Provides a comprehensive framework for achieving higher levels of corporate information disclosure and transparency In order to decide whether or not a company is a good investment, analysts and investment professionals need to know as much as possible about the company's tangible and intangible assets, as well as a variety of critical performance measures. Written by an international team of experts, The Value Reporting Revolution clearly explains why corporations must move toward greater transparency and, more importantly, it provides a comprehensive framework for achieving that goal. Among other important lessons, readers learn how to identify the gaps between how corporate managers perceive their disclosure practices versus how the markets see them, as well as how to leverage their organizations' electronic communications technology and tools to ensure easy access to vital information and more meaningful data analysis. Robert Eccles (Jupiter, FL) is President of Advisory Capital Partners, Inc. Robert H. Herz (New York, NY) is a Partner at PricewaterhouseCoopers, US. David Phillips (London, UK) is a Partner at PricewaterhouseCoopers, UK. Mary M. Keegan (London, UK) is head of Global Corporate Reporting at PricewaterhouseCoopers, UK.
The new edition of this classic text covers the latest developments in American gun policy, including shooting incidents plaguing the American landscape - especially Sandy Hook, the Colorado theatre shootings and the tragic death of Trayvon Martin - placing them in context with similar recent events. The incidents described in the book sparked a wave of gun control legislation at local, state and national levels, some of which was successful, some doomed and all controversial. At the national level, President Obama put his political capital on the line to push for new gun control measures, only to see them shot down by Congress. Robert J. Spitzer has long been a recognised authority on gun control and gun policy. His even-handed treatment of the issue - as both a member of the NRA and the Brady Center - continues to compel national and international interest, including interviews by the likes of Terry Gross, Tom Ashbrook and Diane Rehm. This sixth edition of The Politics of Gun Control provides the reader with up-to-date data and coverage of gun ownership, gun deaths, school shootings, border patrols and new topics including social media, stand-your-ground laws, magazine regulation, and shooting-related mental health initiatives.
Business reporting in a post-apocalypse global marketplace Clearly, now is the time for creating an effective business-reporting model appropriate for the markets of the twenty-first century. Rather than start from scratch after the Enron-Andersen fiasco, two leading consultants from PricewaterhouseCoopers present a plan that supplements the current model, one in which executives, accountants, analysts, investors, regulators, and other stakeholders can truly embrace the spirit of transparency. The Future of Corporate Reporting highlights the best practices for global financial reporting, explaining the concept of "performance auditing," which focuses on the real performance of the business as opposed to technical adherence to GAAS. Eccles and Masterson also discuss the pros and cons of GAAP v. IAS, present new approaches to reforming financial reporting, and outline a twenty-first-century model of accounting that will improve markets and benefit shareholders.
In Orchestrating the Instruments of Power, Worley presents the theories underlying choices in grand strategy, the instruments of power spread across the departments and agencies of government, the mechanisms for orchestrating the instruments, the major reforms proposed, and the political instabilities that make the reforms either necessary or unwise.
Beer and Hariman provide a coherent set of essays that trace and challenge the tradition of realism which has dominated the thinking of academics and practitioners alike. These timely essays set out a systematic investigation of the major realist writers of the Post- War era, the foundational concepts of international politics, and representative case studies of political discourse.
An essential resource for both students and practitioners, this comprehensive text provides practical, up-to-date information about normal reproduction and reproductive disorders in horses, cattle, small ruminants, swine, llamas, and other livestock. Featuring contributions from experts in the field, each section is devoted to a different large animal species and begins with a review of the clinically relevant aspects of the reproductive anatomy and physiology of both males and females. Key topics include the evaluation of breeding soundness, pregnancy diagnosis, diagnosis and treatment of infertility, abortion, obstetrics, surgery of the reproductive tract, care of neonates, and the latest reproductive technology. - Includes coverage of all large animal species. - All sections provide a review of clinically pertinent reproductive physiology and anatomy of males and females of each species. - Complete coverage of the most current reproductive technology, including embryo transfer, estrous synchronization, and artificial insemination. - A new section on alternative farming that addresses reproduction in bison, elk, and deer. - New to the equine section: stallion management, infertility, and breeding soundness evaluation. - New to the bovine section: estrous cycle synchronization, reproductive biotechnology, ultrasonographic determination of fetal gender, heifer development, and diagnosis of abortion. - New to the porcine section: artificial insemination, boar/stud management, diseases of postpartum period, and infectious disease control. - New to the llama section: infectious disease and nutrition.
Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
This book examines the globalization of production and its impact on work and gender relations, the impact of technology on workers around the world, the economic problems associated with debt crisis, the political opportunities associated with democratization, the impact of global warming, the reasons behind China's rise as an economic superpower, and the problems in countries across the Middle East that culminated in the attacks of 9/11.
