The History of the Sea, Lake, and River Battles of the Civil War, is an expose, a denunciation, a condemnation of the lies, the distortions, the deceits, the misrepresentations, and the slanders of the biased civil war historians, the biased movie makers, and the biased makers of TV Specials, who write distorted books, distorted movies, and make distorted TV Specials about the civil war. For example, President Grant is slandered as the butcher of the civil war, when the real butcher is the traitor Robert E. Lee by an actual count of the men he killed in the battles he fought! Another example is the big lie that the Monitor and Merrimac battle was a draw when it was a clear cut victory for the Monitor! There are two classes of people in The Damn Slavers: The people in the 22 Loyal states and in the 11 traitor states: the Loyalists: the victims; and the people in the 11 traitor states and in the 22 Loyal states: the traitors: the villains! One of the biggest vile lies of the civil war is the depraved lie the traitors won most of the battles! The author counted hundreds of the bigger land battles and the sea, lake, and river battles! This battle count is what Damn Slavers is all about! Surprise, Surprise! The Loyalists won most of the bigger land battles of the civil war by a ratio of about 2 to 1 from the start of the civil war and won most of the sea, lake, and river battles too, by an overwhelming margin!! If you want to learn some real truths about the civil war, read Damn Slavers! A History of the Sea, Lake, and River Battles of the Civil War!
The most thorough examination we have of how early Americans wrestled with what types of political dissent should be permitted, even promoted, in the new republic they were forming. Martin shows the modern relevance of their debates in ways that all will find valuable—even those who dissent from his views!"—Rogers M. Smith, Christopher H. Browne Distinguished Professor of Political Science, University of Pennsylvania Democracy is the rule of the people. But what exactly does it mean for a people to rule? Which practices and behaviors are legitimate, and which are democratically suspect? We generally think of democracy as government by consent; a government of, by, and for the people. This has been true from Locke through Lincoln to the present day. Yet in understandably stressing the importance—indeed, the monumental achievement—of popular consent, we commonly downplay or even denigrate the role of dissent in democratic governments. But in Government by Dissent, Robert W.T. Martin explores the idea that the people most important in a flourishing democracy are those who challenge the status quo. The American political radicals of the 1790s understood, articulated, and defended the crucial necessity of dissent to democracy. By returning to their struggles, successes, and setbacks, and analyzing their imaginative arguments, Martin recovers a more robust approach to popular politics, one centered on the ever-present need to challenge the status quo and the powerful institutions that both support it and profit from it. Dissent has rarely been the mainstream of democratic politics. But the figures explored here—forgotten farmers as well as revered framers—understood that dissent is always the essential undercurrent of democracy and is often the critical crosscurrent. Only by returning to their political insights can we hope to reinvigorate our own popular politics.
From the time he left office in 1853, President Millard Fillmore has become increasingly shrouded in mystery and stereotyped by anecdotes with slender connections to facts. The real Fillmore was not the weak and boring figurehead many Americans believe he was. This account of Fillmore's life is drawn largely from his family's personal papers, many of which have previously been suppressed or were unavailable or believed lost. It presents Fillmore as his own letters do, and as his friends, family members, and contemporaries saw him, as a distinguished and honorable man who was also a strong and effective president. This comprehensive work includes photographs, a genealogy of the Fillmore family, a chronology, a bibliography, and an index.
Lee Marvin did not receive his first starring film role until he was 40, but in three short years--following the successes of Cat Ballou (for which he won the Academy Award as Best Actor), The Professionals and especially The Dirty Dozen--he was the most popular film actor in America. Marvin was a fascinating man, a loving husband and father, and one of the most natural, effective actors of his time. This is a comprehensive reference of the Oscar-winning actor's work. It includes biographical information on Marvin, an analysis of each of his 64 movies, chapters on his two television shows (M Squad and Lawbreaker), a listing of his television appearances, and a complete filmography (which includes video availability). The work is supplemented with dozens of photographs and film stills.
