The publishing industry in France in the years before the Revolution was a lively and sometimes rough-and-tumble affair, as publishers and printers scrambled to deal with (and if possible evade) shifting censorship laws and tax regulations, in order to cater to a reading public's appetite for books of all kinds, from the famous Encyclopédie, repository of reason and knowledge, to scandal-mongering libel and pornography. Historian and librarian Robert Darnton uses his exclusive access to a trove of documents-letters and documents from authors, publishers, printers, paper millers, type founders, ink manufacturers, smugglers, wagon drivers, warehousemen, and accountants-involving a publishing house in the Swiss town of Neuchatel to bring this world to life. Like other places on the periphery of France, Switzerland was a hotbed of piracy, carefully monitoring the demand for certain kinds of books and finding ways of fulfilling it. Focusing in particular on the diary of Jean-François Favarger, a traveling sales rep for a Swiss firm whose 1778 voyage, on horseback and on foot, around France to visit bookstores and renew accounts forms the spine of this story, Darnton reveals not only how the industry worked and which titles were in greatest demand, but the human scale of its operations. A Literary Tour de France is literally that. Darnton captures the hustle, picaresque comedy, and occasional risk of Favarger's travels in the service of books, and in the process offers an engaging, immersive, and unforgettable narrative of book culture at a critical moment in France's history.
This fascinating book examines how the past pervades French public life, how the French both commemorate their past triumphs, heroes, and martyrs and attempt to erase the more violent events in their history. The book surveys the ways that various political communities in France during the past two centuries have manufactured different versions of the past in order to define their identities and legitimate their goals. Beginning with a discussion of the bicentenary of the French Revolution in 1989, Robert Gildea moves backward in time to show how rival factions have used various elements of French political culture--from the grandeur of the ancien r�gime to Catholicism, Jacobinism, Anarchism, and Bonapartism--to further their ends. Gildea shows how proponents of revolution and counterrevolution, church and state, centralism and regionalism, and national identity and nationalism campaigned to achieve the widest possible acceptance of their own view of the past. He describes the continuing battle between Left and Right for association with national heroes such as Joan of Arc and Napoleon. He exposes the reworking of collective views of the past by political communities, in order to increase or recover political legitimacy. Written in clear and trenchant prose, the book offers a new perspective on French history and political culture.
The reputation of Francis I, king of France (1515-47 ) has fluctuated over the centuries. Acclaimed as ’noble’ and ’great’ in the sixteenth century, he came to be unfairly denigrated under the Bourbon kings and the republic. But, in the twentieth century, research based on archival material has restored his standing as one of the most important rulers of his age. The present volume brings together seventeen articles by Robert Knecht published over several decades on particular aspects of the reign, with three specially translated from French into English. They examine the period in more depth than was possible in the author's 1994 biography of Francis I, and include studies of the Concordat of 1516 with the papacy, the Field of Cloth of Gold in 1520, the lit-de-justice of 1527, and the visit to France of the Emperor Charles V in 1540. Other articles consider the king’s attitude to the Reformation, his court, his relations with Paris and visits to Aquitaine, his patronage of architecture as demonstrated by his building of the château of Fontainebleau, and his relations with his mother, Louise of Savoy, and sister, Marguerite d’Angoulême. The king’s love of books and the political advice he received from scholars are also considered as well as the extent of his ’absolutism’. Two articles compare the English and French Reformations and the nobilities of the two countries. The volume is intended as a contribution to the celebration of the 500th anniversary of Francis I’s accession.
France's drift into war and subsequent collapse have often been attributed to her level of confidence. Either she had too much, or too little. This work contends that these two moods were not mutually exclusive, that they coexisted throughout the interwar years, sustained by competing visions of the Republic and of the best way to ensure national security. Early chapters describe the tensions within French interwar foreign policy, as well as the ensuing historiographical tensions among scholars intent on interpreting the French experience. Subsequent chapters explore tensions in defence and economic policies, domestic politics and ideological allegiance, public attitudes and opinion.
Did fascism have a significant following in France in the 1930s? Were its supporters predominantly from the political right or left? This provocative book, in conjunction with its acclaimed predecessor, French Fascism: The First Wave, demolishes the notion that fascism never took hold in France. Robert Soucy argues that France has a long-standing fascist tradition, one that arose, he argues, more from counterrevolutionary forces on the right than from forces on the left. Analyzing fascist "double-talk," Soucy underscores the social and economic conservatism of such mass movements as Francisme, the Solidarit� Fran�aise, the Parti Populaire Fran�ais, and the Croix de Feu--as well as the ideological and membership crossovers between them. Examining police reports of the era, he penetrates beneath the "socialist" rhetoric of these movements and describes their financial backing from the steel and electricity industries and the middle- and lower-middle-class constituencies (rather than workers) who provided most of their recruits. Soucy investigates why thousands of French men and women found fascist ideas attractive during this period and what fueled the more authoritarian and brutal aspects of French fascism. According to Soucy, these tendencies (seen most recently in the right-wing activity of Jean-Marie Le Pen's National Front) periodically emerge from perceived threats from "alien" elements in French society--whether they be Communists, Socialists, immigrants, Jews, feminists, hedonists, democrats, or liberals "soft" on Marxism and secularism.
The European Charter for Regional or Minority Languages has been in force since 1998, but in France it has caused a heated debate and it has not been ratified. The questions raised include: should French regional languages be afforded protection? Is there a danger that their protection could lead to an assertion of regional identity that could threaten the cohesiveness of the state? Is there a threat to the official language? Can applying the principles of the charter, without going through the ratification process, effectively protect regional or minority languages? This colloquy sought to provide answers to these questions.
