Written in 1954 but unpublished in his lifetime, Robert Friedmann's Design for Living asks that pertinent existential question: how should we live? Drawing on literary, philosophical, and theological sources, Friedmann's answer begins with a critique of utilitarian ethics and popular apathy, and proceeds through an existential preparation that ascends in confessional style to the question of the meaning of human life, culminating in a fourfold set of principles: regard, concern, service, and love. Along the way, Friedmann's critical eye remains clearly fixed on his object of study--lived experience, and not abstract principles detached from day-to-day life--and he intentionally guides his reader step by step up the mountain of spiritual and ethical inquiry in a deliberate and serious attempt to educate the heart, mind, and soul. At once accessible and scholarly, while troubling our contemporary divide between religion and the secular, Design for Living presents a rare vision of human meaning and purpose that will appeal to scholarly and public readers alike.
This book consists of two studies: ÒAnabaptism and PietismÓ and ÒMennonite Devotional Literature 1600-1800Ó. The first study gives the general historical analysis, the second provides Friedmann's concrete proof of his thesis. The first treatise puts the question of the Holy Spirit into the center of the discussion, as Friedemann believes that this question is more decisive for the pattern of living Christianity than doctrinal issues. The second treatise attempts to depict the spiritual life in its variform expression showing how the Holy Spirit, or that which sometimes is taken for Him, operates.
The first fifty years of the twentieth century were a time of ferment in American anthropology. American ethnographic work evolved from the "salvage" work of professionals affiliated with museums who undertook to document with artifacts and testimony the threatened traditional way of life among the Native American tribes, to the establishment of anthropology as a science, represented in university departments, that sought to describe the "ethnographic present" of isolated primitive peoples, often in distant parts of the world. By the beginning of the 1950s, cultural anthropology discovered the peasant. Robert Redfield, himself a leading figure in this paradigm shift, challenged anthropology's focus on a static model of the isolated primitive community, pointing out the dynamic nature of the "little communities" he studied in Mesoamerica. These were not isolated communities, but rather local, traditional cultures located well within the sphere of a complex urban culture. In order to distinguish the "great tradition" deriving from urban centers from the "little tradition" of a more primitive culture, Redfield believed anthropology needed to refer to other disciplines, such as theology, philosophy, economics, and sociology. In other words, anthropology had to develop from the collection of material artifacts to a concern with the immaterial realm of values and ideas. This collection of essays and previously unpublished papers, The Ethnographic Moment, tells the story of a remarkable chapter in Redfield's pioneering efforts on what was then an anthropological frontier. The present volume covers the years from 1952 to 1958, the last of Redfield's life. It focuses solely on his study of peasant communities. At the core of the book is his correspondence with the philosopher-humanist F. G. Friedmann, who played an important role in Redfield's conceptualization of the complex urban-rural continuum that characterizes the peasant's world. The volume also includes an autobiographical introduction by Friedmann that illuminates both his own writings and the humanistic background that motivated his study of peasantry.
WELCOME TO THE HOTEL POETRY. Ein Hotel, viele Fenster. In jedem Zimmer eine persönliche Geschichte, verborgen oder durchs Fenster zu beobachten. Flüchtige Begegnungen oder bleibende Eindrücke. Hinter jeder Tür ein Mensch mit seinem Leben, seinen Gefühlen, seinen Nöten. Einiges wird sichtbar, aber so manches bleibt geheimnisvoll im Dunkeln. Menschen, so unterschiedlich wie die Autorinnen und Autoren dieser Anthologie, und doch vereint unter dem Dach eines Hotels, versinnbildlicht in diesem Buch. Eine Anthologie zeitgenössischer Poesie. Gedichte, Erzählungen und Gedanken. Mit Robert Seethaler, Daniel Glattauer, Ronja von Rönne, Charles Lewinsky, Clara Maria Bagus, Friedrich Ani, Mirna Funk, Max Küng, Hatice Akyün, Jo Schück, Monika Rinck, Ilma Rakusa, Claas Engels, Katharina Höftmann Ciobo taru, Thomas Friedmann, Robert Prosser, Simone Lappert, Dan Shambicco, Elisa Shua Dusapin, Michael Fehr, Yari Bernasconi, Fritz Hendrick Melle, Finn Holitzka, Alexander Broicher und Ariadne von Schirach. *Die beiden vorliegenden Editionen sind inhaltsgleich*
Clinicians have long been fascinated by the rare and exotic in med icine. Similarly, psychiatrists and mental health professionals have been intrigued by the uncommon and extraordinary syndromes which, despite their rarity, have much to teach us about the limitless forms of human adaptation. Of particular interest is the fact that fragments and partial expressions of these rare disorders are often encountered in the dreams and fantasies of the "ordinary" patient. For this reason, the understanding and insights collected in this volume are likely to have clinical usefulness far beyond those rare occasions when we encounter the exotic in its fully developed form. These disorders demonstrate the complex interplay between intra psychic dynamic forces and the cultural influences which act to shape overt symptomatology. The section on extraordinary syndromes from non-Western cultures demonstrates the universality of the psychody namic roots of human suffering, despite the seemingly strange furms in which this suffering is expressed. As clinicians we are too often restricted by ethnocentric attitudes and culturally determined stereotypes. This volume provides a stimulating and enjoyable opportunity to reach beyond those limitations.
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