From the Naval Academy to the POW camps of Vietnam to Capitol Hill and possibly to the White House -- one of America's most remarkable men In 1998, at the dedication of the National Prisoner of War Museum in Andersonville, Georgia, former Attorney General Griffin Bell, a Democrat, introduced Senator John McCain, the featured speaker and a Republican, with these words: "We often hear people now say, where are our heroes, where have all our heroes gone? Well, Senator McCain is an authentic, living American hero." So begins Robert Timberg's gripping and penetrating biography of Senator John McCain, the man who may someday be President of the United States. In John McCain: An American Odyssey, Timberg provides a riveting account of McCain's remarkable life -- from his rambunctious childhood and his madcap escapades as a U.S. Naval Academy midshipman to his grim experiences as a combat pilot and POW in Vietnam, where he was held prisoner by the North Vietnamese for five and a half years. Most importantly, the author illuminates Senator McCain's postwar evolution into one of our country's most distinguished political leaders and a formidable presidential candidate. Inspired by the success of The Nightingale's Song (selected by The New York Times as a "Notable Book of the Year" in 1995 and by Time as one of that year's five best nonfiction books), John McCain: An American Odyssey probes more deeply into the life of this hugely colorful, straight-talking American original. It is a rich and captivating portrait of one of America's most fascinating and provocative public figures -- a man who has captured the imagination of millions of Americans and who will continue to be a most prominent figure on the American political landscape.
Scholes moves from identifying where the discipline has failed to providing concrete solutions that will help restore vitality and relevance to the discipline." -- back cover
Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.
A fully revised and updated new edition of the classic history of western America The newly revised second edition of this concise, engaging, and unorthodox history of America’s West has been updated to incorporate new research, including recent scholarship on Native American lives and cultures. An ideal text for course work, it presents the West as both frontier and region, examining the clashing of different cultures and ethnic groups that occurred in the western territories from the first Columbian contacts between Native Americans and Europeans up to the end of the twentieth century.
Chernobyl, Exxon Valdez, and Love Canal - these names of preventable disasters haunt the world, and serve as reminders of the tragedies caused by political negligence and economic greed. Hernan's accounts explain how the disasters transpired and discusses the responses of governments and individuals.
Conventional wisdom credits only entrepreneurs with the vision to create America's commercial airline industry and contends that it was not until Roosevelt's Civil Aeronautics Act of 1938 that federal airline regulation began. In Airlines and Air Mail, F. Robert van der Linden persuasively argues that Progressive republican policies of Herbert Hoover actually fostered the growth of American commercial aviation. Air mail contracts provided a critical indirect subsidy and a solid financial foundation for this nascent industry. Postmaster General Walter F. Brown used these contracts as a carrot and a stick to ensure that the industry developed in the public interest while guaranteeing the survival of the pioneering companies. Bureaucrats, entrepreneurs, and politicians of all stripes are thoughtfully portrayed in this thorough chronicle of one of America's most resounding successes, the commercial aviation industry.
In this book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies."--Jacket.
From Abraham Lincoln's stance on international slavery to George W. Bush's incursions on the world stage, American presidents and other leaders have taken decisive actions to shape our country's foreign policy. This new collection of essays provides analytical narratives of how and why policies were devised and implemented that would determine the place of the United States in the international arena from the 1860s to the present. Showing what individuals do-or choose not to do-is central to understanding diplomacy in peace and war. These writings-by such prominent historians as Terry H. Anderson and Eugene P. Trani-examine presidents and other diplomats at their best and worst in the practice of statecraft. They take on issues ranging from America's economic expansion abroad to the relations of democracies with authoritarian leaders and rogue nations to advocacy of such concepts as internationalism, unilateralism, nation building, and regime change. In so doing, they take readers on a virtual tour of American diplomatic history, tracing the ideas and actions of individuals in shaping our foreign policy, whether George F. Kennan as author of Soviet containment or Ronald Reagan as progenitor of "Star Wars." The essays range over a variety of scenarios to depict leaders coming to grips with real-world situations. They offer original views on such topics as American diplomacy toward Nicaragua, origins of U.S. attitudes toward Russia and the Soviet Union, FDR's idiosyncratic approach to statecraft, and food diplomacy as practiced by LBJ and Richard Nixon. And in considering post-Cold War crises, they address Bill Clinton's military interventions, George W. Bush's war against Iraq, and the half-century background to the current nuclear standoff with Iran. Additional articles pay tribute to the outstanding career of Robert H. Ferrell as a scholar and teacher. Throughout the volume, the authors seek to exemplify the scholarly standards of narrative diplomatic history espoused by Robert Ferrell-especially the notion that historians should attempt to explain fully the circumstances, opportunities, and pressures that influence foreign policy decisions while remembering that historical actors cannot with certainty predict the outcomes of their actions. Presidents, Diplomats, and Other Mortals is both a collection of compelling historical studies and an overarching case study of the role of individuals in foreign policy making and an insightful review of some of history's most important moments. Taken together, these essays provide a fitting tribute to Ferrell, the trailblazing scholar in whose honor the book was written.
