Growing Up Lansdowne is a photo-illustrated account of the authors childhood and adolescence in the mid to late 1950s and eventful 1960s in Lansdowne, Pennsylvania, a conservative Philadelphia suburb. The book is composed of 171 diverse essays depicting growing-up years in Lansdowne. Eight sections titled Random Remembrances record dozens of additional recollections. Assorted photographs are included to accent the narrative. The book is part memoir, part social landscape, part local/national history, and part love story. The recollections reflect candor and vulnerability, and at times they are surprisingly personal. Essays present balanced portraits of family and community life and the general era without resorting to enhancement or exaggeration. By its very design, Growing Up Lansdowne compels readers to make personal comparisons with their own hometowns and upbringing. The text touches upon memorable historical events and sensitive social issues of the times, and their impact on adolescent transition to adulthood.
Rhetorical Democracy: How Communication Shapes Political Culture offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest.
Local governments serve their communities in many diversified ways as they increasingly engage in multiple connections: international, regional, regional-local, with nongovernmental organizations and through external nongovernmental services county actors. The book discusses how the shift in emphasis from government to governance has raised many management challenges, along with shifting expectations and demands.
Alan J. Pakula's political thriller All the President's Men (1976) was met with immediate critical and commercial success upon its release, finishing second at the box office and earning seven Academy Award nominations. Through a close reading of key scenes, performances and stylistic decisions, Christian Keathley and Robert B. Ray show how the film derives its narrative power through a series of controlled oppositions: silence vs. noise; stationary vs. moving camera; dark vs. well-lit scenes and shallow vs. deep focus, tracing how these elements combine to create an underlying formal design crucial to the film's achievement. They argue that the film does not fit the auteurist model of New Hollywood film-makers such as Coppola and Scorsese. Instead, All the President's Men more closely resembles a studio-era film, the result of a collaboration between a producer (Robert Redford), multiple scriptwriters, a skilful director, important stars (Robert Redford and Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative art director (George Jenkins) and ingenious sound designers, who together created an enduringly great film.
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