“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
Focusing on the significance of travel in Joseph Conrad, E.M. Forster, D.H. Lawrence, Henry James, and Edith Wharton, Robert Burden shows how travel enabled a new consciousness of mobility and borders during the modernist period. For these authors, Burden suggests, travel becomes a narrative paradigm and dominant trope by which they explore questions of identity and otherness related to deep-seated concerns with the crisis of national cultural identity. He pays particular attention to the important distinction between travel and tourism, at the same time that he attends to the slippage between seeing and sightseeing, between the local character and the stereotype, between art and kitsch, and between older and newer ways of storytelling in the representational crisis of modernism. Burden argues that the greater awareness of cultural difference that characterizes both the travel writing and fiction of these expatriate writers became a defining feature of literary modernism, resulting in a consciousness of cultural difference that challenged the ethnographic project of empire.
Life's ultimate adventure--its grandest game and greatest challenge--is the spiritual transformation of the self. According to Swiss psychiatrist Carl Jung, personality and spirituality are interrelated, spirituality flowing out of individuality. Noting that people differ in fundamental ways, even though they possess the same instincts to drive them from within, Jung discovered that preference, rather than instinct, upbringing, environment, or genetic conditioning, is central to personality. The task of spirituality, then, is not to help us achieve correct doctrine or attain saintly status, but rather to help us best understand our humanity. This endeavor drives Deeper Splendor, a study of spirituality and personality in modern literature. We focus on modern literature, rather than on theology, philosophy, psychology, or sociology, because, as this volume makes clear, one of the best resources for studying transformative spirituality is great literature. The great power of literature is that it speaks of human action and thought, not in the dry, matter-of-fact terms of history, ethics, psychology, or some other science, but in ways that are lively, uplifting, and productive. Engaging with great literature is like beginning a love affair. Such encounters may appear daunting at first, but when you fall in love, you want to know everything about the object of your love, and every encounter leaves you wanting more. When literature enhances spirituality--as is true in the dozen or more selections examined in Deeper Splendor--each literary moment renders us more fully alive. Like its companion texts, Wading in Water and Deep Splendor, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.
A survey, within one volume, of the history of critical responses to LGBTQ literature from the beginning to the present day, this book explores changes in attitudes, literature and criticism over a period of two and a half thousand years. For various reasons it focuses on literature of 'the West', trying to give readers a clear sense, within a relatively short compass, not only of the development of 'queer' literature (perhaps the most encompassing of all terms) but especially of critical responses to that literature, notably during the past century and particularly the past fifty years. All in all, this book offers a roadmap to much of the excellent scholarship concerning LGBTQ literature that has arisen in the last half-century – an era of unparalleled interest in the topic and an era that has moved the topic from the distant sidelines of literary study to a place ever closer to the center of things.
This book gives a voice to more than eighty people from every major continent and from all walks of life. It includes poets and philosophers, rulers and spies, activists and artists. Alongside such celebrated figures as Michelangelo, Frederick the Great and Harvey Milk are lesser-known but no less surprising individuals: Dong Xian and the Chinese emperor Ai, whose passion flourished in the 1st century BC; the unfortunate Robert De Péronne, first to be burned at the stake for sodomy; Katharine Philips, writing proto-lesbian poetry in seventeenth-century England; and 'Aimee' and 'Jaguar', whose love defied the death camps of wartime Germany. With many striking illustrations, Gay Life Stories will entertain, give pause for thought, and ultimately celebrate the diversity of human history.
A fascinating portrait of LGBTQ+ figures throughout time whose lives have influenced society at large, as well as today’s varied LGBTQ+ culture. Gay Lives gives a voice to more than eighty people from all over the world and from all walks of life. It is a fascinating portrait of LGBTQ+ people throughout time, whose lives have influenced society at large, as well as today’s varied LGBTQ+ culture. It includes poets and philosophers, rulers and spies, activists and artists. Alongside such celebrated figures as Michelangelo, Frederick the Great, and Harvey Milk are lesser-known but no less surprising individuals: Dong Xian and the Chinese emperor Ai, whose passion flourished in the first century BCE; the unfortunate Robert De Péronne, burned at the stake for sodomy; Katharine Philips, writing protolesbian poetry in seventeenth-century England; and Aimee and Jaguar, whose love defied the death camps of wartime Germany. Often colorful, sometimes tragic, but all in some way extraordinary, these life stories reflect, and have helped shape, contemporary attitudes toward same-sex intimacy. Gay Lives will entertain, give pause for thought, and celebrate the diversity of human history.
