Contraception is not an invention of modern times, nor is it a purely personal matter. Social institutions such as the church and the state have exerted their influence as effectively as doctors, population theorists, and the early pioneers of the feminist movement. All of these claim a special expertise in matters of ethics and morality, and so have shaped the discourses on and practices of birth control over the centuries. In this engaging new book Robert Jütte offers a history of contraception from the Ancient world to the present day. He distinguishes two broad phases: first, a long phase, extending from the Ancient world up to the 18th century, in which birth control was part of a traditional form of sexual knowledge what Jütte calls, following the French social philosopher Michel Foucault, the ars erotica. In the second phase, which began in the 19th century, practices of birth control are increasingly shaped by the emerging models of scientific knowledge, while still retaining some vestiges of the erotic arts. In addition to the contraceptives we know and use today, from coitus interruptus to the condom and the pill, Jütte considers other methods of birth control as diverse as the use of herbal potions and vaginal pessaries, the castration of young boys and the enforced sterilization of men and women. This comprehensive history of one of the oldest and most widespread of human practices offers a rich and nuanced account of how men and women across the centuries have struggled with the needs both for sexual gratification and for limitation of offspring, while also looking beyond the present to catch a glimpse of how contraception might evolve in the future.
This path-breaking book examines our attitudes to the senses from antiquity through to the present day. Robert Jutte explores a wealth of different traditions, images, metaphors and ideas that have survived through time and describes how sensual impressions change the way in which we experience the world. Throughout history, societies have been both intrigued or unsettled by the five senses. The author looks at the way in which the social world conditions our perception and traces the 'rediscovery' of sensual pleasure in the twentieth century, paying attention to experiences as varied as fast food, deoderization, and extra-sensory perception. He concludes by exploring technological change and cyberspace, reflecting on how developments in these fields will affect our relationship with the senses in the future.
An encyclopedic survey of the Jewish body as it has existed and as it has been imagined from biblical times to the present That the human body can be the object not only of biological study but also of historical consideration and cultural criticism is now widely accepted. But why, Robert Jütte asks, should a historian bother with the Jewish body in particular? And is the "Jewish body" as much a concept constructed over the course of centuries by Jews and non-Jews alike as it is a physical reality? To comprehend the notion and existence of a Jewish body, he contends, one needs to look both at the images and traits that have been ascribed to Jews by themselves and others, and to the specific bodily practices that have played an important role in creating the identity of a religious and cultural community. Jütte has written an encyclopedic survey of the Jewish body as it has existed and as it has been imagined from biblical times to the present, often for anti-Jewish purposes. He examines the techniques for caring for the body that Jews acquire in childhood from parents and authority figures and how these have changed over the course of a more than 2000-year history, most of it spent in exile. From consideration of traditional body stereotypes, such as the so-called Jewish nose, to matters of gender and sexuality, sickness and health, and the inevitable end of the body in death, The Jewish Body explores the historical foundations of the human physis in all its aspects.
This study provides an accessible and authoritative account of poverty and deviance during the early modern period, informed by those perspectives on the role of the poor themselves in the provision of welfare services characteristic of much recent social history. Robert Jütte shows how the notions of poverty and social deviance that preoccupied much contemporary thought saw their ultimate fruition in the systematic programmes for social welfare that emerged during the nineteenth century. Contrary to the once-traditional historical emphasis on the ameliorative role of individual reformers, Professor Jütte's account looks much more closely at the poor themselves, and the complex network of social and communal relationships they inhabited. He examines the lives not only of poor relief recipients but of the vast number of destitute individuals who had to find other means to stay alive, and how these people shaped their own patterns of survival within given communities.
