Sometimes its hard to know why you do things, why you make such bad, unexplainable choices so begins the remarkable story of faith, testing, lost and redemption. It is a story not so much about a person, but a God who loves and preserves those who trust him. Storms and Grace carries you on a journey with a young man who found hope and meaning to life when he found God, but faced with the terrible inner storms lost sight of the Voice: that would not let him go. From Viet Nam to the murderous streets of Detroit you grip the pages breathlessly waiting for the next storm to end. How does a conscientious objector become a heavily armed and unpredictably dangerous time bomb more afraid of himself then any man living? Storms and Grace reaffirms humanities deep longing and hope that divine intervention still lives and is very personal.
In Hidden Questions, Clinical Musings, M. Robert Gardner chronicles an odyssey of self-discovery that has taken him beneath and beyond the categoies and conventions of traditional psychoanalysis. His essays offer a vision of psychoanalytic inquiry that blends art and science, a vision in which the subtly intertwining not-quite-conscious questions of analysand and analyst, gradually discerned, open to ever-widening vistas of shared meaning. Gardner is wonderfully illuminating in exploring the associations, images, and dreams that have fueled his own analytic inquiries, but he is no less compelling in writing about the different perceptual modalities and endlessly variegated strategies that can be summoned to bring hidden questions to light. This masterfully assembled collection exemplifies the lived experience of psychoanalysis of one of its most gifted and reflective practitioners. In his vivid depictions of analysis oscillating between the poles of art and science, word and image, inquiry and self-inquiry, Gardner offers precious insights into tensions that are basic to the analytic endeavor. Evincing rare virtuosity of form and content, these essays are evocative clinical gems, radiating the humility, gentle skepticism, and abiding wonder of this lifelong self-inquirer. Gardner's most uncommon musings are a gift to the reader.
This drama about LBJ’s 1960s War on Poverty “shines a bright, clear light on a pivotal moment in American history” (Charles Isherwood, The New York Times). The tumultuous beginning of Lyndon Johnson’s presidency that Robert Schenkkan presented in the multiple Tony-winning All the Way continues in part two, The Great Society, which had its world premiere at the Oregon Shakespeare Festival in July 2014, directed by Bill Rauch and starring Jack Willis. In the years from 1965 to 1968, President Lyndon Johnson struggles to fight a “war on poverty” even as his war in Vietnam spins out of control. Besieged by political opponents, Johnson marshals all his political wiles to try to pass some of the most important social programs in U.S. history, while the country descends into chaos over the war and backlash against civil rights. In the tradition of the great multi-part Shakespearian historical plays, The Great Society is an unflinching examination of the morality of power. “A taut political thriller…Schenkkan’s writing shines…a vital study for all those who wish to learn from the past in order to gain some idea of what we might do in the present.”?Austin American-Statesman
This trio of early short novels by Grand Master Robert Silverberg is straight-up pulp science fiction at its finest As a young man, Robert Silverberg was a science fiction prodigy, turning out top-flight stories in the blink of an eye. Though written quickly, Silverberg’s early prose already showed evidence of the literary and imaginative qualities that would make him a giant in the field. Here are three of his best early works. In The Planet Killers, after Earth’s supercomputer calculates that the inhabitants of the planet Lurion will destroy Earth in sixty-seven years, Roy Gardner is sent to stop them—by any means necessary. In The Plot Against Earth, Special Investigator Lloyd Catton’s efforts to crack a ring of “hypnojewel” traffickers uncovers a galaxy-wide conspiracy. And in One of Our Asteroids Is Missing, when miner John Storm stakes claim to an asteroid with a king’s ransom of rare minerals, he’s set for life—or would be, if his discovery didn’t also mark him for death.
