Some beg for forgiveness. Others claim innocence. At least three cheer for their favorite football teams. Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney. The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there. Last Words of the Executed is not a political book. Rather, Elder simply asks readers to listen closely to these voices that echo history. The result is a riveting, moving testament from the darkest corners of society.
The Muse in Bronzeville, a dynamic reappraisal of a neglected period in African American cultural history, is the first comprehensive critical study of the creative awakening that occurred on Chicago's South Side from the early 1930s to the cold war. Coming of age during the hard Depression years and in the wake of the Great Migration, this generation of Black creative artists produced works of literature, music, and visual art fully comparable in distinction and scope to the achievements of the Harlem Renaissance. This highly informative and accessible work, enhanced with reproductions of paintings of the same period, examines Black Chicago's "Renaissance" through richly anecdotal profiles of such figures as Richard Wright, Gwendolyn Brooks, Margaret Walker, Charles White, Gordon Parks, Horace Cayton, Muddy Waters, Mahalia Jackson, and Katherine Dunham. Robert Bone and Richard A. Courage make a powerful case for moving Chicago's Bronzeville, long overshadowed by New York's Harlem, from a peripheral to a central position within African American and American studies.
Aquest estudi analitza un ordre literari canviant: Amèrica com unitat i diversitat, com un ens nacional i transnacional. Els escrits crítics literaris reunits aquí ofereixen una sèrie de perspectives que tracen gran part de la geografia cultural en joc: la narrativa, l'autobiografia, el teatre, etc. Es presenten també un conjunt d'assajos i ressenyes que, amb diverses direccions d'enfocament, posen atenció als fonaments previs a Colón, a una antologia canònica nord-americana de poesia i al que s'ha omès; la narrativa llatina i als principals dramaturgs antics. Inclou entrevistes a creatius i acadèmics com Gerald Vizenor, Frank Chin, Louis Owens, John Cawelti i Rex Burns. La secció de ressenyes final ofereix una sèrie de monografies de rellevant erudició multicultural així com contribucions a l'emergent i ampli mural d'anàlisi.
Science fiction and crime go hand-in-tentacle, if you’ll pardon the expression. Many of the science fiction field’s greatest writers also wrote mysteries...and vice versa. And sometimes the science fiction stories were mysteries. Our latest MEGAPACK® contains nothing but those blended SF-and-Mystery stories, by some of the greatest writers in the field. Included are: ORIGINS OF GALACTIC LAW, by Edward Wellen DragNeuroNet, by John Gregory Betancourt DON'T GET TECHNATAL, by Ron Reynolds THE CEREBRAL LIBRARY, by David H. Keller, M.D. THE FIVE WAY SECRET AGENT, by Mack Reynolds LICENSE TO STEAL, by Louis Newman DELAYED ACTION, by Charles V. De Vet THE MAGIC OF JOE WILKS, by Robert Moore Williams LIFE GOES ON, by Nelson Bond MURDER FROM MARS, by Richard Wilson WOBBLIES IN THE MOON, by Frank Belknap Long THE FREELANCER, by Robert Zacks NO ESCAPE FROM DESTINY, by Arthur Leo Zagat SWEET DREAMS, by Edward Wellen THE LOCUS FOCUS, by Richard Wilson TRACK OF THE BEAST, by Charles V. De Vet THE VOICES, by Edward Wellen THE TOWER, by Kristine Kathryn Rusch THE MIRACLE OF KICKER MCGUIRE, by Robert Moore Williams OSCAR, DETECTIVE OF MARS, by James Norman OSCAR SAVES THE UNION, by James Norman DEATH WALKS IN WASHINGTON, by James Norman OSCAR AND THE TALKING TOTEMS, by James Norman DOUBLE TROUBLE FOR OSCAR, by James Norman THE THIEF OF THOTH, by Lin Carter If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Robert Beck's study focuses principally on two related questions. First, how did the Reagan administration decide to launch the invasion of Grenada? And second, what role did international law play in that decision? The Grenada Invasion draws on extensive interviews and correspondence with key participants—and on the recently published memoirs of those who participated in or witnessed the administration's deliberations—in order to render a new and more complete picture of Operation "Urgent Fury" decisionmaking. Beck concludes that international law did not determine policy, but that it acted briefly as a restraint and then as a justification for action.