In 1920s France the far-right peasantry wanted an authoritarian and agrarian society. This study examines their singular lack of success and the enduring French perception of themselves as a peasant nation.
In 1899 Marcel Proust read a translation of Ruskin's The Lamp of Memory in a Belgian magazine. Fourteen years later he back-projected the experience onto the narrator of Du cote de chez Swann who describes himself as a boy reading the self-same piece in the garden at Combray. In between lay a period of intermittent enthusiasm for Victorian writing: a period which saw the refurbishment of Proust's method and a fundamental rethinking of his views. Much of this reassessment was achieved in relation to English writers whom Proust adopted, absorbed and then as often as not discarded. The end result was to enable him to pass from one aesthetic to another. It is the contention of this book that the clue to this process can be found not only in Proust's evolving views on memory and time but also in his progression through a three-fold typology of form: from 'mimetic form' (art-imitating-the-real) through 'mnemonic form' (art-imitating-memory) to 'abstract form' (art-imitating-itself). The progress from one to another is illustrated through Proust's reactions to Carlyle, Darwin, Emerson, Ruskin, George Eliot, Hardy, Stevenson, Wells and Wilde. There is also a chapter on the connection in Proust's mind between literary and art criticism and his delayed response to the Ruskin-Whistler trial of 1878. A final chapter relates these matters to the current debate as to the parallel between the nineteenth century fin-de-siecle and our own.
An examination of France's presence in the South Pacific after the takeover of Tahiti. It places the South Pacific in the context of overall French expansion and current theories of colonialism and imperialism and evaluates the French impact on Oceania.
This volume provides a global treatment of historical and regional geomorphic work as it developed from the end of the nineteenth century to the hiatus of the Second World War. The book deals with the burgeoning of the eustatic theory, the concepts of isostasy and epeirogeny, and the first complete statements of the cycle of erosion and of polycyclic denudation chronology.
Yves Bonnefoy's writings have won him praise not only from readers and critics of French poetry, but also, thanks to translations into many other languages, from readers and critics of poetry far beyond the francophone world. Indeed, Bonnefoy may be the most admired poet to have emerged in France since World War II. Yet his art criticism, dazzling in its scope, possibly as original as his poetry, is yet to receive the attention it deserves. Searching for Presence: Yves Bonnefoy's Writings on Art undertakes to fill that lacuna. Elusive, skirting the ineffable, the notion of presence has haunted Bonnefoy for decades. Central to the notion for the poet is the fleeting experience of mutuality between self and other, of lightning transaction in a transient world, of a shared mortal destiny, hence a plenitude within finitude. In an age when so many of his contemporaries seem to view any form of art as wallpaper spanning a void, Bonnefoy's faith in presence is all the more welcome. Focusing on his art criticism, the aspect of the poet's oeuvre in which the notion of presence is the most salient, this study tries to do justice to that fidelity.
This volume provides a global treatment of historical and regional geomorphic work as it developed from the end of the nineteenth century to the hiatus of the Second World War. The book deals with the burgeoning of the eustatic theory, the concepts of isostasy and epeirogeny, and the first complete statements of the cycle of erosion and of polycyclic denudation chronology.
The editors take a critical look at the now almost mainstream "declinist" thesis and at the continued relevance of Canada's relationships with its principal allies - the United Kingdom, France, and the United States. Contributors discuss a broad range of themes, including the weight of a changing identity in the evolution of the country's foreign policy, the fate of Canadian diplomacy as a profession, the often complicated relationship between foreign and trade policies, the impact of immigration and refugee procedures on foreign policy, and the evolving understanding of development and defence as components of Canada's foreign policy.
Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen’s birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l’Amen, Harawi, Timbres-durées and the organ Méditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod.
No issue in modern history has been more intensively studied, or subject to wider interpretation, than the origins of the Second World War. A conflict involving three - arguably four - major aggressor Powers, operating simultaneously but largely separately on two continents, inevitably raises complex theories and debates. Each participating power has its own history, and each one must take account of various influences upon the behaviour of its soldiers and statesmen. His wide-ranging collection of original essays, each by an international expert in their field, covers all aspects of the subject and highlights the controversy that continues to characterise current thinking on the origins of the war. Going beyond the usual Eurocentric approach, Part I examines the roles of all seven of the Great Powers (including Japan and the USA), as well as the parts played by several of the lesser Powers, such as Czechoslovakia, Poland and China. Part II contains chapters which explore key themes that cannot be fully understood within the context of any single country. These themes include the role of ideology, propaganda, intelligence, armaments, economics, diplomacy, the neutral states, peace movements, and the social science approach to war. Written in clear, jargon-free prose, together these essays provide a comprehensive single-volume text for students and teachers, and are essential reading for all with an interest in the debates surrounding the causes of World War Two.
The Great Lakes fur trade spanned two centuries and thousands of miles, but the story of one particular family, the Cadottes, illuminates the history of trade and trapping while exploring under-researched stories of French-Ojibwe political, social, and economic relations. Multiple generations of Cadottes were involved in the trade, usually working as interpreters and peacemakers, as the region passed from French to British to American control. Focusing on the years 1760 to 1840—the heyday of the Great Lakes fur trade—Robert Silbernagel delves into the lives of the Cadottes, with particular emphasis on the Ojibwe–French Canadian Michel Cadotte and his Ojibwe wife, Equaysayway, who were traders and regional leaders on Madeline Island for nearly forty years. In The Cadottes: A Fur Trade Family on Lake Superior, Silbernagel deepens our understanding of this era with stories of resilient, remarkable people.
Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.