Robert ParkeHarrison creates constructed photographs which tell stories of loss, struggle, and personal exploration within landscapes scarred by technology and over-use. He attempts to metaphorically and poetically link his laborious actions, idiosyncratic rituals and strangely crude machines into tales about our modern experience. The mythic world he creates mirrors our world, where nature is domesticated and controlled. The scenes display futile attempts to save or rejuvenate nature. His 'everyman' character patches holes in the sky, creates rain machines, chases storms to create electricity, communicates with the earth to learn its needs. Within these scenes, he creates less refined, less scientific, more ritualistic and poetic possibilities to work with nature rather than destroying it. The nature of his images and the process of their construction are interdisciplinary, embodying aspects of theater, sculpture, and painting, photography and performance. None of the images are real in the factual sense, but they are treated as precious talismans of a lost moment, a documented super-reality, whose message, like that of a myth, transcends the small realities of the day to day world.
Photographic Possibilities, Third Edition is a marvelously updated resource of innovative and traditional photographic processes that imagemakers have come to trust and depend on to enhance their technical knowledge, create astonishing pictures, and raise their visual consciousness. This concise and reliable handbook provides professional and advanced photography students with practical pathways of utilizing diverse photographic methods to produce engaging, expressive pictures from an informed aesthetic and conceptual position. This update, in full color for this first time, offers new links between analog and digital photography by featuring clear, up-to-date, step-by-step instructions on topics ranging from making ambrotypes and digital negatives to pre-picturemaking activities that utilize a thinking system to visually realize what is in your mind's eye in an effective and safe manner. This edition vividly showcases the thought-provoking work of over 140 international artists including Peter Beard, Dan Burkholder, Carl Chiarenza, Michael Kenna, Dinh Q. L̊, Joe Mills, Andrea Modica, Bea Nettles, France Scully and Mark Osterman, Robert & Shana ParkeHarrison, Holly Roberts, Martha Rosler, Mike and Doug Starn, John Sexton, Brian Taylor, Jerry Uelsmann, and Joel Peter Witkin as well as other major and emerging talents. Image captions explain how each artist technically realized their vision and concept. All technical information and resources have been refreshed to provide the latest data for acquiring the products needed for these processes. Above all, this comprehensive reference provides field-proven know-how, encouragement, inspiration, and a profuse compendium of promising photo-based explorations one can discover and pursue. * Two new chapters bridging digital and analog photography, including a discussion of digital negatives. * Explains key techniques of Photogram, Cyanotype, Photo Weaving, Gum Prints, and more. * Completely revised to include updated resources and the newest information on where to find products or how to replace discontinued products. * Includes breathtaking photographs displaying how artists can apply different approaches with insight and aesthetic concern.
A reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images.
Robert Hirsch’s Exploring Color Photography is the thinking photographer’s guide to color imagemaking. Now in its sixth edition, this pioneering text clearly and concisely instructs students and intermediate photographers in the fundamental aesthetic and technical building blocks needed to create thought-provoking digital and analog color photographs. Taking both a conceptual and pragmatic approach, the book avoids getting bogged down in complex, ever-changing technological matters, allowing it to stay fresh and engaging. Known as the Bible of Color Photography, its stimulating assignments encourage students to be adventurous and to take responsibility for learning and working independently. The emphasis on design and postmodern theoretical concepts stresses the thought process behind the creation of intriguing images. It’s extensive and inspiring collection of images and accompanying captions allow makers to provide insight into how photographic methodology was utilized to visualize and communicate their objectives. The text continues to deliver inspiring leadership in the field of color photography with the latest accurate information, ideas, commentary, history, a diverse collection of contemporary images, and expanded cellphone photography coverage. A "Problem Solving and Writing" chapter offers methods and exercises that help one learn to be a visual problem solver and to discuss and write succinctly about the concepts at the foundation of one’s work. Exploringcolorphotography.com, the companion website, has been revamped and updated to feature more student and teacher resources, including a new web-based timeline: As It Happened: A Chronological History of Color Photography.
The latest edition of this pioneering book allows students to acquire an essential foundation for digital photography. Fully updated, it clearly and concisely covers the fundamental concepts of imagemaking, how to use digital technology to create compelling images, and how to output and preserve images in the digital world. Exploring history, methods, and theory, this text offers classroom-tested assignments and exercises from leading photographic educators, approaches for analyzing, discussing, and writing about photographs, and tools to critically explore and make images with increased visual literacy. New to this fourth edition: Completely updated and renewed to reflect social trends and technological advances Highly reconstructed Chapter 3: Image Capture: Cameras, Lenses, and Scanners Revamped Chapter 4: Exposure: Capturing the Light Entirely new Chapter 8: Digital Studio: The Virtual and the Material Worlds Expanded smartphone photography coverage Featuring nearly 300 international artists and over 360 innovative images and illustrations New engaging assignments Ideal for undergraduate students of digital photography and hobbyist photographers.
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revised and updated to include the latest advances in technology and digital photography, as well as information on contemporary photographers such as Granville Carroll, Meryl McMaster, Cindy Sherman, Penelope Umbrico, and Yang Yongliang. New topics include the rise of mobile photography and surveillance cameras, drone photography, image manipulation, protest and social justice photography, plus the roles of artificial intelligence and social media in photography. Highly illustrated with over 250 full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for those newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work.
The classic book on color photography is back in print and completely revamped for a digital photography audience! Learn from step-by-step instruction, illustrative charts, and unbelievably inspirational imagery in this guide meant just for color photographers. World renowned artists give you insight as to "how they did that" and the author provides challenging assignments to help you take photography to a new level. With aesthetic and technical instruction like no other, this book truly is the bible for color photographers. Be sure to visit the companion website, featuring portfolios and commentary by contemporary artists: www.exploringcolorphotography.com
Adapted from the 2-million-copy U.S. bestseller All New Square Foot Gardening, this new edition brings the proven principles, easy system and guaranteed outcomes to British gardeners. Thoroughly redesigned and converted to the metric system, plant selections have been adjusted for British and Northern European climates and growing seasons. The language has been Anglicized to communicate in a precise and natural way with British gardeners, while still retaining the inspirational 'can-do' attitude that has made Mel Bartholomew such a gardening phenomenon in his home country. Particularly suited for beginners, or those with poor soil, this is the perfect system for getting huge yields in a small space.
In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
The Fourth Edition of Environmental Communication and the Public Sphere remains the only comprehensive introduction to the growing field of environmental communication, ranging from an historical overview of key terms to important legal and technological developments. This innovative book focuses on how human communication influences the way we perceive and act in the environment. It also examines how we interpret environmental “problems” and decide what actions to take with regard to the natural world. Three-time president of the Sierra Club, the largest environmental group in the United States, lead author Robert Cox leverages his vast experience to offer insights into the news media, Congress, environmental conflict, advocacy campaigns, and other real-world applications of environmental communication. New coauthor Phaedra Pezzullo brings two decades of applied experience working with grassroots environmental justice and health organizations, citizen advisory boards, and student-led campaigns, as well as her internationally recognized research on toxic pollution, social injustices, public advocacy, and more. The authors introduce the reader to the major areas, terms, and debates of this evolving field. The Fourth Edition incorporates major revisions that include four new chapters on visual and popular culture, digital media and activism, the sustainability of college and corporation campuses, and the legal “standing” of citizens and nature. Updates throughout the text draw on timely topics including visual communication used in climate science campaigns, fracking and challenges to the right to know, plastic bag bans, consumer apps, digital activism for environmental justice, green marketing, and arguments on giving legal rights to nonhuman entities from dolphins to rivers.
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