We take our news for granted: that it will inform us about the significant people and cite the authoritative ones, reflect the world the way it is, and tell us why something happens as it does. Now, six working journalists, press critics, and scholars at the leading edge of media criticism have been specially commissioned to make the familiar act of reading the news into a fresh and revealing event. Taking the famous "five W's and an H" (Who, What, When, Where, Why, and How), the authors turn these questions back on journalism for the first time to show us exactly what to make of the press. Leon V. Sigal Who? Sources Make the News Carlin Romano What? Grisly Truth about Bare Facts Michael Schudson When? Deadlines, Datelines, and History Where? Cartography, Community, and the Cold War James W. Carey Why And How? The Dark Continent of American Journalism Robert Karl Manoff Writing the News (By Telling the "Story") For everyone who reads the newspaper, for the journalist, and for the media critic alike, these essays offer fresh, provocative insights into a centerpiece of American culture, the news.
We take our news for granted: that it will inform us about the significant people and cite the authoritative ones, reflect the world the way it is, and tell us why something happens as it does. Now, six working journalists, press critics, and scholars at the leading edge of media criticism have been specially commissioned to make the familiar act of reading the news into a fresh and revealing event. Taking the famous "five W's and an H" (Who, What, When, Where, Why, and How), the authors turn these questions back on journalism for the first time to show us exactly what to make of the press. Leon V. Sigal Who? Sources Make the News Carlin Romano What? Grisly Truth about Bare Facts Michael Schudson When? Deadlines, Datelines, and History Where? Cartography, Community, and the Cold War James W. Carey Why And How? The Dark Continent of American Journalism Robert Karl Manoff Writing the News (By Telling the "Story") For everyone who reads the newspaper, for the journalist, and for the media critic alike, these essays offer fresh, provocative insights into a centerpiece of American culture, the news.
Innovation does happen—even in government! Despite all the news about government scandals and failures, public officials are innovative. This book analyzes numerous examples of ingenious problem solving—in education in California, in the Department of Juvenile Justice in New York City, in government operations in Minnesota, in human service programs across the country. All organizations, both public and private, need innovation, but making innovation work in government is a greater challenge than doing so in business. This book identifies a number of dilemmas that complicate the process of innovating in American government. For example, there is the "trust dilemma": Innovation may be necessary to establish public faith in the ability of government agencies to perform, but before the public grants agencies a license to be truly innovative, it needs to be convinced that these same agencies have the ability to perform. The contributors to this book analyze a number of issues raised by the task of innovation, including: Who is responsible for innovating? How can innovative individuals and teams be held accountable? What kinds of organizational arrangements beget the most innovation? How can innovation be fostered in agencies devoted to routinization? How should innovative ideas be disseminated? And what exactly is an "innovation" anyway? The contributors gathered data for this book from winners and finalists in the Ford Foundation's Innovations Awards program, as well as from other innovators and innovations. In addition to the editors, the contributors are Babak J. Armajani, Michael Barzelay, W. Lance Bennett, Paul Berman, Richard F. Elmore, Robert M. Entman, Lee S. Friedman, Thomas N. Gilmore, Olivia Golden, James Krantz, Laurence E. Lynn Jr., Mark H. Moore, Beryl Nelson, Ellen Schall, Malcolm Sparrow, William Spelman, Deborah A. Stone, and Marc D. Zegans.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Significant to Dunn's critique of poststructuralist and postmodern theories is his application of George Herbert Mead as a means of theorizing identity and difference. The focus on postmodernity, rather than postmodernism grounds his analysis of identity and difference both materially and socially.
But soon, seduced by the myth of Hollywood and the reality of Warner Brothers, he made his movie debut, in 1938, in Four Daughters and immediately established himself as an earthy, rebellious and electrifying presence on the screen - in retrospect, the James Dean of the Depression era.
Features information on nations, states, and cities, celebrities, sports, consumerism, the arts, health and nutrition, United States and world history, and numerous other subjects
This book includes the year in review, economy and business, computers, science and technology, noted personalities, sports, vital statistics, and more.
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