At one time, Mickey Spillane had authored seven of the top ten bestsellers in history, and may have been the most widely read author in the world. Spillane masterful storytelling grabs his readers with his first paragraph and leads them spellbound toward his climax. Along with Dashiell Hammett, Raymond Chandler, and Ross Macdonald, he remains one of America's greatest mystery writers. This book is a convenient guide to his works. An opening chronology lists the chief events in his life and career. The bulk of the volume presents several hundred alphabetically arranged entries on his writings. Lengthier entries summarize the plots of his works, including I, the Jury; My Gun Is Quick; Vengeance Is Mine!; and The Long Wait. Shorter entries identify his numerous characters, including his particularly memorable detective, Mike Hammer. Select entries list works for further reading, and the volume concludes with a brief bibliography.
The celebrated history of New Haven often overshadows its fascinating and forgotten past. The Elm City was home to America's first woman dentist, an architect who designed the tallest twin towers in the world and a medical student who used toy parts to create an artificial heart pump. A city noted as the home of one of the top universities in the world, New Haven is also home to the third-oldest independent school in the United States, the first African American to receive a PhD degree and the founding of what would become the largest Catholic fraternal benefit society in the world. The city's share of disasters includes Connecticut's worst aviation crash, a zookeeper who was mauled to death and a fire at the Rialto Theater. Local authors Robert and Kathleen Hubbard reveal the rich and fascinating cultural legacies of one of New England's most treasured cities.
While Middlesex County is one of the most historic communities in the nation, some of its past is little known. Researchers found dinosaur tracks in Middlefield that date back 200 million years. The author of Dr. Dolittle, Hugh Lofting, lived in Killingworth, and a young Dr. Seuss spent summers in Clinton. Constance Baker Motley, the first female African American federal judge, resided in Chester. A Portland lake has water levels that fluctuate for no apparent reason. An Essex blacksmith shop was America's oldest continuously run family business. Local authors Robert and Kathleen Hubbard reveal these and many other unforgettable stories.
This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.
A "look at the unsung men and women of the U.S. Foreign Service whose dedication and sacrifices have been a crucial part of our history for over two centuries. Fifteen years in the making, veteran journalist and historian Moskin has traveled the globe conducting hundreds of interviews both in and out of the State Department to look behind the scenes at America's 'militiamen of diplomacy'"--
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
During the Civil War, enslavers bought and sold thousands of people, extending a traffic in humanity that had long underpinned American slavery. Despite the pressures of blockades, economic collapse, and unfolding emancipation, the slave trade survived to the war's end. This book provides a vivid look at life within the trade in slaves and tells the story of the wartime slave trade from the perspective of both participants in it and those subjected to it.
Two old ranch hands lead one last trail drive but they can't escape death along the way in a brand new thrilling western in Ralph Compton's trail drive series. Big Jake Motley had been running the Big M spread in Texas for over 30 years. In that time, he's driven thousands of head of cattle to market in Kansas. Now, while both the Nineteenth century and the era of trail drive are coming to an end, Big Jake is determined to make one last drive to Kansas. The only thing is, he doesn't have the cowhands to move that much beef. He drafts his old friend, Chance McCandles, into service, and together, the two aging cowboys put together a crew. The trail to Kansas is fraught with dangers both natural and man made, but when Chance is killed by rustlers, Big Jake has one more task in before him, extract vengeance for his old friend.
