Marley was dead, to begin with." Why does the most beloved of Christmas books open with a death? What has death to do with Christmas and New Years, and with Dickens's Christmas books and stories over his entire life? Robert L. Patten weaves together Dickens's life, career, writings, journalism, travel, theatrical presentations, and religious convictions to offer a richly designed and entertaining narrative, fulsomely illustrated, of the manifold ways Dickensfigures the spirit and traditions of the winter holidays in Victorian England.
To Be Continued... explores the world's most popular form of television drama; the soap opera. From Denver to Delhi, Moscow to Manchester, audiences eagerly await the next episode of As the World Turns, The Rich Also Weep or Eastenders. But the popularity of soap operas in Britain and the US pales in comparison to the role that they play in media cultures in other parts of the world. To Be Continued... investigates both the cultural specificity of television soap operas and their reception in other cultures, covering soap production and soap watching in the U.S., Asia, Europe, Australia and Latin America. The contributors consider the nature of soap as a media text, the history of the serial narrative as a form, and the role of the soap opera in the development of feminist media criticism. To Be Continued... presents the first scholarly examination of soap opera as global media phenomenon.
Becoming Dickens tells the story of how an ambitious young Londoner became England’s greatest novelist. In following the twists and turns of Charles Dickens’s early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by “what might have been, and what was not.” In his own lifetime, Dickens was without rivals. He styled himself simply “The Inimitable.” But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough. Douglas-Fairhurst’s provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.
Quickly and accurately diagnose and treat the psychiatric disorders you will encounter in clinical practice CURRENT Diagnosis and Treatment: Psychiatry offers instant access to relevant etiology, phenomenology, pathophysiology, and drug information. Designed in the time-saving outline style that makes LANGE® CURRENT titles so popular, the book covers need-to-know information on interviewing techniques, emergency psychiatry, treatment strategies, psychiatry and the law, psychological testing, emergency psychiatry, and evaluating infants. This authoritative resource reviews essential psychopharmacologic and psychotherapeutic approaches, and provides evaluation, testing, and decision-making tools and criteria. Renowned authorities on the subject, the editors have a cumulative 100+ years treating patients and teaching residents. • Covers both adult and pediatric disorders • Reviews essential psychopharmacologic and psychotherapeutic approaches • Provides evaluation, testing, and decision-making tools and criteria
Marley was dead, to begin with." Why does the most beloved of Christmas books open with a death? What has death to do with Christmas and New Years, and with Dickens's Christmas books and stories over his entire life? This book starts at the Paris Morgue and takes Dickens through his Christmas experiences from childhood and beyond, his celebrations of the season, and the sorrows that he often reviews in the New Year. Robert L. Patten weaves together Dickens's life, career, writings, journalism, travel, theatrical presentations, and religious convictions to offer a richly designed and entertaining narrative, fulsomely illustrated, of the manifold ways Dickens figures the spirit and traditions of the winter holidays in Victorian England. Both the gothic of ghosts and retribution and what he saw as the grotesque of lower-class enjoyment surface importantly in Dickens's fantasies. This volume discloses many hitherto overlooked connections between Dickens's writings and life and arrives at some surprising conclusions about Dickens's imagination, understanding of the conditions and meaning of Christian life, and the failures of British society to meet the pressing needs of its people. Not only does it address the public reception of these writings; it also tracks the responses and understandings of Dickens's illustrators, friends who found novel ways of telling, and mis-telling, the stories.
This revelatory and often startling book pivots on the enormous changes in publishing, its culture and politics over four tumultuous decades since the '70s. It does so in providing a detailed blow-by-blow account of the author's struggles over the eventual publication of his classic and magisterial work Charles Dickens and His Publishers.
Dickens' rise to fame and his world-wide popularity were by no means inevitable. He started out with no clear career in mind, drifting in and out of the theatre, journalism and editing before finding unexpected success as a creative writer. Taking account of everything known about Dickens' apprentice years, Robert L. Patten narrates the fierce struggle Dickens then had to create an alter ego, Boz, and later to contain and extinguish him. His revision of Dickens' biography in the context of early Victorian social and political history and print culture opens up a more unstable, yet more fascinating, portrait of Dickens. The book tells the story of how Dickens created an authorial persona that highlighted certain attributes and concealed others about his life, talent and publications. This complicated narrative of struggle, determination, dead ends and new beginnings is as gripping as one of Dickens' own novels.
In the conclusion to the biography of the caricaturist and illustrator George Cruikshank, Robert Patten narrates the second half of the artist's long career. It is an examination of Cruikshank's co operations with some of the writers who are known as remakers of British fiction, particularly Harrison Ainsworth, Charles Dickens and William Makepeace Thackeray. Patten also examines Cruikshank's illustrated periodicals, especially the Comic Almernack, which preceded Punch, and which contains an invaluable record of three decades of London life in the artist's hundreds of etchings. Beginning in 1847, Cruikshank became a leading advocate of Temperance, producing two dramatic series of prints, a gigantic oil painting, and many other forms of propaganda. Patten provides the fullest account ever of Cruikshank's many friendships and contextualises his art, showing how the subjects, mediums, treatments, publishers and audiences affected the artist's productions. He is especially good at elucidating Dickens' very public quarrel with Cruikshank, a quarrel that severed twenty years of friendship. The artist's friendship with John Ruskin, who became for a time Cruikshank's patron and champion, is also illuminated by Patten. Cruikshank's later years were not successful either artistically or financially. He was bedevilled by economic crisis, inadequate commissions, and the upkeep of two households - one with his second wife and the other with his mistress and ten children. This volume of the biography foregrounds the changing image of the artist, as he refashioned himself and is refashioned by others to suit or to offend Victorian sensibilities. The intertwining of charity and art, Temperance and propaganda, children's imagination and adult's criticism, Scots heritage and English propriety, complicated and confused Cruikshank's declining years. Patten's engaging and energetic narrative sorts out the contradictory impulses within Cruikshank's life, times and art. Named as the Best Biography of the '90s by The Guardian.
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