A lot went on during the 20th Century. Much of those events were recorded by media. Newspapers, television and magazines were prominent during the first 70 years of the century. Writings by many individuals did not get published even though they wrote on important subjects. Samuel Darwin Ogden wrote a huge amount of his thinking on subjects people heard about in the regular media sources. What was more important? What everybody heard or saw in the news or what the man on the street thought? You will be amazed at what one mind can perceive. Welcome to the Writings of a 20th Century Thinker. Space, the earth's magnetic field, love, the beauty of nature and the peace of God were on this successful business man's mind. Enjoy this series and look for the next set of this series of Writings of Samuel Darwin Ogden.
Historical Events are commented on as they happened. Other historical events are discussed years after they happened. The Wisdom of the U.S.A. supporting Israel is questioned and suggestions on how America could become energy independent are included. Poetry and Love Stories help balance the seriousness of the other writings. The variety of his writings create a must read book for history and science enthusiasts as well as you who are poetry lovers.
A well-researched, informative book in which Robert Sobel, the noted financial historian, explores the lives and careers of nine representative innovators in business during the last 200 years, men frequently overlooked by contemporary social and political historians: Francis Cabot Lowell, John Wanamaker, Cyrus McCormick, James Hill, James Duke, Theodore Vail, Marcus Loew, Donald Douglas, and Royal Little. Each one was selected to illustrate a different aspect of American business tradition. All share the ability to grasp opportunity and to oppose conventional wisdom when necessary, both of which contributed to the fabric of modern corporate life. In the aggregate they created new organizational traditions that were imitated throughout the Western world. Book jacket.
A new era in wildland fuel sciences is now evolving in such a way that fire scientists and managers need a comprehensive understanding of fuels ecology and science to fully understand fire effects and behavior on diverse ecosystem and landscape characteristics. This is a reference book on wildland fuel science; a book that describes fuels and their application in land management. There has never been a comprehensive book on wildland fuels; most wildland fuel information was put into wildland fire science and management books as separate chapters and sections. This book is the first to highlight wildland fuels and treat them as a natural resource rather than a fire behavior input. Moreover, there has never been a comprehensive description of fuels and their ecology, measurement, and description under one reference; most wildland fuel information is scattered across diverse and unrelated venues from combustion science to fire ecology to carbon dynamics. The literature and data for wildland fuel science has never been synthesized into one reference; most studies were done for diverse and unique objectives. This book is the first to link the disparate fields of ecology, wildland fire, and carbon to describe fuel science. This just deals with the science and ecology of wildland fuels, not fuels management. However, since expensive fuel treatments are being planned in fire dominated landscapes across the world to minimize fire damage to people, property and ecosystems, it is incredibly important that people understand wildland fuels to develop more effective fuel management activities.
Using the insights of process theology, Gnuse explores the Old Testament beginning with the categories of classic Old Testament theology: revelation, suffering, creation, covenant, justice, law, and salvation.
Wyatt Earp, Billy the Kid, Doc Holliday—such are the legendary names that spring to mind when we think of the western gunfighter. But in the American West of the late nineteenth and early twentieth centuries, thousands of grassroots gunfighters straddled both sides of the law without hesitation. Deadly Dozen tells the story of twelve infamous gunfighters, feared in their own times but almost forgotten today. Now, noted historian Robert K. DeArment has compiled the stories of these obscure men. DeArment, a life-long student of law and lawlessness in the West, has combed court records, frontier newspapers, and other references to craft twelve complete biographical portraits. The combined stories of Deadly Dozen offer an intensive look into the lives of imposing figures who in their own ways shaped the legendary Old West. More than a collective biography of dangerous gunfighters, Deadly Dozen also functions as a social history of the gunfighter culture of the post-Civil War frontier West. As Walter Noble Burns did for Billy the Kid in 1926 and Stuart N. Lake for Wyatt Earp in 1931, DeArment—himself a talented writer—brings these figures from the Old West to life. John Bull, Pat Desmond, Mart Duggan, Milt Yarberry, Dan Tucker, George Goodell, Bill Standifer, Charley Perry, Barney Riggs, Dan Bogan, Dave Kemp, and Jeff Kidder are the twelve dangerous men that Robert K. DeArment studies in Deadly Dozen: Twelve Forgotten Gunfighters of the Old West.
