Imagine is a story about what I dream of happening here to help save this world. An end to the destruction of our home. An end to the path of self-destruction that humans are on. A world where we all live in peace.
An obscure independent filmmaker until Halloween (1978), John Carpenter has been applauded for his classic sense of compositions, yet reviled for his "B-film" sensibility. This second edition of the first book-length analysis finds in Carpenter's films a vision of a profound but unexpected order in the universe. The author analyzes Carpenter's early independent work, his made-for-television movies, his big Hollywood films (The Fog, Escape from New York, The Thing, Stephen King's Christine, Starman), his more recent independent work (Big Trouble in Little China, Prince of Darkness, They Live), and his contributions to films he did not direct. This edition fully updates the 1990 edition with attention to the films made since that date. With a chronology of Carpenter's career, a detailed filmography, photos, brief plot synopses, and a thorough index, this volume will be treasured by film scholars and fans alike.
No-one wants toxic waste dumped in their back yard. Dioxins and furans from incinerators, dangerous chemicals leaching from landfill sites and the apparently random dumping of nuclear waste are all clear threats to our health and lives. In fact any waste not properly dealt with can become dangerous - yet industry and state seem to collude recklessly in its production. Robert Allen describes the waste produced in Britain and Ireland and the woefully inadequate means of dealing with it. He looks, too, at governmental intransigence and dishonesty and at industry's refusal to consider the needs of local communities. He also gives an account of the available legislation governing toxic waste and the degree to which it will need radical change in the face of a rapidly growing problem. Waste dumping impinges on people's lives, and he examines some of the very successful campaigns against the many ill-considered dumping grounds. As governments only respond to pressure, there are valuable lessons to be learnt from these campaigns. This book sets out the nature of the problem and provides a basis on which to tackle it. Originally published in 1992
Just think of it as a bad haircut." Hubert watched the surgeon hold up a sterile bag of circumcision tools. "A week from now you won't feel a thing." For geeky teenager, Hubert Pubes Rawlings, his new job as a shopping center food court cleaner is one thing, but a picture with the hot cleaning crew exposing him as the only cleaner who's uncut is too much, too fast. When his obscure mother stresses over his nightly dream adventures then catches his father in a single handed affair, she insists Hubert undergo a circumcision. “It’s all about sensitivity, dear. I certainly don’t want you to do like daddy does.” Meanwhile, because of the picture, Hubert's popularity has soared. His best friend, Will, tries to convince him that it’s a good thing. That may be fine for Will to say, but for Hubert, it's simply not the case. With the circumcision complete, Hubert struggles with his popularity among the food court hotties. Will's constant encouragement and the cleaning crew's threatening jealousy adds to his problems—not to mention having to keep his secret of being Circumcised at Seventeen.
Robert Graysmith reveals the true identity of Zodiac—America's most elusive serial killer. Between December 1968 and October 1969 a hooded serial killer called Zodiac terrorized San Francisco. Claiming responsibility for thirty-seven murders, he manipulated the media with warnings, dares, and bizarre cryptograms that baffled FBI code-breakers. Then as suddenly as the murders began, Zodiac disappeared into the Bay Area fog. After painstaking investigation and more than thirty years of research, Robert Graysmith finally exposes Zodiac’s true identity. With overwhelming evidence he reveals the twisted private life that led to the crimes, and provides startling theories as to why they stopped. America’s greatest unsolved mystery has finally been solved. INCLUDES PHOTOS AND A COMPLETE REPRODUCTION OF ZODIAC’S LETTERS
In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread, both socially and geographically, throughout the realm. He suggests that provincial portraiture differed from the 'mainstream', cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production. Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painter's occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history: it speaks to admirers and collectors of painting as well as to curators and academics.