In from the Middle-West, Harold Crist Gardner, known as Harry, is a good and talented man who has it all in New York City. Glamorous, fast-track Manhattan; financial independence; success in creative and challenging work; a beautiful, funny, sensuous working wife; two , soon-to-be three children (in private school); a trophy apartment on Central Park West; a house in Easthampton and bright, brittle, witty and ambitious friends. But Harry has come to a dark wood in himself. He loses his way. He is falling apart. In psychological panic, he seeks himself in alcohol and other women, lots of other women. In scenes so vivid and visceral, a reader is sure to feel intoxicated too and ready to not just break, but to shatter the Seventh Commandment. In this modern day Odyssey, a Dublin night in the city that never sleeps, Harry struggles against his furies in a riveting, sharply-funny, murderous (literally) combat. His self-inflicted, nearly-fatal actions endanger his now-disintegrating beautiful world. His soul, in spiritual pain, weighs in the balance and it writhes to find a way home. Pages turn swiftly, the tension increases, as Harrys ambivalent journey is propelled toward its destination Richard Houdek, Critic and Arts Editor, Berkshire HomeStyle Magazine
This book provides a survey of biochemical, physiological and histological biomarkers of environmental stress, along with evaluations of the strengths and weaknesses of various techniques for different applications. It features in-depth coverage of such topics as DNA adducts, acetylcholinesterase, ATP, endocrine mechanisms, blood chemistry, histopathological biomarkers, stress proteins, foreign and endogenous metabolites, metallothioneins, to name only a few. The book will be especially useful to toxicologists, biochemists, histologists, immunologists, risk analysis specialists, environmental managers, regulators, environmental scientists and engineers.
A state-of-the-art compendium of resource materials and current practice that answers two basic questions: "What is literacy?" and "How do individuals become literate?" Not long ago, literacy simply meant knowing how to read and write. Today, the study of literacy is a complex field encompassing many different areas, from computer literacy to geographic literacy, and including several degrees of competence such as functional, pragmatic, and cultured. In addition there are six kinds of readers: the submissive, the active, the semiotic, the subjective, the psychoanalytic, and the interpretive community reader, and at least two distinct ways of reading: aesthetic reading and rational reading. In this comprehensive, accessible volume, two literacy experts not only help readers understand the latest theories and the heated controversies in this exciting field, they also show readers how this vast new knowledge is being applied in successful literacy programs.
The Oxford Handbook of Applied Linguistics contains 39 original chapters on a broad range of topics in applied linguistics by a diverse group of contributors. Its goal is to provide a comprehensive survey of the current state of the field, the many connections among its various sub-disciplines, and the likely directions of its future development. The Oxford Handbook of Applied Linguistics addresses a broad audience: applied linguists; educators and other scholars working in language acquisition, language learning, language planning, teaching, and testing; and linguists concerned with applications of their work. Systematically encompassing the major areas of applied linguistics-and drawing from a wide range of disciplines such as education, language policy, bi- and multi-lingualism, literacy, language and gender, neurobiology of language, psycholinguistics and cognition, language and computers, discourse analysis, language and concordances, ecology of language, pragmatics, translation, and many other fields, the editors and contributors to The Oxford Handbook of Applied Linguistics provide a panoramic and comprehensive look at this complex and vigorous field. This second edition includes five new chapters, and the remaining chapters have been thoroughly revised and updated to give a clear picture of the current state of applied linguistics.
This classic text, one of the true anchors of our clinical genetics publishing program, covers over 700 different genetic syndromes involving the head and neck, and it has established itself as the definitive, comprehensive work on the subject. The discussion covers the phenotype spectrum, epidemiology, mode of inheritance, pathogenesis, and clinical profile of each condition, all of which is accompanied by a wealth of illustrations. The authors are recognized leaders in the field, and their vast knowledge and strong clinical judgment will help readers make sense of this complex and burgeoning field. Dr. Gorlin retires as editor in this edition and co-editor Raoul Hennekam takes over. Dr. Hennekam is regarded as one of the top dysmorphologists--and indeed one of the top clinical geneticists--in the world. Judith Allanson is new to the book but is a veteran OUP author and a widely respected geneticist, and Ian Krantz at Penn is a rising star in the field. Dr. Gorlin's name has always been closely associated with the book, and it has now become part of the title. As in all fields of genetics, there has been an explosion in the genetics of dysmorphology syndromes, and the author has undertaken a complete updating of all chapters in light of the discoveries of the Human Genome Project and other ongoing advances, with some chapters requiring complete rewriting. Additional material has been added both in terms of new syndromes and in updating information on existing syndromes. The book will appeal to clinical geneticists, pediatricians, neurologists, head and neck surgeons, otolarynologists, and dentists. The 4th edition, which published in 2001, has sold 2,600 copies.
