The semi-stable homotopy groups of a topological space [italic]X are the unstable homotopy groups [lowercase Greek]Pi [subscript]*[capital Greek]Sigma[superscript]n[italic]X, [italic]n [greater than symbol] 0, of the suspensions of [italic]X. This monograph is concerned with computing these semi-stable homotopy groups using the unstable Adams spectral sequence for the free iterated loop spaces [capital Greek]Omega[superscript italic]n [capital Greek]Sigma[superscript italic]n [italic]X generated by [italic]X.
Robert Harvey brilliantly recreates the story of the greatest conflict that stretches from the first blaze of revolution in Paris in 1789 to final victory on the muddy fields of Waterloo. On land and at sea, throughout the four corners of the continent, from the frozen plains surrounding Moscow and terror on the Caribbean seas, to the muddy low lands of Flanders and the becalmed waters of Trafalgar, The War of Wars tells the powerful story of the greatest conflict of the age.
An updated version of a guide to (Maryland) . . . prepared by the Works Progress Administration . . . (last updated in 1976). Detailed historical information accompanies driving and walking tours throughout the state".--"Baltimore Magazine". 192 illustrations, including archival and new photos.
Although rural America supported more than seven hundred tent repertoire groups during the first half of the twentieth century, little is known about the many players and companies that strolled the land to bring live entertainment to small towns. Thus, Robert Lee Wyatt's chronicle of a pioneer dramatic tent repertoire company is more than just a fascinating story; itis also a particularly significant piece of American theater history. Founded in Roosevelt, Oklahoma, in 1911 by Harvey (Haver) and Carlotta (Lotta) Haverstock, the Haverstock Tent Show proved to be one of the most enduring of these tent theater companies--and of family enterprises. Rolland Haverstock, the founders' son, played leading-man roles for thirty of the company's forty-three years, and Rolland's wife, Peggy, who joined the company in 1933, toured with the group until it dissolved in 1954. As Wyatt reports the life and work of this remarkable family of thespians, the schedule sounds grueling--at least one new town every week with a different three-act play for each night they worked a town--but apparently the Haverstocks and the actors who traveled with them loved their work. And they thoroughly enjoyed meeting new people in the towns along the route through rural Oklahoma, Texas, Missouri, Arkansas, and Illinois. Unlike many such companies, the Haverstocks made a point of fitting into the community, including going to church with their audiences on Sunday mornings. Wyatt was exceptionally fortunate in finding such willing and able subjects as he investigated the tent theater movement. Not only did Rolland and Peggy Haverstock spend hours regaling him with tales of the family touring company, but they also provided him with their own archival records. Through these two veteran players, Wyatt had access to family letters, Haver's memoirs and diaries, copies of scripts, route books, record books, and scrapbooks and photographs, some of which are included here. Wyatt supplemented this material with interviews with those who had worked with the Haverstocks or who had known the company by reputation.
CD-ROM contains files that correspond to each chapter of the book. These files include keywords with definitions, related websites, review questions and slides that highlight the key points.
Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).
Following Robert Howe's successful first book, 'I'll Give It Six Months, ' a delightful and humorous Memoir, 'Travels With My Appetite, ' his take on travel and food, is sure to prove equally entertaining. With a lifetime love of good food, he has travelled most of the world and tried cuisines from around the globe. His career has been as diverse as his travels, from a chef/butcher in a London hospital to a spell in the Diplomatic Service. His account of places travelled, food sampled, and some of his own recipes, makes for a very interesting, enjoyable, and at times humorous, read. Now retired, he lives near his favourite city, Chester, with his wife Linda Fraser-Web
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
In an age of backroom generals who command from far behind troop lines, it is often forgotten that wars have been won or lost by the personality and leadership of a maverick commander. In twelve riveting portrait, best-selling historian, Robert Harvey, explores the mind and the action of such men. From the the Mediterranean sea Harvey investigates what make a military commander different - a charismatic leader of men, rational under fire, unafraid to improvise or lead his men into victory against the odds. Packed with compelling and insightful analysis and story telling, Mavericks is Robert Harvey's best book to date. The Mavericks, what made them great and their key battles include: Clive of India - a master of the decisive strike, and going for the jugular. Plassey. James Wolfe - renowned by his troops for being as demanding on himself as on them. Quebec. George Washington - patience, then boldness. Yorktown. Horatio Nelson - flamboyance, careful planning and improvisation. Trafalgar. Thomas Cochrane - Fearless commando tactics and an eye for the unexpected strike. Aix Roads. The Duke of Wellington - style and soundbites, caution and planning. Salamanca. Guiseppe Garibaldi - charismatic communicator, bold in battle. Messina. Ulysses S. Grant - Cool and rational, with determination to overcome all obstacles. Vicksburg Erwin Rommel - Careful calculation followed by bold strikes. Desert Campaign. George Patton - Aggression coupled with skill in tanks and training.The Battle of the Bulge. Field Marshal Montgomery - A natural rebel with a lightning mind. El Alamein. Douglas MacArthur - brilliant communicator and bold, cared for his men. Inchon. PRAISE FOR WAR OF WARS 'This is the 'definitive' one-volume account of a particularly rich slab of history.' Daily Express. '... so well paced that reading it is a pleasure.' Bernard Cornwell. 'I doubt a better account of the never-ending war will be written in many a year.' Allan Mallinson. 'an exhillirating sequence of dramatic set-pieces in narrative history's best traditions.' Literary Review
Neighbourhood open space ranks highly as a key component in suburban liveability assessments, originating from the development of urban planning as a profession and the proliferation of the garden suburb. Community Green uniquely connects the past, present and future of planning for small open spaces around the narrative of internal reserves. The distinctive planned spaces are typically enclosed on every side, hidden within residential blocks, serving as local pocket parks and reflecting the evolving values of community life from the garden city movement to contemporary new urbanism. This book resuscitates the enclosed, almost secretive reserve from history as a distinctive form of local open space whose problems and potentialities are relevant to many other green community spaces. In so doing, it opens up even wider connections between localism and globalism, the past and the future, and for connecting community initiatives to broader global challenges of cohesion, health, food, and climate change. This fully illustrated book charts the outcomes and implications of this evolution across several continents, injecting human stories of civic initiatives, struggles and triumphs along the way. Community Green will be of interest to a wide readership interested in studying, managing and improving the quality of all small open spaces in the urban landscape.
“…our service operates in the background, and now it appears that there may be lurking in that milieu a malevolent spirit that we need to flush out…” June 1940. The fledgeling Air Transport Auxiliary is rocked by a scandal that could ground the service before it has fully developed its wings. Teddy Carlton is approached by the acquaintance of an old school friend to help resolve the issue and thus embarks on a journey that sees her engaged in some of the most exciting work that a woman could perform in wartime. Her voyage sees Teddy embroiled in the secret world of espionage while exploiting her nascent skills in flying until she becomes one of the country’s top ferry pilots and a respected agent of the Security Service. Heartache and joy are her constant companions throughout her service, but the love for her family and her country keeps Teddy focused on the ultimate goal – the defeat of Nazi Germany... …and her husband only knew the half of it.
He had an extraordinary Broadway career, wrote 90 novels and story collections, and among his immortal characters are Jeeves and the Empress of Blandings. McCrum's magisterial biography chronicles the achievements and shadows of a gilded life.
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