Florida has been the location and subject of hundreds of feature films, from Cocoanuts (1929) to Monster (2004). Portraying the state and its people from the silent era to the present, these films have explored the multitude of Florida images and cliches that have captured the public's imagination--a nature lover's paradise, a wildlife refuge, a tourist destination, home to the "cracker," and a haven for the retired, the rich, the immigrant, and the criminal. Sunshine in the Dark is the first complete study of how the movie industry has immortalized Florida’s extraordinary scenery, characters, and history on celluloid. Historians Fernández and Ingalls have identified more than 300 films about Florida--many of them shot on location in the state--to analyze how filmmakers from the Marx Brothers and John Huston to Oliver Stone and Francis Ford Coppola have portrayed the state and its people. Prior to the 1960s, cinematic trips to Florida usually brought happy endings in movies like Moon Over Miami (1942), but since the 1970s, films like Scarface (1982) have emphasized the state's menacing aspects. In the authors' analysis of the films, which examines location settings, plotlines, and characters, they find a bevy of Florida stereotypes among the leading characters--from the struggling crackers in The Yearling (1946) to the drug-addicted con man in Adaptation (2002). Featuring more than 100 still photographs from movies, as well as filmographies by year and genre, the book is an encyclopedic resource for movie fans and anyone interested in Florida popular culture.
The transformation of the American South--from authoritarian to democratic rule--is the most important political development since World War II. It has re-sorted voters into parties, remapped presidential elections, and helped polarize Congress. Most important, it is the final step in America's democratization. Paths Out of Dixie illuminates this sea change by analyzing the democratization experiences of Georgia, Mississippi, and South Carolina. Robert Mickey argues that Southern states, from the 1890s until the early 1970s, constituted pockets of authoritarian rule trapped within and sustained by a federal democracy. These enclaves--devoted to cheap agricultural labor and white supremacy--were established by conservative Democrats to protect their careers and clients. From the abolition of the whites-only Democratic primary in 1944 until the national party reforms of the early 1970s, enclaves were battered and destroyed by a series of democratization pressures from inside and outside their borders. Drawing on archival research, Mickey traces how Deep South rulers--dissimilar in their internal conflict and political institutions--varied in their responses to these challenges. Ultimately, enclaves differed in their degree of violence, incorporation of African Americans, and reconciliation of Democrats with the national party. These diverse paths generated political and economic legacies that continue to reverberate today. Focusing on enclave rulers, their governance challenges, and the monumental achievements of their adversaries, Paths Out of Dixie shows how the struggles of the recent past have reshaped the South and, in so doing, America's political development.
Compared to the early decades of the 20th century, when scholarly writing on African Americans was limited to a few titles on slavery, Reconstruction, and African American migration, the last thirty years have witnessed an explosion of works on the African American experience. With the Civil Rights and Black Power movements of the 1960s came an increasing demand for the study and teaching of African American history followed by the publication of increasing numbers of titles on African American life and history. This volume provides a comprehensive bibliographical and analytical guide to this growing body of literature as well as an analysis of how the study of African Americans has changed.
Labor Divided is the first anthology on race, ethnicity and the history of American working-class struggles to give substantial attention to the experiences of African-American, Asian, and Hispanic workers as well as to the experiences of workers from European backgrounds. The essays in Labor Divided cover a time period of more than a century. They focus on the experiences of service workers as well as factory workers, women as well as men. Because the American labor force presently is absorbing significant numbers of workers from abroad, and especially Asian and Hispanic workers, this volume will be of great interest to readers seeking historical perspectives on contemporary economic developments.
First published in 1996, All the Nations Under Heaven has earned praise and a wide readership for its unparalleled chronicle of the role of immigrants and migrants in shaping the history and culture of New York City. This updated edition of a classic text brings the story of the immigrant experience in New York City up to the present with vital new material on the city’s revival as a global metropolis with deeply rooted racial and economic inequalities. All the Nations Under Heaven explores New York City’s history through the stories of people who moved there from countless places of origin and indelibly marked its hybrid popular culture, its contentious ethnic politics, and its relentlessly dynamic economy. From Dutch settlement to the extraordinary diversity of today’s immigrants, the book chronicles successive waves of Irish, German, Jewish, and Italian immigrants and African American and Puerto Rican migrants, showing how immigration changes immigrants and immigrants change the city. In a compelling narrative synthesis, All the Nations Under Heaven considers the ongoing tensions between inclusion and exclusion, the pursuit of justice and the reality of inequality, and the evolving significance of race and ethnicity. In an era when immigration, inequality, and globalization are bitterly debated, this revised edition is a timely portrait of New York City through the lenses of migration and immigration.
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