Surviving Reproductive Loss: Stories of Creativity and Positive Transformation in Women’s Lives tells the fascinating stories of the lives and creative accomplishments of nearly fifty women who experienced infertility, pregnancy loss or stillbirth. Robert J. Dinkin, PhD, historian, and Roxane Head Dinkin, PhD, clinical psychologist, have teamed up again to write a follow-up to their previous volume, Infertility and the Creative Spirit, published by iUniverse in 2010. The Dinkins tell the stories of women innovators in writing, entertaining, sports, politics, and social reform. When Julia Child was living in Paris with her husband Paul and unable to become pregnant, she turned to learning the art of French cooking, ultimately producing her famous cookbooks and TV shows. When she showed up with a hot plate and an omelet pan on an educational television program, the first cooking show was born. Read about her and the many other women who made major contributions in their own fields and who also changed the larger society by contributing to the well-being of women and children.
Welcome to the 21st Edition of Nelson Textbook of Pediatrics – the reference of choice among pediatricians, pediatric residents, and others involved in the care of young patients. This fully revised edition continues to provide the breadth and depth of knowledge you expect from Nelson, while also keeping you up to date with new advances in the science and art of pediatric practice. Authoritative and reader-friendly, it delivers the information you need in a concise, easy-to-use format for everyday reference and study. From rapidly changing diagnostic and treatment protocols to new technologies to the wide range of biologic, psychologic, and social problems faced by children today, this comprehensive reference keeps you on the cutting edge of the very best in pediatric care. - Includes more than 70 new chapters, including Postural Orthostatic Tachycardia Syndrome (POTS), Rare and Undiagnosed Diseases, Approach to Mitochondrial Disorders, Electronic Nicotine Delivery Systems, Zika, update on Ebola, Epigenetics, Autoimmune Encephalitis, Global Health, Racism, Media Violence, Strategies for Health Behavior Change, Positive Parenting, and many more. - Features hundreds of new figures and tables throughout for visual clarity and quick reference. - Offers new and expanded information on CRISPR gene editing; LGBT health care; gun violence; vaccinations; immune treatment with CAR-T cells; new technology in imaging and genomics; new protocols in cancer, genetics, immunology, and pulmonary medicine; and much more. - Provides fresh perspectives from four new associate editors: Nathan J. Blum of The Children's Hospital of Philadelphia; Karen Wilson of Mt. Sinai School of Medicine in New York; Samir S. Shah of Cincinnati Children's Hospital Medical Center; and Robert C. Tasker of Boston Children's Hospital. - Remains your indispensable source for definitive, evidence-based answers on every aspect of pediatric care.
Will surely rank as one of the foremost literary biographies of our time.' John Carey, Sunday Times In his lifetime Gerard Manley Hopkins (1844-1889) published just a single poem - only a few close friends were aware he wrote. Much of his work was burnt by fellow Jesuits on his death. And yet Hopkins is today a huge figure in English literature. Homosexual but terribly repressed, he channeled his emotions toward nature and God, with profound results. Princeton emeritus professor Martin, the only biographer to have unrestricted use of Hopkins' private papers, tells this extraordinary story from Hopkins' early life and studies at Oxford, through his tortuous conversion from Anglicanism to Catholicism, to his struggle in later years to retain his very sanity. 'In Martin, the unhappy and tormented genius has found the most sympathetic and intelligent interpreter... [The book] goes to the heart of Hopkins, and plants him firmly before us as a Victorian, and a great one.' Allan Massie, Sunday Telegraph 'Martin follows Hopkins through his toils with sympathy and a great unshowy command of the facts. In this magnificently solicitous biography he has re-established the contours of the story definitively and made the homosexual drama integral to the better-known drama of conversion and poetics.' Seamus Heaney, Independent on Sunday 'The triumph of this learned, scrupulously detailed and persuasive biography is that it brings the reader as near as it is perhaps possible to come to living Hopkins' life, to sensing the mysterious crushing pressures that were for him intimately bound up with the richness and complexity of his writing.' Hilary Spurling, Daily Telegraph
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
It is widely believed that autocratic regimes cannot limit their power through institutions of their own making. This book presents a surprising challenge to this view. It demonstrates that the Chilean armed forces were constrained by institutions of their own design. Based on extensive documentation of military decision-making, much of it long classified and unavailable, this book reconstructs the politics of institutions within the recent Chilean dictatorship (1973–1990). It examines the structuring of institutions at the apex of the military junta, the relationship of military rule with the prior constitution, the intra-military conflicts that led to the promulgation of the 1980 constitution, the logic of institutions contained in the new constitution, and how the constitution constrained the military junta after it went into force in 1981. This provocative account reveals the standard account of the dictatorship as a personalist regime with power concentrated in Pinochet to be grossly inaccurate.
