This inside look at the production of 20th century television commercials begins with a review of advertising's beginnings going through the 1960s and early 1970s. The author, a career "Mad man," recounts lightheartedly his experiences on commercial productions--both live and film--in theaters and studios in New York City, at LBJ's ranch, on the White House lawn, along Rome's Appian Way, in Lady Astor's dining room and on the Tryall Golf Course in Jamaica, among other places. The technical (and people) challenges involved in producing high-end commercials for major corporations are given in often funny detail.
This book is both a personal and a philosophical autobiography of Robert S. Hartman, the creator of formal axiology. After experiencing first-hand the horrible effects of World War I and the beginnings of Nazism in Germany, Hartman wondered what could be done to organize goodness instead of badness - for a change. First, the concept of good must be defined. Next, different kinds of goodness, like intrinsic, extrinsic, and systemic, must be differentiated. Then this understanding must be used to comprehend and to change the world, including its economic, political, military, religious, educational, intellectual, and psychological dimensions. By telling his own story, Hartman gives his readers a glimpse of the form of the good and of a much better world.
Though for many years the most noted of American infidels, Colonel Ingersoll was born and reared in a devoutly Christian household. His father, John Ingersoll, was a Congregationalist minister and a man of mark in his time, a deep thinker, a logical and eloquent speaker, broad minded and generously tolerant of the views of others. The popular impression which credits Ingersoll's infidelity in the main to his father's severe orthodoxy and the austere and gloomy surroundings in which his boyhood was spent is wholly wrong. On the contrary the elder Ingersoll's liberal views were a source of constant trouble between him and his narrow-minded parishioners. They caused him to frequently change his charges, and several times made him the defendant in church trials. His ministerial career was, in fact, substantially brought to a close by a church trial which occurred while he was pastor of the Congregational Church at Madison, Ohio, and at which his third wife appeared as prosecutor. Upon this occasion he was charged with prevarication and unministerial conduct. The evidence adduced-the trial is one of the abiding traditions of the dull little town of Madison-was of the most trivial and ridiculous character, but the committee which heard it decided that though he had done "nothing inconsistent with his Christian character," he was "inconsistent with his ministerial character," and forbade him to preach in the future. Elder John went before the higher church authorities and was permitted to continue his clerical labors. However, he soon removed to Wisconsin, going from there to Illinois, where he died. The Madison trial occurred when young Robert was nine years old, and it was the unjust and bigoted treatment his father received which made him the enemy, first of Calvinism, and later of Christianity in its other forms.
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In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies. Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide- ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.
Humanity suffers from an Emotional Plague, declared Dr. Wilhelm Reich. For his controversial ideas, his books were banned and burned, and he died in prison. Robert Anton Wilson explores the trials of Reich in this essay and play script. In his introduction, Dr. Christopher S. Hyatt writes, "Wilhelm Reich In Hell is an appropriate title for the horrific experiences that Dr. Reich, our hero, endured. Dr. Wilson's sensitive and insightful expression, using two literary forms, provides the reader who is interested in the effects of the "Whirling" Inquisition against the Mind with insights both subtle and daring." "Wilson managed to reverse every mental polarity in me, as of I had been pulled through infinity. I was astonished and delighted." - Philip K. Dick, author of VALIS, Do Androids Dream of Electric Sheep? (Blade Runner) and other great books "A dazzling barker hawking tickets to the most thrilling tilt-a-whirls and daring loop-o-planes on the midway of higher consciousness." - Tom Robbins, author of Even Cowgirls Get the Blues, Jitterbug Perfume and other great books "Erudite, witty and genuinely scary..." - Publishers Weekly "One of the leading thinkers of the modern age." - Barbara Marx Hubbard, Foundation for Conscious Evolution
Thanks for reading this. It has been my plesure to write this and it will be my pleasure to teach and expand this knowledge. Robert Antill ( all I said was that this fish was definately not good enough for Jehovah ) Thanks to everyone in the world for your help and for your inspiration I am looking forward to a brighter future for all of us
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