization makes this an accessible research tool, clearly organized for easy cross referencing.
Increased fluidity and pluralism in U.S. policy toward China in the post-Cold War period have led to growing non-governmental influence as both the administration and Congress have become the target of intense lobbying by organized groups concerned with human rights, trade opportunities, relations with Taiwan, and other hotly debated issues. This balanced study examines the central role of these organizations and shows how the recent movement toward a more consistent and coherent administration policy on China remains tentative and under attack, especially in the wake of Asian campaign contributions. Although recognizing that U.S. policymakers must consider a wider range of interests in the current political climate, Sutter argues that following the prevailing consensus among organized interests may lead to bad policy. Instead, he contends that U.S. foreign policy must strike a balance between satisfying domestic concerns while buttressing interests abroad.
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