Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.
“Frost was the first American who could be honestly reckoned a master-poet by world standards.”—Robert Graves Robert Frost’s poetry has triumphantly survived him, but most readers today have not known him in one of his most significant capacities—as teacher and lecturer. Here, collected for the first time, are excerpts from forty-six of his presentations delivered to students at more than thirty academic institutions over three decades. Frost’s topics include: “What I think I’m doing when I write a poem,” “Getting up things to say for yourself,” “The future of the world,” “Fall in love at sight,” and “Not freedom from, but freedom of.” Gathered by Edward Connery Lathem, editor of The Poetry of Robert Frost, and introduced by Pulitzer Prize–winning journalist David M. Shribman, Robert Frost: Speaking on Campus reveals Frost in the setting of both classroom and lecture hall, where he inspired thousands.
No poet is more emblematically American than Robert Frost. This is a collection of rich cornucopia of Frost's speeches, interviews, correspondence, one-act plays, and other prose.
The Letters of Robert Frost, Volume 2: 1920–1928 is the second installment of Harvard’s five-volume edition of the poet’s correspondence. Nearly three hundred letters in the critically-acclaimed first volume had never before been collected; here, close to four hundred are gathered for the first time. Volume 2 includes letters to some 160 correspondents: family and friends; colleagues, fellow writers, visual artists, editors, and publishers; educators of all kinds; farmers, librarians, and admirers. In the years covered here, publication of Selected Poems, New Hampshire, and West-Running Brook enhanced Frost’s stature in America and abroad, and the demands of managing his career—as public speaker, poet, and teacher—intensified. A good portion of the correspondence is devoted to Frost’s appointments at the University of Michigan and Amherst College, through which he played a major part in staking out the positions poets would later hold in American universities. Other letters show Frost helping to shape the Bread Loaf School of English and its affiliated Writers’ Conference. We encounter him discussing his craft with students and fostering the careers of younger poets. His observations (and reservations) about educators are illuminating and remain pertinent. And family life—with all its joys and sorrows, hardships and satisfactions—is never less than central to Frost’s concerns. Robert Frost was a masterful prose stylist, often brilliant and always engaging. Thoroughly annotated and accompanied by a biographical glossary, chronology, and detailed index, these letters are both the record of a remarkable literary life and a unique contribution to American literature.
A collection of two of Robert Frost’s most celebrated poems in their original form: A Boy’s Will and North of Boston. The publication of A Boy’s Will (1913) and North of Boston (1914) marked the debut of Robert Frost as a major talent and established him as the true poetic voice of New England. Four of his volumes would win the Pulitzer Prize before his death in 1963, and his body of work has since become an integral part of the American national heritage. This is the only edition to present these two classics in their original form. A Boy’s Will introduced readers to Frost’s unmistakable poetic voice, and in North of Boston, we find two of his most famous poems, “Mending Wall” and “The Death of the Hired Man.” With an introduction by distinguished critic and Amherst professor William H. Pritchard and an afterword by poet and critic Peter Davison, this centennial edition stands as a complete and vital introduction to the work of the quintessential modern American poet.
Robert Lee Frost (March 26, 1874 - January 29, 1963) was an American poet. His work was initially published in England before it was published in America. Frost frequently wrote about settings from rural life in New England in the early twentieth century.
Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems—with brilliant essays highlighting his special genius and the power of memorization to unlock the magic of his language During a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: “If they won’t stick to me, I won’t stick to them.” Remarkably among the modern poets, his poems “stick” to the reader: "Mending Wall," with its famous invocation of the rural maxim "Good fences make good neighbors" "The Road Not Taken," about the beguiling possibilities of life "Birches," which reminds us that "One could do worse than be a swinger of birches "Stopping by Woods on a Snowy Evening," with its unforgettable final line: "And miles to go before I sleep." Here, poet and Frost biographer Jay Parini presents these and 12 other Frost poems to learn by heart. In short accompanying commentaries, Parini illuminates the stylistic and imaginative features of each of the poems, drawing in biographical material from Frost’s life to provide further context. “The goal of this little book is to encourage readers to slow down—to listen to Frost’s words and phrases, to locate their deepest rhythms, and hear the tune of each poem as it unfolds. . . . Memorizing a poem can teach us much about a poem’s structure and argument, and about the resonance of particular words. And best of all, memorization makes a poem part of our inner lives. Once committed to memory, a poem is available to us for recall at any time—and the occasions for remembering it will make themselves known to us. It isn’t something we have to work at.” Anyone who has read and loved Frost’s poetry will want to own and treasure this little gift edition. Those reading Frost for the first time or those wishing to become better acquainted with one of America’s greatest poets will not find a better, more insightful guide than Jay Parini.
Selected Poems (1923) is a collection of poems by American poet Robert Frost. Dedicated to Edward Thomas, a friend of Frost’s and an important English poet who died toward the end of the First World War, Selected Poems is a wonderful sampling of poems from Frost’s early collections, including A Boy’s Will and North of Boston. Known for his plainspoken language and dedication to the images and rhythms of rural New England, Robert Frost is one of America’s most iconic poets, a voice to whom generations of readers have turned in search of beauty, music, and life. “Mowing” envisions the poet’s work through the prism of rural labor. “There was never a sound beside the wood but one / And that was my long scythe whispering to the ground. / What was it it whispered?” The speaker does not know, but continues his task, hypnotized by its rhythm and simple music. In “After Apple-Picking,” as fall gives over to winter, the poet remembers in dreams how the “Magnified apples appear and disappear, / Stem end and blossom end” as he climbs the ladder into the heart of the tree. Both a symbol for life and a metaphor for the poetic act, apple picking leaves the poet “overtired / Of the great harvest [he himself] desired”, awaiting sleep as he describes “its coming on,” wondering what, if anything, it will bring. “The Road Not Taken,” perhaps Frost’s most famous poem, is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still. With a beautifully designed cover and professionally typeset manuscript, this edition of Robert Frost’s Selected Poems is a classic of American literature reimagined for modern readers.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.