This study provides an accessible and authoritative account of poverty and deviance during the early modern period, informed by those perspectives on the role of the poor themselves in the provision of welfare services characteristic of much recent social history. Robert Jütte shows how the notions of poverty and social deviance that preoccupied much contemporary thought saw their ultimate fruition in the systematic programmes for social welfare that emerged during the nineteenth century. Contrary to the once-traditional historical emphasis on the ameliorative role of individual reformers, Professor Jütte's account looks much more closely at the poor themselves, and the complex network of social and communal relationships they inhabited. He examines the lives not only of poor relief recipients but of the vast number of destitute individuals who had to find other means to stay alive, and how these people shaped their own patterns of survival within given communities.
An encyclopedic survey of the Jewish body as it has existed and as it has been imagined from biblical times to the present That the human body can be the object not only of biological study but also of historical consideration and cultural criticism is now widely accepted. But why, Robert Jütte asks, should a historian bother with the Jewish body in particular? And is the "Jewish body" as much a concept constructed over the course of centuries by Jews and non-Jews alike as it is a physical reality? To comprehend the notion and existence of a Jewish body, he contends, one needs to look both at the images and traits that have been ascribed to Jews by themselves and others, and to the specific bodily practices that have played an important role in creating the identity of a religious and cultural community. Jütte has written an encyclopedic survey of the Jewish body as it has existed and as it has been imagined from biblical times to the present, often for anti-Jewish purposes. He examines the techniques for caring for the body that Jews acquire in childhood from parents and authority figures and how these have changed over the course of a more than 2000-year history, most of it spent in exile. From consideration of traditional body stereotypes, such as the so-called Jewish nose, to matters of gender and sexuality, sickness and health, and the inevitable end of the body in death, The Jewish Body explores the historical foundations of the human physis in all its aspects.
Jutte charts the development of our attitudes and relationships to our senses from antiquity through to the 20th century, creating a tapestry of different traditions, images, metaphors, and ideas that have survived through time.
Contraception is not an invention of modern times, nor is it a purely personal matter. Social institutions such as the church and the state have exerted their influence as effectively as doctors, population theorists, and the early pioneers of the feminist movement. All of these claim a special expertise in matters of ethics and morality, and so have shaped the discourses on and practices of birth control over the centuries. In this engaging new book Robert Jütte offers a history of contraception from the Ancient world to the present day. He distinguishes two broad phases: first, a long phase, extending from the Ancient world up to the 18th century, in which birth control was part of a traditional form of sexual knowledge what Jütte calls, following the French social philosopher Michel Foucault, the ars erotica. In the second phase, which began in the 19th century, practices of birth control are increasingly shaped by the emerging models of scientific knowledge, while still retaining some vestiges of the erotic arts. In addition to the contraceptives we know and use today, from coitus interruptus to the condom and the pill, Jütte considers other methods of birth control as diverse as the use of herbal potions and vaginal pessaries, the castration of young boys and the enforced sterilization of men and women. This comprehensive history of one of the oldest and most widespread of human practices offers a rich and nuanced account of how men and women across the centuries have struggled with the needs both for sexual gratification and for limitation of offspring, while also looking beyond the present to catch a glimpse of how contraception might evolve in the future.
The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
When it comes to martial traditions, Dr. Robert Dohrenwend exemplifies a rare breed of scholar-warrior. You will find four chapters in this book devoted to weapons that have had enormous impact on world civilizations: the sling, sai, walking stick, and spear. With the spear and sling, we traverse millennia of human involvement with weapon innovation for hunting and warfare. These represent our primal roots. They are still with us today. The walking stick is normally seen as a practical device made to assist in walking and hiking. As a weapon, there’s much more to a cane than meets the eye. For civilian self-defense, it is convenient and effective. Many are familiar with the Okinawan sai, but may be unaware that the weapon exists in other geographic areas as well. We have some solid references for the sai, including written and oral records, plus material artifacts. In each chapter Dr. Dohrenwend utilizes his academic research and practical experience to give the most complete overview of the weapons. This includes not only their history, but other aspects such as their purpose, design, effectiveness, cost of production, and uses in military and civilian settings. There is much to absorb: scientific data and analyses, fighting techniques, stories, and some humor.
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