In recent years, scholars have explored anew the interface between the early Christian movements and the Roman Empire. Once thought to be quietistic, the early Christian movements turn out to have been critical of the Empire and significantly counterimperial. This collection of essays in honor of Robert Brawley turns the spotlight on Luke-Acts. The soundings taken here disclose deeper anti-imperial rhetoric than previously thought. In brazen and subtle ways, Luke-Acts displays an alternative realm of peace and justice inaugurated by Jesus under the God of Israel. The essays in this volume will lead you to hear Luke-Acts in fresh ways.
ÒMakes important contributions to the study of Luke and Acts, biblical studies generally, and the growing body of literature on theory and method in biblical criticism. . . . [A] fine and provocative piece of work.Ó ÑR. Alan Culpepper, Baylor University Other scriptural voices can be heard in Luke-Acts. This book aims to help readers overhear such voices and uncover new levels of meaning in these essential texts. Brawley presents Luke-Acts as a sustained interplay of the story of Jesus and the early church with texts of Hebrew scripture, showing how explicit allusions evoke implicit voices. He shows that intertextuality is the means by which Luke-Acts conveys its meaning to the reader and demonstrates that a theocentric viewpoint controls Lucan dialogues with scripture.
This comprehensive consideration of Luke-Acts offers lucid introductions to a wide variety of exegetical methods. Emphasizing the use of literary criticism, and relating the methods of Roland Barthes's five literary voices, the author analyzes point of view, levels of reliability, and strategies for reformulating reader response, narrative structure, characterization, textual gaps, the cultural repertoire, and redundant antitheses. This book advocates synthesis as the ultimate aim of reading and interpreting and opens new avenues for understanding this important unit of New Testament literature.
This comprehensive consideration of Luke-Acts offers lucid introductions to a wide variety of exegetical methods. Emphasizing the use of literary criticism, and relating the methods of Roland Barthes's five literary voices, the author analyzes point of view, levels of reliability, and strategies for reformulating reader response, narrative structure, characterization, textual gaps, the cultural repertoire, and redundant antitheses. This book advocates synthesis as the ultimate aim of reading and interpreting and opens new avenues for understanding this important unit of New Testament literature.
An excellent contribution to the developing study of intertextuality in biblical studies." -- Religious Studies Review "... a 'must' read for Luke-Acts scholars..." -- Theology Today "Makes important contributions to the study of Luke and Acts, biblical studies generally, and the growing body of literature on theory and method in biblical criticism.... [A] fine and provocative piece of work." -- R. Alan Culpepper, Baylor University "This book makes a valuable contribution to the study of intertextuality..." -- Themelios
This account of the settlement of one segment of the North Carolina frontier -- the land between the Yadkin and Catawba rivers -- examines the process by which the piedmont South was populated. Through its ingenious use of hundreds of sources and documents, Robert Ramsey traces the movement of the original settlers and their families from the time they stepped onto American shores to their final settlement in the northwest Carolina territory. He considers the economic, religious, social, and geographical influences that led the settlers to Rowan County and describes how this frontier community was organized and supervised.
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
This is a self-contained introduction to the theory of information and coding. It can be used either for self-study or as the basis for a course at either the graduate or ,undergraduate level. The text includes dozens of worked examples and several hundred problems for solution.
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