Annotation. 1. Emergence in Creativity and Development, R. Keith Sawyer2. Creativity in the Making: Vygotsky's Contemporary Contribution to the Dialectic of Development and Creativity, Seana Moran and Vera John-Steiner3. The Development of Creativity as a Decision-Making Process, Robert J. Sternberg4. The Creation of Multiple-Intelligences Theory: A Study in High-Level Thinking, David Henry Feldman, with the collaboration of Howard Gardner5. Creativity in Later Life, Jeanne Nakamura and Mihaly Csikszentmihalyi6. Key Issues in Creativity and Development, Prepared by all authors.
This advanced text for psychology, human development, and education provides students with state-of-the-art overviews of the discipline in an accessible, affordable format. Unique both in the depth of its coverage and in the timeliness of the research that it presents, this comprehensive text conveys the field of child and adolescent development through the voices of scientists who themselves are now shaping the field.
A portrait of the visual historian illuminates his role in establishing photography as a valued documenting tool, analyzing his portraits of period dignitaries and his self-sacrificing effort to capture images of the Civil War.
Written in lucid, vigorous prose, La Follette's Autobiography is the famous Wisconsin senator's own account of his political life and philosophy. Both memoir and a history of the Progressive cause in the United States, it charts La Follette's formative years in politics, his attempts to abolish entrenched, ruthless state and corporate influences, and his embattled efforts to advance Progressive policies as Wisconsin governor and U.S. senator. With a new foreword by Matthew Rothschild, editor of The Progressive—the magazine that La Follette himself founded—the Autobiography remains a powerful reminder of the legacies of Progressivism and reform and the enduring voice of the man who fought for them.
TV journalist Sam Donaldson hired Paul Posey as the new manager for his sprawling New Mexico ranch. Paul and his family settled into their new life. Then, in July 2004 Donaldson was stunned to discover that his ranch had become a blood soaked crime scene. The bullet-ripped bodies of Paul, his wife, and stepdaughter were found buried in a pile of manure. Paul's fourteen year old son Cody was soon in custody. But the shocking revelations had only just begun... The Posey's appeared to be like any other ordinary American family. But did their carefully constructed veneer hide a dysfunctional family with dark secrets? Cody claimed he had suffered years of relentless physical and psychological abuse at the hands of his father, step-mother, and his step-sister... Witnesses at the trial included Sam Donaldson, as well as neighbours who supported Cody's claims and others who disputed them. Was Cody a cold blooded killer - or separate the lies from the truth - and decide a teenager's fate...
Music is a uniquely human phenomenon, and a solid understanding of people could be considered a musical necessity for music teachers and performers. Educational psychology (Ed Psych) can empower music teachers to engage students more effectively since it sheds light on important topics such as human emotion, communication, and skill development. Using accessible and engaging language, Robert H. Woody distills the most importantinsights of Ed Psych and applies them to real-life music teaching contexts. He offers a brief and practical guide, customized specifically for music teachers. Topics covered include: Motivation and achievement Practice and skill acquisition Behaviorism and cognitivism Constructivism and social learning theory Stages of early childhood, preteen years, and adolescence Music literacy Musical creativity and expressive performance This book will empower readers to contribute to the musical lives of others, showing that all people can be musical if they are provided the right learning experiences and guidance.
I first became interested in genealogy when I was about twelve. It was then that my paternal grandmother first introduced me to a book entitled Genealogy of the Fell Family in America Descended from Joseph Fell. This book, which was published in 1891, included my grandfather, Charles McConnell Lightburn. I was struck by the time span covered by the book—nearly three hundred years—and was fascinated by the fact that all of the people in that book were related to one another and to me either by blood or marriage! My grandmother later gave me that book, and it became the first book in my genealogical library. My grandfather and my great-aunt Mary told me that their father had fought for the North during the Civil War by the side of his older brother, who was a brigadier general. This fascinated me. They also told me that there was a town in West Virginia called Lightburn. I couldn’t wait to find it on a map! My own genealogical research did not begin until the late 1970s when I requested the Civil War records of my great grandfather, Calvin Luther Lightburn, and his brothers from the National Archives. During the 1980s, I continued my research, albeit at a very low level of activity. It was not until the early 1990s when I moved to the Washington, DC, area that I became intensively involved in—some might even say addicted to—genealogy. The resources in the Washington, DC, area are extensive, and I ended up spending many happy (and sometimes frustrating) hours conducting research in the National Archives, Library of Congress, and the library of the Daughters of the American Revolution. By 1999, I had amassed a great deal of genealogical information, most of which was stuffed in cardboard boxes. I was encouraged to put what I had on paper by Faye M. (Brown) Lightburn, who had published her book, Revolutionary Soldier Samuel Brown and Some of his Family in 1993. So after attending several related sessions at the National Genealogical Society Conference in the States, which was held that year in Providence, Rhode Island, I finally screwed up my courage and plunged in. I published the original book in 2003. This book is the second and probably last edition.
