A sweeping tale of love and redemption, honor and war, Robert Girardi's Gorgeous East follows three French For eign legionnaires of very different backgrounds from the cliffs of Mont Saint-Michel to Istanbul's ancient alley ways, from raucous Parisian bars to the desolate Sahara. Gorgeous East takes us on an epic and unfor get table ad ven ture with the wonderful John Smith, a lost Brooklynite they call the Handsome American Cowboy; Colonel de Noyer, the elder statesman slowly going mad; and Cap tain Pinard, whose past is so hideous he can't find love outside the Legion's walls. When a mission in the Sahara goes horribly wrong, one legionnaire must wage battle against a rogue terrorist group and rescue his brothers-in-arms. In this tremendous return to form, Girardi show cases his sheer love of language and lumi n ous sense of place to deliver a masterful novel of the hearts and minds of soldiers of fortune.
Wilson Squire is a currency trader sent by his company to Venice, Italy, to gauge the political climate and its potential effect on the lira. Haunted by recent events in his life and uneasy in the foreign environment, he finds it impossible to sleep, so he takes to walking the damp Venetian streets at midnight. In that labyrinth of alleyways and bridges, Wilson meets the ethereal and perplexing Caterina, a woman who seems to bear the sadness of centuries, a woman wrapped in the past but unwilling to share any of her own history with him. Every night he goes to find her among the thousands of stray cats that she feeds faithfully, and over the course of a few weeks falls desperately in love with her even though he knows nothing about her beyond the vague answers he receives to his constant questions. But something about her compels him despite reason. Even as he begins to learn that to uncover the secret she is keeping means losing her forever, he presses harder for a truth that is as elusive as it is inescapable. As the winter hangs heavy over the deserted city, Wilson finds the impossible answer that will change his life forever.
The five short stories and two novellas in A VAUDEVILLE OF DEVILS are loosely based around the seven deadly sins. In 'The Demons Tormenting Unsturmfuhrer Hans Otto Graebner' an SS officer is made aware of mortality and morality by a degenerate artist. With 'The Dinner Party' Girardi gives us his own rich and peculiar version of hell on earth. 'Three Ravens on a Red Ground' portrays an American businessman faced with a Japanese takeover, comparing both cultures' version of honour. These seven moral tales will delight anyone who has read Girardi's previous novels.
Campaigning with Uncle Billy is the memoir of the service of Sgt. Lyman S. Widney of Illinois who served throughout the Civil War with the 34th Illinois Infantry. Widney's account of his wartime service is based on the diary he kept during the conflict. As a regimental clerk, he was in a position to meet many prominent people and to know the plans and thinking of the command staff. Widney's narrative is personal, highly detailed, vividly descriptive and accurate. He writes with emotion and humor. He details the life of the volunteer soldiers as they enlist, adapt to military life and learn the trade of soldiering. His descriptions of the horrors of the battlefield, its grisly aftermath and the toll that sickness exacted on the rank and file is highly personal. Through Widney's eyes we explore the countryside, tour Mammoth Cave, learn firsthand about combat and sickness and endure life in the trenches in the relentless fighting of the Atlanta Campaign and the grueling March to the Sea and through the Carolinas. Widney's memoir is a worthy addition to the literature of the Civil War from the point of view of the common soldier.
It began with a chance meeting and led to a date at a small French restaurant in a city by the sea. She ordered expensive wine. He paid the bill. She spoke of the sea. He was haunted by her green eyes and copper-colored skin. Then, in a matter of weeks, the woman named Cricket Page would lead Wilson Lander away from the moorings of his familiar life, away from his relationship with a successful businesswoman and onto a tycoon's yacht called the Compound Interest--for a journey across the great Sargasso Sea. Coming ashore in a world of searing mystery and danger, Lander will pay the price for his unquenchable desire for Cricket Page, for their moments of stolen pleasure and her cryptic promises of a life of luxury together. For she is a pirate's daughter, and in an exotic land exploding with cruelty and violence, populated by maniacs and plunderers, Wilson Lander must escape the woman who has stolen his heart--and given him his freedom. . . .
Brooklyn needs a saint. Ned Conti needs a stipend. So the struggling young historian agrees to trace the mysterious past of a Brooklyn nun for evidence of miracles. Trapped in a neighborhood of cheap rents and failed promise, in a rent-controlled apartment suddenly, inexplicably seized by a beautiful and angry ghost, Ned's only refuge is the F train to Manhattan's East Village bars, where he and his friends drown their sorrows in drink.... But Ned is about to heed another call, the siren song of New Orleans, where the history of countless lost souls seems to rise from the steaming streets—and where, ten years before, he ended a brief, passionate affair with a woman whose memory has haunted him ever since. Here, in a city of spirits, Ned will embrace a dead saint and a living sinner...as a beautiful ghost offers him her desire. And his destiny.... Set amid the sleepless energy and seething passion of New York and New Orleans, Madeleine's Ghost is a spellbinding novel of lost love, history, and desire—a work of startling originality that is at once exquisitely written and compulsively readable.
