This book explores the various ways in which individuals use music and culture to understand and respond to changes in their natural and built environments. Drawing on over 15 years of ethnographic fieldwork, interviews, and participant observation, the author develops the thesis that the relationships, networks, and intimate forms of social interaction in the “portable” community cultivated at bluegrass festival events are significant cultural formations that shape participants’ relationships to their localities. With specific attention to the ways in which the strength of these relationships are translated into meaningful sites of community identity, place, and action following devastating local floods that destroyed homes and businesses, displacing residents for years, The Portable Community: Place and Displacement in Bluegrass Festival Life sheds light on the strength of such communities when tested and under external threat. A study of the central role of arts and music in grappling with social and environmental change, including their role in facilitating disaster relief and recovery, this volume will appeal to scholars of sociology with interests in symbolic interactionism, the sociology of music, culture, and the sociology of disaster.
This book explores the various ways in which individuals use music and culture to understand and respond to changes in their natural and built environments. Drawing on over 15 years of ethnographic fieldwork, interviews, and participant observation, the author develops the thesis that the relationships, networks, and intimate forms of social interaction in the “portable” community cultivated at bluegrass festival events are significant cultural formations that shape participants’ relationships to their localities. With specific attention to the ways in which the strength of these relationships are translated into meaningful sites of community identity, place, and action following devastating local floods that destroyed homes and businesses, displacing residents for years, The Portable Community: Place and Displacement in Bluegrass Festival Life sheds light on the strength of such communities when tested and under external threat. A study of the central role of arts and music in grappling with social and environmental change, including their role in facilitating disaster relief and recovery, this volume will appeal to scholars of sociology with interests in symbolic interactionism, the sociology of music, culture, and the sociology of disaster.
Known as "the bible" to Los Angeles architecture scholars and enthusiasts, Robert Winter and David Gebhard's groundbreaking guide to architecture in the greater Los Angeles area is updated and revised once again. From Art Deco to Beaux-Arts, Spanish Colonial to Mission Revival, Winter discusses an impressive variety of architectural styles in this popular guide that he co-authored with the late David Gebhard. New buildings and sites have been added, along with all new photography. Considered the most thorough L.A. architecture guide ever written, this new edition features the best of the past and present, from Charles and Henry Greene's Gamble House to Frank Gehry's Disney Philharmonic Hall. This was, and is again, a must-have guide to a diverse and architecturally rich area. Robert Winter is a recognized architectural historian who lives in Los Angeles, and has led architectural tours through the Los Angeles area since 1965. He is a professor at Occidental College in Los Angeles.
Rhode Island sent 23,236 men to fight in the Civil War. They served in eight infantry regiments, three heavy artillery regiments, three regiments and one battalion of cavalry, a company of hospital guards and 10 batteries of light artillery. Hundreds more served in the U.S. Army, Navy and Marine Corps. Rhode Islanders participated in nearly every major battle of the war, firing the first volleys at Bull Run, and some of the last at Appomattox. How many died in the Civil War is a question that has long eluded historians. Drawing on a 20-year study of regimental histories, pension files, letters, diaries, and visits to every cemetery in the state, award-winning Civil War historian Robert Grandchamp documents 2,217 Rhode Islanders who died as a direct result of military service. Each regiment is identified, followed by the name, rank and place of residence for each soldier, the details of their deaths and, where known, their final resting places.
This new edition of Eric Yates-Owen and Robert Fournier's classic book on British studio potters' marks contains new and revised entries for many potters, with up-to-date information about the artists' styles, marks and addresses. Entries are arranged alphabetically, with each entry giving biographical data, information on the type of ceramics produced, the location of the pottery and dates indicating when marks have changed, as well as images of the different marks used. Three useful indexes enable the reader to search by mark rather than maker, in various categories such as creatures, monograms and signs. Revised by expert collector James Hazlewood, British Studio Potters' Marks, third edition, is the essential reference guide for collectors of British studio pottery.
The tiny state of Colima on Mexico’s Pacific coast is one of the three most biodiverse hot spots in the world. Straddling temperate and tropical zones, with rugged topography ranging from a volcanic mountaintop to sandy beaches, the state shelters nearly half—66—of Mexico’s species of Chiroptera, or bats. In this volume, studded with more than 200 full-color photographs and maps, a team of mammalogists from Mexico and the United States marshal information gathered over decades to present a comprehensive portrait of the bats of Colima. Bats of Colima, Mexico provides readers with the tools necessary to understand and identify each species of Colima’s bat population, from the sac-winged bats of family Emballonuridae to the mustached bats of family Mormoopidae. A dichotomous key indicates how each bat can be differentiated and describes the seven families within which they fall. The authors provide an in-depth description of each species, including a photograph, a map of its distribution across Colima, and information on habitat, reproduction, conservation status, and more. By calling attention to Colima’s rich chiropteran fauna, Bats of Colima, Mexico should not only foster interest in the rich biodiversity of the region but also nurture further collaboration between scientists and naturalists in the United States and Mexico.
A portrait of the visual historian illuminates his role in establishing photography as a valued documenting tool, analyzing his portraits of period dignitaries and his self-sacrificing effort to capture images of the Civil War.
Extraordinary . . . A transformative experience for the reader." —Lucy Sante "A large-hearted, wide-angled book . . . I couldn't put it down." —Ian Frazier A personal exploration of the American West and the work of one of America’s greatest photographers. Timothy O’Sullivan is America’s most famous war photographer. You know his work even if you don’t know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work “surrealistic and disturbing.” At the same time, we know very little about O’Sullivan himself. Nor do we know—really know—much more about the landscapes he captured. Robert Sullivan’s Double Exposure sets off in pursuit of these two enigmas. This book documents the author’s own road trip across the West in search of the places, many long forgotten or paved over, that O’Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means. Sullivan, known for his probing investigations of place in the pages of The New Yorker and books like Rats and My American Revolution, has produced a work that, like O’Sullivan’s magisterial photos of geysers and hot springs, exposes a fissure in the American landscape itself.
This text offers a major reassessment of the life and thought of the distinguished 19th century industrial philanthropist and educational reformer, Robert Owen. In a period when Owen's radical new visions for learning and teaching, adult and vocational pedagogy and social transformation are receiving fresh and global attention, Robert Davis and Frank O'Hagan place Owen's thought right at the heart of the Enlightenment advocacy of popular, democratic mass education. Tracing both the ancestry and the legacy of Owen's reforming spirit, they also offer a critical appraisal of the relevance of his ideas for the development of education at all levels and stages in the challenging contexts of international 21st century education.
From the deadly shores of North Africa to the invasion of Sicily to the fierce jungle hell of the Pacific, the contribution of the World War II Ranger Battalions far outweighed their numbers. They were ordinary men on an extraordinary mission, experiencing the full measure of the fear, exhaustion, and heroism of combat in nearly every major invasion of the war. Whether spearheading a landing force or scouting deep behind enemy lines, these highly motivated, highly trained volunteers led the way for other soldiers -- they were Rangers. With first-person interviews, in-depth research, and a complete appendix naming every Ranger known to have served, author Robert Black, a Ranger himself, has made the battles of WWII come to life through the struggles of the men who fought to win the greatest war the world has ever seen.
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