Less is more in writing the author's notes, so, my eyes did not see, but my voice spoke what my mind's eye did envision, and my ears heard what my mouth had expressed, my hand recorded what my mouth and ears had divulged; thus, my eyes could forever read what my world had revealed to me. Although this was my course to sublimity, I can not stop the readers of this work from questioning its worth, having not turned the pages yet. It is for the reader to unravel the value of this book for themselves. I have been writing short stories for over thirty years. This time I set out to make from the thin air a story of good versus evil, where the right would prevail over the wrong. I named the main character Blu Rose because at the time of the making of the story seven years ago (2006), there were no blue roses. I selected green roses as the elixir for the same reason. I was traveling a stretch of Indiana highway between Indianapolis and Cincinnati, and I felt a story looming someplace in the air about me, and the first story came forth. It is chapter four, The Wizard. It is the story of Fredrick Broomstocker and the beginning of Blu Rose leaning to know herself. Liking the story, I decided to develop it. After a few weeks I repeated the act and another story came to mind. I then created a new story chapter, along the same stretch of road, and when stopped for the night, I would write down what I had told myself. This farmland of Indiana became for me the hollowed land of Blu Rose learning to know herself. For confidence in editing I used the words of Dale Carnegie, Whatever the mind can conceive and believe the mind can achieve. I remember the distance from Milwaukee to Green Bay also setting an excellent stage for development of story lines; but it was New York State where I brought to life chapter twelve, The Deer in the Woods. It was created in the town where Elmer's Glue is made. I was spending the night along the river on the edge of the town in a dirt parking area and was hypnotized by a small lopsided tree whose leaves were being blown in the wind by the breeze. Chapter twelve is my favorite. That is how the novelette came to be. The second story, a long short story, is The Land of Saunt. I will tell you first that I started making it up back in 1974 cursing about the local countryside, and I found the outline so charming that I wrote it down in a notebook. I forgot about it until 2007, when I was finished writing Blu Rose. Like a burst of luck, maybe just the level of creativity, no matter, I remembered the story. Within weeks I developed the plot and wrote a rough little story. Solving the story comes about with five crystals. I had read of the five crystals of South America in a book and had made a mental record of them for years. In The Land of Saunt, you will learn of the Geometric people, and the problem they have come to by way of Ginger's crystal ball. The solution became self-evident and proved as pleasing as it was pleasant to the story plotting. Ginger's world then becomes a transparency for all and she moves on to search out her heart's desire. The last piece of work is a poem, Walking in Confidence. I wrote it after winning a finalist award in the Dayton, Ohio Library Poetry Contest. I have not had the Ivy League university training in writing, nor have I had the workshops used by the bestsellers, but I have had the experience of traveling for a living, and I have visited some of the best museums on the earth. I have also spent more than enough time in the libraries--138 libraries last count. When I had the dream of the library, and it was really a dream, I had to write it. I have included it as the last piece of work because I owed something to the libraries that have taught me the masterful art of storytelling. The book as a whole is all creativity, and yet it comes together from beginning to end in a singular harmonious logic, c
A Street Paved of Gold: An Italian Epic By: Robert R. Dattilo About the Book At the turn of the twentieth century, Vincenzo Martinelli migrated from the Provence of Calabria with his family in pursuit of the American dream. Upon entering the country, a chance meeting changes the trajectory of his life, and that of his family’s for generations to come. Filled with back-room deals, Prohibition-era mobsters, and everyday life in the growing town of Elizabeth, New Jersey, A Street Paved of Gold is an epic tale of one family’s rise to success through hard work, perseverance, and dedication to principles, and the traps and trials many immigrant families faced on their way to find their own street paved of gold.
Utah Art, Utah Artists surveys 150 years of the extraordinary talent and achievements of Utah artists. This overview ranges from the sublime paintings of a resourceful ranching woman to the polished work of artists trained in Paris, Rome, and New York. It highlights the rural and the cosmopolitan, the traditional and the modern, the concrete and the transcendent that encompass Utah art. This sweeping exhibition showcases 300 works of art by 220 artists painstakingly compiled from a list of 10,000 Utah artists. Selection was made in light of five considerations: quality of the work; critical acclaim and professional success of the artist; belated but deserved recognition of the artist; young emerging artists who are the future of art in Utah; and a representative sampling of periods, styles, mediums and geographic regions of the state. One hundred twenty of the artworks are reproduced in rich color, most illustrated for the first time. Selected works and biographical material on the artists are presented chronologically, providing a perspective on Utah art that will make this volume an essential reference for collectors, scholars, and enthusiasts of Utah art. Vern G. Swanson, Ph.D., has been the director of the Springville Museum of Art since 1980. He has written numerous books and articles and he is coauthor with Drs. R. S. Olpin and W. C. Seifrit of Utah Art, Utah Painting and Sculpture, and Utah Arts. Robert S. Olpin, Ph.D., a University of Utah Professor of Art History, has become a familiar face on his eighteen-part television course on the Art Life in Utah series. He has acted as a consultant to such organizations as the National Gallery and Vose Galleries. Donna L. Poulton, Ph.D., is the Assistant Curator of Exhibitions at the Springville Museum if Art. For the past three years she has been documenting and chronicling, on film, the lives and works of Utah artists. Janie L. Rogers, M.A., wrote her master's thesis on Utah architecture. Rogers is a founding member of the Associated Art Historians, Inc., Salt Lake City.
In this monumental new biography, Robert V. Remini gives us a full life of Webster from his birth, early schooling, and rapid rise as a lawyer and politician in New Hampshire to his equally successful career in Massachusetts where he moved in 1816. Remini treats both the man and his time as they tangle in issues such as westward expansion, growth of democracy, market revolution, slavery and abolitionism, the National Bank, and tariff issues. Webster's famous speeches are fully discussed as are his relations with the other two of the "great triumvirate", Henry Clay and John C. Calhoun. Throughout, Remini pays close attention to Webster's personal life - perhaps more than Webster would have liked - his relationships with family and friends, and his murky financial dealings with men of wealth and influence.
Baseball’s spread across Illinois paralleled the sport’s explosive growth in other parts of the country. Robert D. Sampson taps a wealth of archival research to transport readers to an era when an epidemic of “base ball on the brain” raged from Alton to Woodstock. Focusing on the years 1865 to 1869, Sampson offers a vivid portrait of a game where local teams and civic ambition went hand in hand and teams of paid professionals displaced gentlemen’s clubs devoted to sporting fair play. This preoccupation with competition sparked rules disputes and controversies over imported players while the game itself mirrored society by excluding Black Americans and women. The new era nonetheless brought out paying crowds to watch the Rock Island Lively Turtles, Fairfield Snails, and other teams take the field up and down the state. A first-ever history of early baseball in Illinois, Ballists, Dead Beats, and Muffins adds the Prairie State game’s unique shadings and colorful stories to the history of the national pastime.
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