Since its initial publication, this book has become the classic work on every important element of the tumultuous national gun debate in America. This new edition brings together the latest developments and research in gun politics, policy, law, history, and criminology to provide a comprehensive and accessible source widely used by scholars, journalists, and in classrooms. In this era of polarized politics, this book provides a unique window into how and why that polarization drives our politics. Among the new topics covered in this edition are the Bipartisan Safer Communities Act, new Supreme Court protections for concealed carry permits, and the impacts of the COVID-19 pandemic on gun violence and policy. New to the Ninth Edition • Examines current gun control legislation at both state and federal levels, particularly the circumstances that lead to the passage of the Bipartisan Safer Communities Act in 2022. • Introduces the new constitutional standards for gun control legislation set by the controversial, pro-Second Amendment Supreme Court ruling in New York State Rifle & Pistol Association v. Bruen (2022). • Provides expanded and updated consideration on related issues including: the rise of "gun carry" movements on college campuses, attempts to regulate "ghost guns," bump stocks and guns with high capacity magazines, .50 caliber sniper rifles, and the impacts of the COVID-19 pandemic, the January 6 Capitol Attack, and the Black Lives Matter movement on contemporary gun control debates. • Tracks the financial, political, and legal crises that threaten the dominance of the National Rifle Association and examines the rise of new gun rights groups, such as the National Association for Gun Rights. • Presents new and updated statistical research on gun ownership in America, gun-related fatalities, public opinion support of "red-flag" laws and other gun control measures. • Incorporates new pedagogical features of chapter summaries and discussion questions into each chapter.
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The creation of the Confederate States of America and the subsequent Civil War inspired composers, lyricists, and music publishers in Southern and border states, and even in foreign countries, to support the new nation. Confederate-imprint sheet music articulated and encouraged Confederate nationalism, honored soldiers and military leaders, comforted family and friends, and provided diversion from the hardships of war. This is the first comprehensive history of the sheet music of the Confederacy. It covers works published before the war in Southern states that seceded from the Union, and those published during the war in Union occupied capitals, border and Northern states, and foreign countries. It is also the first work to examine the contribution of postwar Confederate-themed sheet music to the South's response to its defeat, to the creation and fostering of Lost Cause themes, and to the promotion of national reunion and reconciliation.
This volume, More Accounting Changes, is a revised and updated edition of Herz’s earlier work, reflecting: developments in financial reporting; global developments regarding the use of International Financial Reporting Standards; current efforts at disclosure modernization and simplification by the SEC and FASB; and more developments in the field.
By shifting American security policy away from maximizing military power for the United States and toward maximizing human security for all, policymakers and citizens can also maximize national security for the United States and sustainable peace for the world. Why do war and political violence persist? Political realists argue that violent conflict and the struggle for power are inherent in the international system, and there is little we can do but manage it. However, as Robert Johansen argues in this path-breaking work, there are other ways forward. In Where the Evidence Leads, Johansen develops an "empirical realist" theory to enable the United Sates to respond more effectively to rising security threats. Together, peace research and security studies show that more security benefits are likely to result from maximizing the "causes" or correlates of peace than from maximizing military power. Ironically, a global grand strategy for human security, with national security folded into it, is likely to produce more security for the United States than a national security strategy. Peace reigns when states implement peace correlates, which range from addressing all nations' security fears to making life more predictable through better global governance. This approach, respectful of forgotten insights from Hans Morgenthau and others, revolutionizes thinking about national security policy by bringing it into a human security framework. The analysis shows that the anarchic, militarized balance-of-power system can be gradually changed with help from enhanced lawmaking, enforcement, and governance capacities. This thought-provoking book builds bridges between past policies-many of which have failed-and more deft ways of handling new realities that focus on building peace. In a world of threats, this book opens doors onto a future of sustainable peace, security, and hope.
This text is suited for Introduction to Political Science courses taught at universities and colleges across Canada. In this fourth edition of An Introduction to Political Science: Comparative and World Politics, students are introduced to politics and government through a comparative lens with a Canadian emphasis. Canadian content has been increased throughout the text, and material has been updated to address such contemporary topics as globalization and the September 11 terrorist attacks. The text can be used in either a relevant one-semester or full-year course, both of which are offered by universities and colleges in Political Science and Public Administration departments.
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (1835). Halévy, a native of Paris, was active when the French capital was at the centre of the operatic world. His 30 operas worked within established genres of grand opéra and opéra-comique, and many of them attained considerable popularity across Europe and the wider world (such as La Reine de Chypre 1841, Charles VI 1843, Les Mousquetaires de la reine 1846, and Le Val d’Andorre 1848). Although acclaimed in their day, most have not been staged for decades. This study throws light on this shadowy figure, looking at his life, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The book provides musical examples and something of the rich iconography that accompanied the creation of his works.
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