In the spring of 1964, the Nankai Hawks of Japan’s Pacific League sent nineteen-year-old Masanori Murakami to the Class A Fresno Giants to improve his skills. To nearly everyone’s surprise, Murakami, known as Mashi, dominated the American hitters. With the San Francisco Giants caught in a close pennant race and desperate for a left-handed reliever, Masanori was called up to join the big league club, becoming the first Japanese player in the Major Leagues. Featuring pinpoint control, a devastating curveball, and a friendly smile, Mashi became the Giants’ top lefty reliever and one of the team’s most popular players—as well as a national hero in Japan. Not surprisingly, the Giants offered him a contract for the 1965 season. Murakami signed, announcing that he would be thrilled to stay in San Francisco. There was just one problem: the Nankai Hawks still owned his contract. The dispute over Murakami’s contract would ignite an international incident that ultimately prevented other Japanese players from joining the Majors for thirty years. Mashi is the story of an unlikely hero caught up in an American and Japanese baseball dispute and forced to choose between his dreams in the United States and his duty in Japan.
Baseball has been called America’s true melting pot, a game that unites us as a people. Issei Baseball is the story of the pioneers of Japanese American baseball, Harry Saisho, Ken Kitsuse, Tom Uyeda, Tozan Masko, Kiichi Suzuki, and others—young men who came to the United States to start a new life but found bigotry and discrimination. In 1905 they formed a baseball club in Los Angeles and began playing local amateur teams. Inspired by the Waseda University baseball team’s 1905 visit to the West Coast, they became the first Japanese professional baseball club on either side of the Pacific and barnstormed across the American Midwest in 1906 and 1911. Tens of thousands came to see “how the minions of the Mikado played the national pastime.” As they played, the Japanese earned the respect of their opponents and fans, breaking down racial stereotypes. Baseball became a bridge between the two cultures, bringing Japanese and Americans together through the shared love of the game. Issei Baseball focuses on the small group of men who formed the first professional and semiprofessional Japanese baseball clubs. These players’ story tells the history of early Japanese American baseball, including the placement of Saisho, Kitsuse, and their families in relocation camps during World War II and the Japanese immigrant experience.
In November 1934 as the United States and Japan drifted toward war, a team of American League all-stars that included Babe Ruth, Lou Gehrig, Jimmie Foxx, future secret agent Moe Berg, and Connie Mack barnstormed across the Land of the Rising Sun. Hundreds of thousands of fans, many waving Japanese and American flags, welcomed the team with shouts of "Banzai! Banzai, Babe Ruth!" The all-stars stayed for a month, playing 18 games, spawning professional baseball in Japan, and spreading goodwill. Politicians on both sides of the Pacific hoped that the amity generated by the tour--and the two nations' shared love of the game--could help heal their growing political differences. But the Babe and baseball could not overcome Japan's growing nationalism, as a bloody coup d'état by young army officers and an assassination attempt by the ultranationalist War Gods Society jeopardized the tour's success. A tale of international intrigue, espionage, attempted murder, and, of course, baseball, Banzai Babe Ruth is the first detailed account of the doomed attempt to reconcile the United States and Japan through the 1934 All American baseball tour. Robert K. Fitts provides a wonderful story about baseball, nationalism, and American and Japanese cultural history.
Wally Yonamine was both the first Japanese American to play for an NFL franchise and the first American to play professional baseball in Japan after World War II. This is the unlikely story of how a shy young man from the sugar plantations of Maui overcame prejudice to integrate two professional sports in two countries. In 1951 the Tokyo Yomiuri Giants chose Yonamine as the first American to play in Japan during the Allied occupation. He entered Japanese baseball when mistrust of Americans was high and higher still for Japanese Americans whose parents had left the country a generation earlier. Without speaking the language, he helped introduce a hustling style of base running, shaking up the game for both Japanese players and fans. Along the way, Yonamine endured insults, dodged rocks thrown by fans, initiated riots, and was threatened by yakuza (the Japanese mafia). He also won batting titles, was named the 1957 MVP, coached and managed for twenty-five years, and was honored by the emperor of Japan. Overcoming bigotry and hardship on and off the field, Yonamine became a true national hero and a member of Japan s Baseball Hall of Fame.
Many 19th and 20th century historians have argued that Northern slavery was mild and that master/slave relations were relatively harmonious. Yet, Northern slavery, like Southern, was characterized by the conflict between the masters' desire to control their slaves and the slaves' resistance to this domination. For a variety of political, social, and intellectual reasons, 19th and 20th century historians ignored this inherent conflict in discussions of Northern slavery. Fitts' research focuses on how and why historians sanitized the history of slavery in Narragansett, Rhode Island, and then shows the inadequacy of these interpretations by examining several of the planters' and slaves' conflicting strategies of control and resistance. Topics include how planters used physical punishment, legislation, and the threat of sale in an attempt to control their slaves, and how slaves resisted through violence, running away, and non-violent crime. Fitts also examines the plantation landscape as a site of symbolic contestation and includes a chapter on slave names. (Ph.D. dissertation, Brown University, 1995; revised with new preface)
In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans did not immediately embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history. Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.
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