This book examines systematically both the theoretical and practical issues that have characterized the discipline over the past two centuries. Some of the historically most consequential mistakes in archaeology are dissected and explained, together with the effects of the related controversies.
Rather than considering the myths supposedly depicted in the world’s rock art, this book examines the myths archaeologists and others have created about the meanings and significance of rock art.
The many hundreds of books and thousands of academic papers on the topic of Pleistocene (Ice Age) art are limited in their approach because they deal only with the early art of southwestern Europe. This is the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, a phenomenon that is in fact more numerous and older in other continents. It contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy. Its key findings challenge most previous perceptions in this field and literally re-write the discipline. Despite the eclectic format and its high academic standards, the book addresses the non-specialist as well as the specialist reader. It presents a panorama of the rich history of palaeoart, stretching back more than twenty times as long in time as the cave art of France and Spain. This abundance of evidence is harnessed in presenting a new hypothesis of how early humans began to form and express constructs of reality and thus created the ideational world in which they existed. It explains how art-producing behaviour began and the origins of how humans relate to the world consciously.
This book summarizes the work of several decades, culminating in a revolutionary model of recent human evolution. It challenges current consensus views fundamentally, presenting in its support a mass of evidence, much of which has never been assembled before. This evidence derives primarily from archaeology, paleoanthropology, genetics, clinical psychology, neurosciences, linguistics and cognitive sciences. No even remotely similar thesis of recent human origins has ever been published, but some of the key elements of this book have been published by the author in major refereed journals in the last two years. Its implications are far-reaching and profoundly affect the way we perceive ourselves as a species. This book about what it means to be human is heavily referenced, with a bibliography of many hundreds of scientific entries.
The Domestication of Humans explains the alternative to the African Eve model by attributing human modernity, not to a speciation event in Africa, but to the unintended self-domestication of humans. This alternative account of human origins provides the reader with a comprehensive explanation of all features defining our species that is consistent with all the available evidence. These traits include, but are not limited to, massive neotenisation, numerous somatic changes, susceptibility to almost countless detrimental conditions and maladaptations, brain atrophy, loss of oestrus and thousands of genetic impairments. The teleological fantasy of replacement by a ‘superior’ species that has dominated the topic of modern human origins has never explained any of the many features that distinguish us from our robust ancestors. This book explains all of them in one consistent, elegant theory. It presents the most revolutionary proposal of human origins since Darwin. Although primarily intended for the academic market, this book is perfectly suitable for anyone interested in how and why we became the species that we are today.
Summarising 60 years of research by the author at the earliest human occupation site known in Austria (1962 to 2021), this book describes the strategies and methods of studying a Pleistocene cave site that had been regarded as fully excavated, and their long-term applications.
This book summarizes the work of several decades, culminating in a revolutionary model of recent human evolution. It challenges current consensus views fundamentally, presenting in its support a mass of evidence, much of which has never been assembled before. This evidence derives primarily from archaeology, paleoanthropology, genetics, clinical psychology, neurosciences, linguistics and cognitive sciences. No even remotely similar thesis of recent human origins has ever been published, but some of the key elements of this book have been published by the author in major refereed journals in the last two years. Its implications are far-reaching and profoundly affect the way we perceive ourselves as a species. This book about what it means to be human is heavily referenced, with a bibliography of many hundreds of scientific entries.
Rather than considering the myths supposedly depicted in the world’s rock art, this book examines the myths archaeologists and others have created about the meanings and significance of rock art.
The Domestication of Humans explains the alternative to the African Eve model by attributing human modernity, not to a speciation event in Africa, but to the unintended self-domestication of humans. This alternative account of human origins provides the reader with a comprehensive explanation of all features defining our species that is consistent with all the available evidence. These traits include, but are not limited to, massive neotenisation, numerous somatic changes, susceptibility to almost countless detrimental conditions and maladaptations, brain atrophy, loss of oestrus and thousands of genetic impairments. The teleological fantasy of replacement by a ‘superior’ species that has dominated the topic of modern human origins has never explained any of the many features that distinguish us from our robust ancestors. This book explains all of them in one consistent, elegant theory. It presents the most revolutionary proposal of human origins since Darwin. Although primarily intended for the academic market, this book is perfectly suitable for anyone interested in how and why we became the species that we are today.
The many hundreds of books and thousands of academic papers on the topic of Pleistocene (Ice Age) art are limited in their approach because they deal only with the early art of southwestern Europe. This is the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, a phenomenon that is in fact more numerous and older in other continents. It contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy. Its key findings challenge most previous perceptions in this field and literally re-write the discipline. Despite the eclectic format and its high academic standards, the book addresses the non-specialist as well as the specialist reader. It presents a panorama of the rich history of palaeoart, stretching back more than twenty times as long in time as the cave art of France and Spain. This abundance of evidence is harnessed in presenting a new hypothesis of how early humans began to form and express constructs of reality and thus created the ideational world in which they existed. It explains how art-producing behaviour began and the origins of how humans relate to the world consciously.
This volume summarizes the history and findings of the First Mariners Project, which the author, Robert G. Bednarik, commenced in 1996 in order to explore the Ice Age origins of seafaring. This is the largest archaeological replication project ever undertaken with several hundred people involved in the construction of eight primitive vessels with stone tools under scientifically controlled conditions, six of them sailing. Four bamboo rafts have succeeded in accomplishing the historically documented crossings they sought to replicate. One of the successful experiments, a 1000 kilometer journey to Australia in 1998, attempted to recreate the first human arrival in Australia, probably around 60,000 years ago. Other voyages attempted to address the much earlier sea crossings documented to have taken place in the islands of Indonesia, the earliest of which may have occurred nearly a million years ago. These experiments have also featured in BBC and National Geographic documentaries. The First Mariners comprehensively describes the archaeological background and relevant issues of the project and features an extensive pictorial record, of both the experiments and the archaeological basis of this research – giving a unique experience to readers interested in understanding the earliest marine adventurers from a historical and technical perspective.
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.
Summarising 60 years of research by the author at the earliest human occupation site known in Austria (1962 to 2021), this book describes the strategies and methods of studying a Pleistocene cave site that had been regarded as fully excavated, and their long-term applications.
This book examines systematically both the theoretical and practical issues that have characterized the discipline over the past two centuries. Some of the historically most consequential mistakes in archaeology are dissected and explained, together with the effects of the related controversies.
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