Focusing on the unique vision of architect Bernard Maybeck, this book reveals his work on Principia College in California, using interviews and conversations as well as three hundred fascinating photographs to illuiminate this architectural masterpiece.
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
Robert M. Craig is a historian and author of several books in the field of architectural history. In recent years, however, his publications have reflected interests beyond his more academic writings on architecture. In Oyster Shell Alleys and other Remembrances of Times Past, Craig offers semi-autobiographical stories of summer life in Ocean City, Maryland, during the 1950s and 1960s. He references the music of the era and his various summer jobs from being a "newsie," to running a "beach boy" stand (renting umbrellas and surf mats), to serving as an ocean lifeguard and member of the Ocean City Beach Patrol, what he calls the "ideal" summer job. In these pages, you'll witness the coming of age of a home-town boy, hear the romantic music of Johnny Mathis, Connie Francis, and The Drifters, and revisit familiar adolescent experiences on the boardwalk, in the local movie house, or on the beach- activities you may have experienced and now remember with nostalgic joy. In the title story, Craig's early 1950's childhood encounters with the African-American service personnel in a back alley behind a boardwalk hotel are both moving and poignant, especially in today's culture of racial tension. His short stories are full of humor and are universal in recognition and appeal. While some are reminiscences of times now lost, each takes the reader to another place where memory again makes real our experiences of a now distant past.
The Ocean City Beach Patrol has been saving lives along Maryland's Atlantic coast since 1930. The job remains that of "an athlete with a buoy," and the reality of the responsibility dispels any stereotype of a cushy summer job filled by a teenager merely sitting in the sun all day. Aided by semaphore flags and a crate of sunscreen, the beach patrol's lifeguards have reunited countless lost children with parents; they are charged to enforce the town's beach ordinances; and sometimes at personal risk, they navigate rip currents and heavy surf to rescue distressed swimmers and bring them ashore to safety. This brief history examines the innovations, training, competitions, organizational structure, and character building that are all part of the serious life saving work of Maryland's Ocean City Beach Patrol - young men and women whose inestimable contributions over the years have given rise to the patrol's international reputation in lifesaving circles.
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
Hidden in Plain Sight explores the potential contours of reading biblical narrative. The Old Testament book of Esther is used to advance a prospective shape for this reading method, and proposes a profile for curriculum design. This work demonstrates that the text of Scripture itself proposes a reading method. Esther is an underestimated heroine in her story world. Her character is informed by the silent actions of Vashti and by the intentionality of Mordecai. She is confronted with a writing that challenges her with few options, each of which is deconstructed and focused in community dialogue. At a pivotal stage in the narrative, she acts in solidarity with those under a death threat, emerging as an agent of life. Esther's actions and speeches are traced as one entry into a story world, proposing a means for students of Scripture to gain appreciable reading skills via sensitivity to the general components of Old Testament narrative. This reading informs a study method enabling direct engagement with a text and appreciation for the art of literary crafting. The approach is suitable for Christian education and biblical study settings at the academic level, and for use in local church ministries.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The public art in Atlanta includes a broad range of media, subjects, styles, and artistic merit. Statuary and figurative sculpture, often in bronze, memorialize historic individuals, while contemporary sculpture includes large-scale abstract works in stone, stainless or weathering steel, and other materials. Street artists and muralists have created more than 1,000 urban murals throughout the city, including large and colorful abstract "canvases," with thematic subjects referencing sports, nature, social issues, the city's African American and Hispanic communities, and Atlanta's leadership in the civil rights movement. Some guerrilla artists began as traffickers of graffiti who tagged buildings, railroad boxcars, and underpasses, creating iconic compilations such as the Krog Street Tunnel. Street art styles embrace photo-realism, abstract expressionism, or folk, op, or pop art, with the latter inspired by fantasy, comic-strip graphics, or Goth. Native Atlantan Alex Brewer (also known as HENSE) has executed commissions from Peru to Australia, while artists from Barcelona, Rome, and Zimbabwe have contributed to Atlanta's status as an international city.
Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons. For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again? Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon. Praise for other books by Robert Sellers: Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ. Vic Armstrong: The True Adventures of the World's Greatest Stuntman: 'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail. Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.
