This book is a follow up to the author's successful first book on the show. In this, he writes about the final three seasons. The author's passionate introspection contains cast profiles and commentary from the stars on each episode.
In considering the question of publishing these letters, which are all that ever passed between my father and mother, for after their marriage they were never separated, it seemed to me that my only alternatives were to allow them to be published or to destroy them. I might, indeed, have left the matter to the decision of others after my death, but that would be evading a responsibility which I feel that I ought to accept. Ever since my mother's death these letters were kept by my father in a certain inlaid box, into which they exactly fitted, and where they have always rested, letter beside letter, each in its consecutive order and numbered on the envelope by his own hand. My father destroyed all the rest of his correspondence, and not long before his death he said, referring to these letters: 'There they are, do with them as you please when I am dead and gone!' A few of the letters are of little or no interest, but their omission would have saved only a few pages, and I think it well that the correspondence should be given in its entirety. I wish to express my gratitude to my father's friend and mine, Mrs. Miller Morison, for her unfailing sympathy and assistance in deciphering some words which had become scarcely legible owing to faded ink. R.B.B.
This carefully crafted ebook: "The Love Letters of Robert Browning and Elizabeth Barrett Barrett" is formatted for your eReader with a functional and detailed table of contents. In 1845, Browning met the poet Elizabeth Barrett, six years his elder, who lived as a semi-invalid in her father's house in Wimpole Street, London. They began regularly corresponding and gradually a romance developed between them, leading to their marriage and journey to Italy (for Elizabeth's health) on 12 September 1846. The marriage was initially secret because Elizabeth's domineering father disapproved of marriage for any of his children. Mr. Barrett disinherited Elizabeth, as he did for each of his children who married: "The Mrs. Browning of popular imagination was a sweet, innocent young woman who suffered endless cruelties at the hands of a tyrannical papa but who nonetheless had the good fortune to fall in love with a dashing and handsome poet named Robert Browning." Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. Elizabeth Barrett Browning (1806 - 1861) was one of the most prominent English poets of the Victorian era. Her poetry was widely popular in both Britain and the United States during her lifetime. This carefully crafted ebook: "The Love Letters of Robert Browning and Elizabeth Barrett Barrett" is formatted for your eReader with a functional and detailed table of contents. In 1845, Browning met the poet Elizabeth Barrett, six years his elder, who lived as a semi-invalid in her father's house in Wimpole Street, London. They began regularly corresponding and gradually a romance developed between them, leading to their marriage and journey to Italy (for Elizabeth's health) on 12 September 1846. The marriage was initially secret because Elizabeth's domineering father disapproved of marriage for any of his children. Mr. Barrett disinherited Elizabeth, as he did for each of his children who married: "The Mrs. Browning of popular imagination was a sweet, innocent young woman who suffered endless cruelties at the hands of a tyrannical papa but who nonetheless had the good fortune to fall in love with a dashing and handsome poet named Robert Browning." Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. Elizabeth Barrett Browning (1806 - 1861) was one of the most prominent English poets of the Victorian era. Her poetry was widely popular in both Britain and the United States during her lifetime.