A new edition of the germinal study of Loyalism in the American Revolution Building on the work of his 1989 book The Loyalist Perception and Other Essays, accomplished historian Robert M. Calhoon returns to the subject of internal strife in the American Revolution with Tory Insurgents. This volume collects revised, updated versions of eighteen groundbreaking articles, essays, and chapters published since 1965, and also features one essay original to this volume. In a model of scholarly collaboration, coauthors Calhoon, Timothy M. Barnes, and Robert Scott Davis are joined in select pieces by Donald C. Lord, Janice Potter, and Robert M. Weir. Among the topics broached by this noted group of historians are the diverse political ideals represented in the Loyalist stance; the coherence of the Loyalist press; the loyalism of garrison towns, the Floridas, and the Western frontier; Carolina loyalism as viewed by Irish-born patriots Aedanus and Thomas Burke; and the postwar reintegration of Loyalists and the disaffected. Included as well is a chapter and epilogue from Calhoon's seminal—but long out-of-print—1973 study The Loyalists in Revolutionary America, 1760-1781. This updated collection will serve as an unrivaled point of entrance into Loyalist research for scholars and students of the American Revolution.
Chief among its contents we find abstracts of land grants, court records, conveyances, births, deaths, marriages, wills, petitions, military records (including a list of North Carolina Officers and Soldiers of the Continental Line, 1775-1782), licenses, and oaths. The abstracts derive from records now located in the state archives and from the public records of the following present-day counties of the Old Albemarle region: Beaufort, Bertie, Camden, Chowan, Currituck, Dare, Gates, Halifax, Hyde, Martin, Northampton, Pasquotank, Perquimans, Tyrrell, and Washington, and the Virginia counties of Surry and Isle of Wight.
“A spontaneous seduction prompts a surreal chain of events in this raucous new novel . . . This is a wry, writhing tale about the forces that shape our fate.” —Booklist After his highly popular Who’s Who in Hell, Robert Chalmers delivers his second novel, a painfully funny story of disaster and redemption that recalls Katherine Dunn’s Geek Love. One morning Edward Miller, tabloid newspaper editor and reactionary alpha male, spontaneously seduces his temp in an office storeroom. The news doesn’t take long to reach his cold, beautiful wife—and it just happens to be their anniversary. By morning, his marriage is over, his career in shambles, and his house is on fire. Clearly, it’s time to leave town. After a brief stint in Spain as an English teacher, Miller flees again when his cover is blown, winding up in a Florida town populated by carnies and circus freaks and ruled with an iron fist by the Half Man, a criminal and sadist with no legs. Unexpectedly, despite even a one-eyed albino hit man who seems to overhear every compromising conversation between Miller and the Half Man’s wife the Lizard Woman, Miller gradually realizes this may be where he belongs. A brilliant ensemble black comedy and a touching statement on the redemptive power of love, Fortune’s Bastard confirms Robert Chalmers as one of Britain’s freshest and wittiest new voices. “A novel of wonderful surprises, an emotional see-saw that can be very funny, very sad and very brutal. This is a story about a love that shouldn’t work at all, but triumphs against the odds.” —Michael Palin, Monty Python alumnus
Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the tricky balancing act of art and business, offering guidelines and basic principles rather than instructions. Divided into the three key stages of the film-making process - pre-production, production and postproduction, the book provides students with a framework to begin directing their own productions. The chapters are interspersed with case studies investigating the working practices of leading professionals such as Robert Rodriguez, and Mike Leigh.