Merchants and Revolution examines the activities of London's merchant community during the early Stuart period. Proposing a new understanding of long-term commercial change, Robert Brenner explains the factors behind the opening of long-distance commerce to the south and east, describing how the great City merchants wielded power to exploit emerging business opportunities, and he profiles the new colonial traders, who became the chief architects of the Commonwealth's dynamic commercial policy.
In 1989 a political fire storm erupted after the United States Supreme Court declared that dissidents had the constitutional right under the First Amendment to burn the flag. To some, including President George Bush and many members of Congress, the flag was a sacred symbol of American freedoms. They believed its physical destruction posed a serious threat to the country and demanded a constitutional amendment to reverse the Court's decision. For those who defended the Court's ruling, flag desecration was a form of constitutionally protected free speech, and any attempt to forbid such conduct was seen as creating a dangerous precedent. Burning the Flag brings together the disciplines of law, journalism, political science, and history to explain and place the development of the controversy in its full context. It is based on extensive research in legal, congressional, and journalistic sources and on exclusive interviews with nearly 100 of the key players in the dispute, among them flag burners, judges, lawyers and lobbyists on both sides, members of Congress, congressional aides, and journalists. A timely addendum chronicles the late 1995 attempts once again to pass a constitutional amendment on flag desecration, adding to the significance of this readable account. Burning the Flag will be of value to both an academic and a general audience, particularly to civil libertarians, flag buffs, and those interested in popular media, American politics, modern American history, and constitutional law.
In September 1944, 10-year-old George Ames sees something impossible-a German U-Boat surfacing off the coast of Long Island, New York. As the lone witness, George convinces himself that his imagination is to blame, and quickly puts the memory of the event behind him. Ten years later, George crosses paths with one of the men who surfaced in that U-Boat, proving that what he saw years ago wasn't just his imagination. This chance encounter eventually serves as the catalyst to a 30-year investigation, where George and his associates will discover a horrifying and insidious truth-many members of The Third Reich refused to allow their cause to be vanquished even after Germany's defeat in WWII. With a fascinating mix of historical fact and fiction, The Volsung Project captivates with twisted and suspenseful intrigue and espionage, leaving a lingering "What if?" long after the last page is turned.
Offering a comparative and thematic cross-country analysis of the governance of home care, this book systematically maps out governing arrangements in relation to formal care services, informal care, care workers and users of care across nine countries.
“Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein.”—William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy "Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."—Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945
William Faulkner was an aviation cadet in Canada in the closing days of WW I. He later owned his own airplane, and even put on a few air shows. When he wrote of flying, as he often did, it was with a great deal of expertise but little concern for the edification of his readers. The result is that many of the five hundred or so passages dealing with aviation in his works are all but incomprehensible to the non-pilot. This work elucidates all the aeronautical references in Faulkner s fiction and verse which might prove troublesome to the general reader. This monograph contains three main sections: An introduction to flight, designed especially for the non-technical reader and intended to provide enough background in aerodynamics and aircraft design to enable one to follow Faulkner s argument intelligently; a brief biography of Faulkner as a pilot and aviation enthusiast; and a reader s guide through the individual works in which aviation plays a part.
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