Tim Doyle's uncle has left him a dilapidated mini-golf course and a broken-down bar. When all the wrong people pressure him to sell out fast, Tim starts to wonder if there is something to the rumors of treasure his pirate ancestor is reputed to have left somewhere along the mysterious coast.
A compilation of quotations on 400 Civil War generals by fellow generals, subordinates, and famous figures. Includes an essay on leadership and the military during the Civil War, brief profiles on the featured individuals, and 100 archival images"--
Selected from nearly 700 articles that first appeared in the Philadelphia Weekly Times from 1877 to 1889. Corrections of misconceptions about the Civil War. Compelling perspectives on familiar campaigns, personalities, and controversies.
History is indeed written by the victors, and it has not been kind to the memory of Maj. Gen. Gouverneur K. Warren. The traditional image of Warren as a self-important, sullen, and cautious commander who, despite his many talents, was unreliable in a crisis was cemented into place by Gens. Phil Sheridan and Ulysses S. Grant--the two men who removed him from command. The Soldiers' General: Major General Gouverneur K. Warren and the Civil War, by Paula C. Walker and Robert I Girardi, offers readers a thorough examination of his record and a chance to weigh the facts for themselves. In May of 1864, Warren was regarded by his superiors as the best corps commander in the Army of the Potomac. One high-placed staff officer described the bold, courageous, and accomplished engineer as "the only man of inborn originality in the army." Commanding generals Joseph Hooker and George G. Meade relied upon Warren's judgment and counsel during the Chancellorsville, Gettysburg, and Mine Run campaigns. But something went wrong during the war's final months. After leading his corps to a decisive victory at Five Forks on April 1, 1865, General Sheridan accused Warren of deliberate slowness and timidity and with General Grant's blessing, relieved him of command. Using hundreds of primary sources and other rarely seen documents and accounts, Walker and Girardi detail Warren's military record, including his rise to corps command, removal, and subsequent fight for justice. As the record demonstrates, Sheridan and Grant despised Warren's independent nature and criticism, and ultimately manufactured excuses that led to his removal. Unfortunately for Warren, Lee's surrender and Lincoln's assassination overshadowed his plight. Warren spent the rest of his life trying to correct the historical record, but pleas for a court of inquiry were ignored or denied until Grant left the presidency. By the time a court published its findings that Sheridan's actions were unjustified, Warren was dead. The Soldiers' General: Major General Gouverneur K. Warren and the Civil War is solid military and legal history that clarifies the historical record and deserves a place on every Civil War bookshelf.
Brooklyn needs a saint. Ned Conti needs a stipend. So the struggling young historian agrees to trace the mysterious past of a Brooklyn nun for evidence of miracles. Trapped in a neighborhood of cheap rents and failed promise, in a rent-controlled apartment suddenly, inexplicably seized by a beautiful and angry ghost, Ned's only refuge is the F train to Manhattan's East Village bars, where he and his friends drown their sorrows in drink.... But Ned is about to heed another call, the siren song of New Orleans, where the history of countless lost souls seems to rise from the steaming streets—and where, ten years before, he ended a brief, passionate affair with a woman whose memory has haunted him ever since. Here, in a city of spirits, Ned will embrace a dead saint and a living sinner...as a beautiful ghost offers him her desire. And his destiny.... Set amid the sleepless energy and seething passion of New York and New Orleans, Madeleine's Ghost is a spellbinding novel of lost love, history, and desire—a work of startling originality that is at once exquisitely written and compulsively readable.
Presents a collection of more than 100 of Keith Rocco's paintings and sketches from twenty-plus years as one of the leading artistic chroniclers of the American Civil War. Roccos oils of soldier studies and dramatic battle scenes are reproduced in an oversize book on acid-free, heavy art paper. Included are Roccos murals for The National Museum of the Civil War Soldier, the National Park Service, and other sites.
Sometimes a book comes along that is so good and so perfect for Osprey fans, that we ask for permission to sell it, even though we didn't publish it. The Civil War Art of Keith Rocco is just such a book. Published in the United States by Crimson Books (where all of our North American fans will need to order their copy), The Civil War Art of Keith Rocco is a 64-page treasure trove. Every two-page spread contains one full- page artwork and one smaller piece, backed up with relevant text. The artwork is good. Really good. Actually, it's just great. Some of the artworks are figure plates with one or two soldiers, perfect for using as painting reference, thanks to the clearly identified regiments. Most of the rest are big battles scenes - incredibly detailed and atmospheric. If you are interested in the American Civil War, I feel confident that you will love this book. Buy it from Crimson Books, buy it from us, buy it anywhere you can find it - but get this book in your collection - you will not regret it.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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