Bestselling Author of Alone with the Dead "Randisi uses the shopping-center settings to fine dramatic effect, rendering them spooky stalking grounds." —Publishers Weekly Joe Keough, a former New York City police detective, moved to St. Louis to get away from the bloodshed of the Big Apple and start fresh. But five minutes into Keough's new life, four-year-old Brady Sanders walked into his St. Louis police station, leaving behind a trail of bloody footprints. That was only the beginning of a twisted trail of darkness and fear, from Brady's missing parents and their blood soaked house, to the kidnapping of beautiful mothers and their small children. Were these hideous acts a series of unrelated coincidences, or was there a serial killer on the loose, stalking and killing the citizens of St. Louis? It wasn't long before Keough was forced to realize that death in the Midwest is no different from death in New York. Terror is terror, no matter where you live. "A skilled, uncompromising writer, Randisi knows which buttons to press—and how to press them." —John Lutz, Author of Single White Female "Each of Randisi's novels is better than its entertaining predecessor." —Booklist "Randisi successfully combines dry humor and suspense to come up with one heckuva read. This man knows how people talk and think and it shows. —Rave Reviews
Sternberg presents a theory of thinking styles that aims to explain why aptitude tests, school grades, and classroom performance often fail to identify real ability.
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revised and updated to include the latest advances in technology and digital photography, as well as information on contemporary photographers such as Granville Carroll, Meryl McMaster, Cindy Sherman, Penelope Umbrico, and Yang Yongliang. New topics include the rise of mobile photography and surveillance cameras, drone photography, image manipulation, protest and social justice photography, plus the roles of artificial intelligence and social media in photography. Highly illustrated with over 250 full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for those newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work.
In 1875, a team of cartographers, geologists, and scientists under the direction of Ferdinand V. Hayden entered the Four Corners area for what they thought would be a calm summer’s work completing a previous survey. Their accomplishments would go down in history as one of the great American surveying expeditions of the nineteenth century. By skillfully weaving the surveyors’ diary entries, field notes, and correspondence with newspaper accounts, historians Robert S. McPherson and Susan Rhoades Neel bring the Hayden Survey to life. Mapping the Four Corners provides an entertaining, engaging narrative of the team’s experiences, contextualized with a thoughtful introduction and conclusion. Accompanied by the great photographer William Henry Jackson, Hayden’s team quickly found their trip to be more challenging than expected. The travelers describe wrangling half-wild pack mules, trying to sleep in rain-soaked blankets, and making tea from muddy, alkaline water. Along the way, they encountered diverse peoples, evidence of prehistoric civilizations, and spectacular scenery—Hispanic villages in Colorado and New Mexico; Mesa Verde, Hovenweep, and other Anasazi sites; and the Hopi mesas. Not everyone they met was glad to see them: in southeastern Utah surveyors fought and escaped a band of Utes and Paiutes who recognized that the survey meant dispossession from their homeland. Hayden saw his expedition as a scientific endeavor focused on geology, geographic description, cartographic accuracy, and even ethnography, but the search for economic potential was a significant underlying motive. As this book shows, these pragmatic scientists were on the lookout for gold beneath every rock, grazing lands in every valley, and economic opportunity around each bend in the trail. The Hayden Survey ultimately shaped the American imagination in contradictory ways, solidifying the idea of “progress”—and government funding of its pursuit—while also revealing, via Jackson’s photographs, a landscape with a beauty hitherto unknown and unimagined.
The Wall Street Journal called him “a living legend.” The London Times dubbed him “the most famous art detective in the world.” In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair. Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid. In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments. The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow. By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless. The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched. In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.
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