This huge exploration of faith, tolerance, hatred, extermination, love, loyalty, self-sacrifice and hope in despair, is the first panel of a central diptych on the Reformation, and the heart of the wider tetralogy of Meyerbeer’s grand operas, where issues of power, religion and love are examined in a variety of modes. For five years after the sensational première of Robert le Diable, Meyerbeer was thought to be resting on his laurels. Instead, he was drudging over a gigantic drama, partly adapted by Scribe from Merimée's Chronique de Charles IX. It was hardly believed possible that the esrlier success could be repeated. Most of the vivid details gleaned from every available document related to the time, were the composer's contribution to Les Huguenots. The music for this sombre tapestry of the Saint Bartholomew Massacre springs from the core of the vivid action and creates a panoramic alternation of moods, that capture the tragedy of religious intolerance and personal anguish in one of the most fraught events in history when some 30,000 French Protestants were murdered during the night of 24 August 1574. Meyerbeer’s music rises to occasion, and reaches sublime heights of music drama, especially in the fourth and fifth acts, with the Benediction of the Catholic Daggers—one of the most electrical scenes in all opera—the more powerful Love Duet, and the trio of martyrdom in the last moments of the opera. Spectacle was incorporated in the plot, in Meyerbeer’s concern to conjure up the couleur locale of those heroic times. The evocation of Marguerite de Valois’s court at Chenonceaux, the recreation of late Medieval Parisian life with its Gypsy revels and the religionists' riots in the Pré-aux-Clercs, the wedding fete in the Hotel de Nesle, all grow out of the central idea. Meyerbeer was also very successful in his characterizations of individuals: the dreamy idealist Raoul, the passionate and self-sacrificing Valentine, the fanatical and implacable St Bris, the rough stolid Marcel, the elegant and capricious queen, the somewhat flamboyant but always honorable Nevers. All come to life in this score. The opera became enormously popular, its various arias a touchstone of operatic lyricism, and by 1936 had been performed 1120 times in at the Paris Opéra alone. In spite of its overwhelming dramatic power and instrumental riches of the score, the most significant aspect of the work came to regarded the supremacy of the vocal parts. Performances at the Metropolitan Opera in new York during the 1890s were among the the most famous in operatic history. Here performances attained a legendary status, the so-called nuits des sept étoiles (“the Nights of the Seven Stars”), as in 1894 with Nellie Melba, Lillian Nordica, Sofia Scalchi, Jean de Reszke, Edouard de Reszke, Pol Plançon, and Victor Maurel Once again George Sand summed up with incomparable insight the essence of Meyerbeer’s musico-dramatic achievement. “From stone floors that no Protestant knee ever warms, solemn voices seemed to resound, the tones of a calm, secure triumph and the expiring sighs and murmurings of a tranquil end, resigned, confident, without death-rattle or lamentation. It was the voice of Calvinist martyrdom, a martyrdom without ecstasy or delirium, a torment where suffering is stifled by austere pride and august certainty... These imaginary hymns naturally assumed in my mind the form of that fine canticle in your opera, The Huguenots; and, while I dreamt I heard the cries of Catholic indignation and a sharp volley of musketry outside, a tall figure passed before my eyes, one of the noblest dramatic figures, one of the loveliest personifications of the idea of faith that art has ever produced in our time: Meyerbeer's Marcel. And I saw that bronze statue standing clothed in buffalo hide, quickened by the divine fire the composer had brought down upon him. I saw him, Maestro, forgive me my presumption, just as he must have appeared to you when you sought him at the uncompromising and steadfast hour of noon under the glowing arches of some Protestant church, vast and luminous as this one. Though you are a musician, you are more a poet than any of us! In what secret recess of your soul, in what hidden treasury of your mind did you find those clear, pure features, that concept, simple as antiquity, true as history, lucid as conscience, strong as faith? ....” The facsimile edition of the manuscript of this famous work, for so long kept private and then thought lost after the Second World War, enables lovers of opera to examine for themselves the compositional procedure of its great and often misunderstood creator. One can see the extent to which curtailment of the original conception was needed on the eve of the premiere: in the ensembles of both act 1 and 3 Meyerbeer’s complex developments had to be reduced. The ever present problem of censorship also meant that the original idea of depicting Catherine de’ Medici on stage as the instigator of the massacre had to be radically altered and her role substituted by the Comte de Saint Bris. The famous viola d’amore accompaniment to Raoul’s rhapsodic act 1 romance (“Plus blanche que la blanche hermine”) was originally conceived for the cello. The extraordinary Andante amoroso for the central part of the love duet also indicates Meyerbeer’s preparedness to act on a good idea: in this case Adolphe Nourrit’s suggestion that the cantabile be expanded. To see the MS of such a famous opera is both a moving and stimulating experience.
The classic introductory text offers a balanced survey of Ecology. It is best known for its vivid examples from natural history, comprehensive coverage of evolution and quantitative approach. Due to popular demand, the fifth edition update brings twenty new data analysis modules that introduce students to ecological data and quantitative methods used by ecologists.