The appearance of the crossbow on the European battle field in A.D. 1100 as the weapon of choice for shooting down knights threatened the status quo of medieval chivalric fighting techniques. By 1139 the Church had intervened, outlawing the use of the crossbow among Christians. With this edict, arms control was born. As Robert L. O'Connell reveals in this vividly written history of weapons in Western culture, that first attempt at an arms control measure characterizes the complex and often paradoxical relationship between men and arms throughout the centuries. In a sweeping narrative that ranges from prehistoric times to the nuclear age, O'Connell demonstrates how social and economic conditions determine the types of weapons and the tactics used in warfare and how, in turn, innovations in weapons technology often undercut social values. He describes, for instance, how the invention of the gun required a redefinition of courage from aggressive ferocity to calmness under fire; and how the machine gun in World War I so overthrew traditional notions of combat that Lord Kitchener exclaimed, "This isn't war!" The technology unleashed during the Great War radically altered our perceptions of ourselves, as these new weapons made human qualities almost irrelevant in combat. With the invention of the atomic bomb, humanity itself became subservient to the weapons it had produced. Of Arms and Men brilliantly integrates the evolution of politics, weapons, strategy, and tactics into a coherent narrative, one spiced with striking portraits of men in combat and penetrating insights into why men go to war.
While the story of the reintegration of professional football in 1946 after World War II is a topic that has been covered, there is a little-known aspect of this integration that has not been fully explored. After World War II and up until the mid- to late 1960s, professional football teams scheduled numerous preseason games in the South. Once African American players started dotting the rosters of these teams, they had to face Jim Crow conditions. Early on, black players were barred from playing in some cities. Most encountered segregated accommodations when they stayed in the South. And when African Americans in these southern cities came to see their favorite black players perform, they were relegated to segregated seating conditions. To add to the challenges these African American players and fans endured, professional football gradually started placing franchises in still-segregated cities as early as 1937, culminating with the new AFL placing franchises in Dallas and Houston in 1960. That same year, the NFL followed suit by placing a franchise in Dallas. Now, instead of just visiting a southern city for a day or so to play an exhibition game, African American players that were on the rosters of these southern teams had to live in these still segregated cities. Many of these players, being from the North or West Coast, had never dealt with de jure or even de facto Jim Crow laws. Early on, if these African American players didn’t “toe the line” or fought back (via contract disputes, interracial relationships, requesting better living accommodations in the South, protesting segregated seating, etc.), they were traded, cut, and even blackballed from the league. Eventually, though, as the civil rights movement gained steam in the 1950s and 1960s, African American players were able to protest the conditions in the South with success. Much of what happened in professional football during this time period coincided with or mirrored events in America and the civil rights movement.
The remarkable story of the seven African American soldiers ultimately awarded the World War II Medal of Honor, and the 50-year campaign to deny them their recognition. In 1945, when Congress began reviewing the record of the most conspicuous acts of courage by American soldiers during World War II, they recommended awarding the Medal of Honor to 432 recipients. Despite the fact that more than one million African-Americans served, not a single black soldier received the Medal of Honor. The omission remained on the record for over four decades. But recent historical investigations have brought to light some of the extraordinary acts of valor performed by black soldiers during the war. Men like Vernon Baker, who single-handedly eliminated three enemy machineguns, an observation post, and a German dugout. Or Sergeant Reuben Rivers, who spearhead his tank unit's advance against fierce German resistance for three days despite being grievously wounded. Meanwhile Lieutenant Charles Thomas led his platoon to capture a strategically vital village on the Siegfried Line in 1944 despite losing half his men and suffering a number of wounds himself. Ultimately, in 1993 a US Army commission determined that seven men, including Baker, Rivers and Thomas, had been denied the Army's highest award simply due to racial discrimination. In 1997, more than 50 years after the war, President Clinton finally awarded the Medal of Honor to these seven heroes, sadly all but one of them posthumously. These are their stories.
Ten years after the close of World War II, the U.S. Navy published a chronology of its operations in the war. Long out of print, the work focused on what were then defined as critical and decisive events. It ignored a multitude of combat actions as well as the loss or damage of many types of U.S. ships and craft—particularly auxiliaries, amphibious ships, and district craft—and entirely omitted the U.S. submarine campaign against Japanese shipping, This greatly expanded and updated study, now available in paperback with an index, goes far beyond the original work, drawing on information from more than forty additional years of historical research and writing. Massive, but well organized, it addresses operational aspects of the U.S. Navy’s war in every theater.
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