From the Bestselling Author of 'Zodiac' , 'Auto Focus' and 'Black Fire'. DAVID FINCHER WAS AFTER THE TRUTH. WITHOUT IT, HE WOULD NOT SHOOT ZODIAC. For nearly two decades, Hollywood had been trying to make a movie of Zodiac, and for nearly two decades, it had failed. In 2003, producer Brad Fischer, and screenwriter Jamie Vanderbilt attempted the undoable, and set their sights on the one filmmaker they felt unequalled for the helm: director David Fincher (Se7en, Fight Club). Fincher’s eye for detail, probing mind, and unrelenting quest for answers made him ideal. His personal connection to the case made him perfect. From Hollywood boardrooms to remote fog-shrouded crime scenes, they battle a huge script that refuses to be beaten, a case that refuses to be solved, and a running time and budget that threaten their film. Follow as they track down missing witnesses, gather the original investigators, visit the original crime scenes, discover boxes of Zodiac case files from an attic, unearth new clues, a videotape of the prime suspect’s police interrogation, and a surviving victim who doesn’t want to be found. To keep Fincher on board, and get their film greenlit, it will take cold leads, private eyes, new evidence, and most of all, perseverance. “He’s hooked. If he doesn’t make the film, he’ll solve the case.” —Detective Ken Narlow “SOMETHING DRAWS THE GIRL’S attention,” David Fincher said. The maverick director paused at the spot along the shore Captain Ken Narlow had indicated. Something was not right. Fincher looked down at the rocky ground and the steep slope of the rotting tree as if he had not seen them before. Without a word he wheeled and walked some distance around to the adjacent peninsula. The retired detectives watched the celebrated filmmaker follow the curve of land and circle to a little inlet on the other bank. His head was down as he took long, athletic strides. Suddenly, he knelt and studied the ground. He picked up a fistful of earth, let it drift between his fingers, and watched as the wind carried the reddish particles away. He looked up at the road high above where the victims’ car had been found, then looked back at the tree. Next, he tossed a few rocks in the air and gazed to the center of the lake where it was a couple hundred feet deep. Fincher wondered what other mysteries might be buried there. Further up, underneath the dam at Devil’s Gate, was the narrow point of Putah Creek. Fincher returned from his scouting trip and made an announcement. His voice was confident and clear, ringing out over the lake. “The other side of the little island out there is much more vertical than this side,” he said. “I think that is the actual murder site.” “Let’s go over and take a look,” Narlow said and started north with Jamie Vanderbilt. “I’m not one hundred percent convinced this is the place.” When Narlow reached the other side of the inlet, he clapped a hand to his forehead and then hailed Fincher and the rest of the men across the water. “My God!” he hollered, “I took you to the wrong spot!” In that arcane way he had of penetrating to the heart of a riddle, Fincher had discerned the truth. He became quiet as he began working the puzzle of the open taxi door, the blood that should have been elsewhere, a bloody print that belonged to no one, and the shot nobody heard. “David’s considered one of the touchiest and weirdest directors by executives, but as a writer I consider him the nicest and most normal of them all. But maybe the same thing that is wrong with him is wrong with me.” —Jamie Vanderbilt, screenwriter
Robert Wokler was one of the world's leading experts on Rousseau and the Enlightenment, but some of his best work was published in the form of widely scattered and difficult-to-find essays. This book collects for the first time a representative selection of his most important essays on Rousseau and the legacy of Enlightenment political thought. These essays concern many of the great themes of the age, including liberty, equality and the origins of revolution. But they also address a number of less prominent debates, including those over cosmopolitanism, the nature and social role of music and the origins of the human sciences in the Enlightenment controversy over the relationship between humans and the great apes. These essays also explore Rousseau's relationships to Rameau, Pufendorf, Voltaire and Marx; reflect on the work of important earlier scholars of the Enlightenment, including Ernst Cassirer and Isaiah Berlin; and examine the influence of the Enlightenment on the twentieth century. One of the central themes of the book is a defense of the Enlightenment against the common charge that it bears responsibility for the Terror of the French Revolution, the totalitarian regimes of the twentieth-century and the Holocaust.
This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.
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