Any on-screen schmuck can take down a wolfman with a silver bullet. It takes a certain kind of hero to hoist that wolfman overhead into an airplane spin, follow with a body slam, drop an atomic elbow across his mangy neck, leg-lock him until he howls, and pin his furry back to the mat for a three-count. It takes a Mexican masked wrestler. Add a few half-naked vampire women, Aztec mummies, mad scientists, evil midgets from space, and a goateed Frankenstein monster, and you have just some of the elements of Mexican masked wrestler and monster movies, certainly among the most bizarre, surreal and imaginative films ever produced. This filmography features some of the oddest cinematic showdowns ever concocted--Mexican masked wrestlers battling monsters, evil geniuses and other ne'er-do-wells, be it in caves, cobwebbed castles or in the ring. From the 1950s to the 1970s, these movies were staples of Mexican cinema, combining action, horror, sex, science fiction and comedy into a bizarre amalgam aimed to please the whole family. Chapters examine the roots of the phenomenon, including the hugely popular masked wrestling scene and the classic Universal horror films from which Mexican filmmakers stole without compunction. Subsequent chapters focus on El Santo, Blue Demon, and Mil Mascaras, the three most prominent masked wrestlers; wrestling women; other less prominent masked wrestlers; and the insane mish-mash of monsters pitted against the heroes. Each chapter includes background information and a full filmography, and a wide assortment of striking illustrations--posters, lobby cards and other graphic material, some better than the movies they advertised--accompany the text.
Building on the third year readings of Cicero, Henle Fourth Year Latin uses Cicero and Virgil as stepping stones to an interpretation of Christian humanism. Separated into four parts, this final volume of the Henle Latin Series includes an analysis of The Aeneid, unique exercises based on the writings of Cicero, and more. Humanistic insight and linguistic training are the objectives of the Henle Latin Series from Loyola Press, an integrated four-year Latin course. Time-tested and teacher endorsed, this comprehensive program is designed to lead the student systematically through the fundamentals of the language itself and on to an appreciation of selected classic texts.
The motivation for us to conceive this series of volumes on regulation was mainly our belief that it would be fun, and at the same time productive, to approach the subject in a way that differs from that of other treatises. We thought it might be interesting and instructive for both author and reader-to examine a particular area of investigation in a framework of many different problems. Cutting across the traditional boundaries that have separated the subjects in past volumes on regulation is not an easy thing to do-not because it is difficult to think of what interesting topics should replace the old ones, but because it is difficult to find authors who are willing to write about areas outside those pursued in their own laboratories. Anyone who takes on the task of reviewing a broad area of interest must weave together its various parts by picking up the threads from many different laboratories, and attempt to produce a fabric with a meaningful design. Finding persons who are likely to succeed in such a task was the most difficult part of our job. In the first volume of this treatise, most of the chapters dealt with the mechanisms of The second volume involved a somewhat regulation of gene expression in microorganisms. broader area, spanning the prokaryotic-eukaryotic border. Topics ranged from phage mor phogenesis to the role of gradients in development. The last volume-Volume 3A-con cerned hormones, as does this volume-Volume 3B.
Beginning Scribus is the book you wish you’d read when you downloaded Scribus for the first time. Scribus is an award-winning page-layout program used by newspaper designers, magazine designers and those who want to do proper page layout but not pay for an expensive solution. It is free and Open Source, providing a useful alternative for those who cannot afford or choose not to use Adobe InDesign or QuarkXpress. Beginning Scribus provides you with the skills you will need in order to use this program productively. It demonstrates the techniques used by printers and publishers in order to create a range of layouts and effects, and it shows you how you can use these techniques to design everything from a flyer to a three-fold brochure. Using the latest Scribus release, Beginning Scribus takes you through the process of designing a magazine from start to finish and teaches you some of the tricks of professional page layout and design. The book also provides a definitive guide to desktop publishing using free, open source tools, such as GIMP for photo manipulation.
Intrauterine development and birth constitute an uninterrupted sequence of events that have a molecular physiologic background. Perinatal Biochemistry presents a comprehensive review of this subject. Specific topics addressed include maternal metabolism during pregnancy, maternal insulin resistance, embryonic and fetal metabolism and fuel consumption, the fetal pancreas, growth factors, brain metabolism, and biochemical adaptations to early extrauterine life. The book will be useful to biochemists and physiologists interested in perinatology; clinicians working in areas related to maternal health, gestational development, and delivery; gynecologists, neonatologists; pediatricians; endocrinologists; and internists.