The 13th edition of Death, Society, and Human Experience provides a panoramic overview of the ways that we are touched by death and dying, both as individuals and as members of society. A landmark text in the field, the authors draw on contributions from the social and behavioral sciences as well as the humanities, including perspectives offered through history, philosophy, religion, literature, and the arts, to provide thorough coverage and understanding of topics associated with the end of life and death and dying. By approaching the subject from multiple angles, the authors explain the various ways that individual, cultural, and societal attitudes influence both how and when we die and how we live and deal with the knowledge of death and loss. Originally written by Robert Kastenbaum, a renowned scholar who developed one of the world’s first death education courses, Christopher M. Moreman, who has worked in the field of death studies for two decades, has updated this edition. In addition to infusing his close areas of focus, both in afterlife beliefs and experiences and how these might affect how people live their lives, he’s weaved in new coverage of current affairs, including: The impact of COVID-19 on experiences of death, bereavement, mourning, and more Expanded legalization of physician-assisted dying in the United States and several countries Changes in bereavement rituals and traditions stemming from technology use and social media With additional content and classroom extensions available online, Death, Society, and Human Experience remains a thoughtful, exploratory, and impressively comprehensive overview for undergraduate and graduate courses in death, dying, and bereavement.
This is the story of the fighter aces who flew throughout the war in many different operational theatres. The book opens with the first Polish Aces during the German invasion and continues with Finland’s pilots in the Winter War against the Soviets. There follows the battle for France with the experiences of RAF, Luftwaffe and French Aces and then the legendary Battle of Britain. North Africa became a critical area, together with the heroic defense of Malta and air battles over Greece and the Balkans that were fought in 1941. The Eastern front opened with operation Barbarossa where German aces were created by the dozen, flying superior aircraft against an ill-trained Soviet air force – and then in the north when pilots battle for air supremacy over Leningrad and the Russian seaports. When Japan entered the fray in 1942 their first aces flew over Singapore, Java and Sumatra and the early US Marine aces earned their spurs at Guadalcanal. Back in Europe RAF fighter pilots were taking the war to the enemy and in the southern theatre, the desert and Balkan air forces struck into the southern belly of the Reich. After D-Day British and American fighter units supported the Allied land advance and also defended London against Hitler’s V-1s, whilst in the east Soviet aces battled over Berlin.
When Governor Terry Sanford established the North Carolina Fund in 1963, he saw it as a way to provide a better life for the "tens of thousands whose family income is so low that daily subsistence is always in doubt." Illustrated with evocative photograph
This is a visual history of the architecture of tourist accommodations in Maryland's famous beach resort. These have ranged from the Atlantic Hotel to the most recent chain hotels and condominiums that have so altered the streetscapes and skyline of the barrier island. Ocean City's architectural evolution paralleled national developments; it began on boardwalk-adjacent and beachfront sites with turreted and gabled cottages and shingle-clad Victorian hotels. By the 1920s, porticoed boardwalk hostelries emerged, and as the popularity of the automobile increased, auto camps and groups of cottages developed into motor courts and mom-and-pop motels during the mid-20th century. After the 1970s, lodgings changed, with infill condominium blocks, time-shares, and megastructures casting afternoon shadows across the beach.
Comprehensive in scope and thoroughly up to date, Wintrobe’s Clinical Hematology, 15th Edition, combines the biology and pathophysiology of hematology as well as the diagnosis and treatment of commonly encountered hematological disorders. Editor-in-chief Dr. Robert T. Means, Jr., along with a team of expert section editors and contributing authors, provide authoritative, in-depth information on the biology and pathophysiology of lymphomas, leukemias, platelet destruction, and other hematological disorders as well as the procedures for diagnosing and treating them. Packed with more than 1,500 tables and figures throughout, this trusted text is an indispensable reference for hematologists, oncologists, residents, nurse practitioners, and pathologists.
Zen Sanctuary of Purple Robes examines the affairs of Rinzai Zen's Tōkeiji Convent, founded in 1285 by nun Kakusan Shidō after the death of her husband, Hōjō Tokimune. It traces the convent's history through seven centuries, including the early nuns' Zen practice; Abbess Yōdō's imperial lineage with nuns in purple robes; Hideyori's seven-year-old daughter—later to become the convent's twentieth abbess, Tenshu—spared by Tokugawa Ieyasu at the Battle for Osaka Castle; Tōkeiji as "divorce temple" during the mid-Edo period and a favorite topic of senryu satirical verse; the convent's gradual decline as a functioning nunnery but its continued survival during the early Meiji persecution of Buddhism; and its current prosperity. The work includes translations, charts, illustrations, bibliographies, and indices. Beyond such historical details, the authors emphasize the convent's "inclusivist" Rinzai Zen practice in tandem with the nearby Engakuji Temple. The rationale for this "inclusivism" is the continuing acceptance of the doctrine of "Skillful Means" (hōben) as expressed in the Lotus Sutra—a notion repudiated or radically reinterpreted by most of the Kamakura reformers. In support of this contention, the authors include a complete translation of the Mirror for Women by Kakusan's contemporary, Mujū Ichien.
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