The motivation for us to conceive this series of volumes on regulation was mainly our belief that it would be fun, and at the same time productive, to approach the subject in a way that differs from that of other treatises. We thought it might be interesting and instructive for both author and reader-to examine a particular area of investigation in a framework of many different problems. Cutting across the traditional boundaries that have separated the subjects in past volumes on regulation is not an easy thing to do-not because it is difficult to think of what interesting topics should replace the old ones, but because it is difficult to find authors who are willing to write about areas outside those pursued in their own laboratories. Anyone who takes on the task of reviewing a broad area of interest must weave together its various parts by picking up the threads from many different laboratories, and attempt to produce a fabric with a meaningful design. Finding persons who are likely to succeed in such a task was the most difficult part of our job. In the first volume of this treatise, most of the chapters dealt with the mechanisms of regulation of gene expression in microorganisms. The second volume involved a somewhat broader area, spanning the prokaryotic-eukaryotic border. Topics ranged from phage morphogenesis to the role of gradients in development. This third volume-Volume 3A concerns hormones, as does the forthcoming companion volume-Volume 3B.
This book examines the sustained interest in legends of the pagan and peripheral North, tracing and analyzing the use of an ‘out-of-Scandinavia’ legend (Scandinavia as an ancestral homeland) in a wide range of medieval texts from all over Europe, with a focus on the Anglo-Saxon tradition. The pagan North was an imaginative region, which attracted a number of conflicting interpretations. To Christian Europe, the pagan North was an abject Other, but it also symbolized a place from which ancestral strength and energy derived. Rix maps how these discourses informed ‘national’ legends of ancestral origins, showing how an ‘out-of-Scandinavia’ legend can be found in works by several familiar writers including Jordanes, Bede, ‘Fredegar’, Paul the Deacon, Freculph, and Æthelweard. The book investigates how legends of northern warriors were first created in classical texts and since re-calibrated to fit different medieval understandings of identity and ethnicity. Among other things, the ‘out-of-Scandinavia’ tale was exploited to promote a legacy of ‘barbarian’ vigor that could withstand the negative cultural effects of Roman civilization. This volume employs a variety of perspectives cutting across the disciplines of poetry, history, rhetoric, linguistics, and archaeology. After years of intense critical interest in medieval attitudes towards the classical world, Africa, and the East, this first book-length study of ‘the North’ will inspire new debates and repositionings in medieval studies.
As the Internet user experience (UX) progresses, more users are demanding and expecting their custom-built business applications to provide the same UX that they see on the Internet every day. ASP.NET 3.5 AJAX Unleashed empowers ASP.NET developers to easily provide this type of experience with minimal code. Author Rob Foster has built AJAX-enabled web applications for a number of major corporations and uses the experience he has gained there to explain concisely, clearly, and completely what ASP.NET developers need to learn to start taking advantage of the rich opportunities made possible by ASP.NET AJAX. Learn ASP.NET AJAX by working with real-world examples Use the ScriptManager and ScriptManagerProxy controls in your ASP.NET AJAX-enabled applications Leverage the ASP.NET AJAX client-side API to maximize the flexibility of ASP.NET AJAX Build applications that use the UpdatePanel and Timer controls Use the ASP.NET AJAX Control Toolkit to provide rich AJAX functionality to your web applications Build ASP.NET AJAX-enabled extender controls Integrate ASP.NET AJAX and .NET 3.5 with Microsoft Office SharePoint Server 2007 Create ASP.NET AJAX-enabled Windows Vista Gadgets Learn advanced AJAX concepts such as JavaScript Object Notation (JSON) and WCF Web services
Farming in Miniature is an essential guide for collectors of British toy models interested in farm tractors, farm horses and associated agricultural equipment. The manufacturers / brands are arranged alphabetically. Each manufacturer has its own chapter introduced by an account of its history. These introductions cross-refer to the captioned photographs that follow and which make up the bulk of the chapters. In their general introduction the authors say that they have attempted to illustrate all significant variations of colour and packaging, particularly of rare or unusual models, so as to make the book as comprehensive as possible. The three authors, all leading authorities, have drawn on their extensive past experience coupled with another five years to research, write and prepare photographs.
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