Proper Words in Proper Places: Dialectical Explication and English Literary History explores how literary history intertwines cultural, political, philosophical, religious, and commercial influences with literary production to create new ways of reading, meaning, and understanding. The text provides a delightful and surprising mix of canonical and non-canonical texts that merge many genres and literary allusions to highlight the complexities of literary historiography. Simultaneously, Proper Words in Proper Places digests the challenges of literary history and prepares readers to formulate for themselves the multiplicity of its nature and function. Drawing from texts published between 1670 and 1920, Robert J. Merrett demonstrates how the mixing and involvement of literary forms with such influences as painting, music, theatre, natural history, and notions of civility and spirituality erode simplistic ideas about the nature of narrative. His keen analysis of the traditional and experimental rhetoric of the texts serves to illustrate the double vision of the humanities and shows how the liberal arts enlighten contemporary moral issues. Additionally, the chapters probe, through their diverse models of reading, how mixed literary genres oblige us to create textual memories as our readings unfold. Merrett’s linguistic and contextual analyses heighten cognitive, psychological, and aesthetic processes, thereby demonstrating that poems, plays, novels, and other literary forms mix lexical registers and interdisciplinary discourses to counter literal-mindedness. Proper Words in Proper Places is a unique work, unsettling notions of periodicity, promoting interdisciplinarity, and countering educational indifference toward literary and aesthetic cultures. Its explanations of the diversity of literary historiography could easily inform new design models for survey courses and help prepare those about to enter teaching professions, who are expected to be familiar with the philosophical and contextual problems that motivate literary texts. It promises stimulating and thought-provoking study and invites readers to develop a sense of how literature operates as a system based on philosophical contraries and logical paradoxes.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1955.
Stories about people who happen to be men, and who...don't want to be famous, want to brown the earth, are trusted, who are not who they are, who lose dogs, and who turn sails into cinemas. And much more.
In the last thirty years, the Upper Texas Coast has become a "must go" destination for birders around the globe. This book will serve as an essential companion to the customary field guide and pair of binoculars for all visitors to Houston, High Island, Galveston, Freeport, or any of the area's other exciting birding spots. It also places the birdlife of the region, a seven-county area with a larger bird list than forty-three states, into historical and ecological contexts. Authors Eubanks, Behrstock, and Weeks--all recognized authorities on the migrant and resident birds of this region--present a thorough introduction to the area's history, physiography, and avifauna. Then, in generous discussions of bird families and species, they synthesize years of records, tracking the comings and goings of more than 480 birds and incorporating their own lifetimes of experience to create an "ornithological mosaic" of lasting significance.
All secret agents need to look out for William Nye, now known as Agent X. His recruitment was simple and his legend is brilliant but unearned. Somehow, he thinks he’s the best there is, and we all know how pride goeth before a fall. The master of SF hilarity and biting social satire creates a spy world that has gathered praise from the greats of the genre. From the very beginning of his career, Robert Sheckley was recognized by fans, reviewers, and fellow authors as a master storyteller and the wittiest satirist working in the science fiction field. Open Road is proud to republish his acclaimed body of work, with nearly thirty volumes of full-length fiction and short story collections. Rediscover, or discover for the first time, a master of science fiction who, according to the New York Times, was “a precursor to Douglas Adams.”
A major new biography that takes an unusual and illuminating approach to the great writer—immersing us in one year of his life—from the award-winning author of Becoming Dickens and The Story of Alice. The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty, and disease. It is also a turbulent year in the private life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this formative year will become perhaps the greatest turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives and develops a new form of writing that will reveal just how interconnected the world is becoming. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him and forever alter Britain's relationship with the world. Fully illustrated, and brimming with fascinating details about the larger-than-life man who wrote Bleak House, this is the closest look yet at one of the greatest literary personalities ever to have lived.
But soon, seduced by the myth of Hollywood and the reality of Warner Brothers, he made his movie debut, in 1938, in Four Daughters and immediately established himself as an earthy, rebellious and electrifying presence on the screen - in retrospect, the James Dean of the Depression era.
For six decades, writer and editor Robert A. Parker has followed up each book he reads, mainly novels, with an evaluation. His comments are informed by an independent critical view that balances a moral and literary sensibility. In this second of six volumes, the authors covered range from Henri Daniel-Rops to Jose Maria Gironalla. They include Don DeLillo, Peter Dexter, E. L. Doctorow, Umberto Eco, Shusaku Endo, Louise Erdrich, William Faulkner, F. Scott Fitzgerald, John Fowles, E. M. Forster, Carlos Fuentes, and Gabriel Garcia Marquez, as well as a few mystery authors and historians. The commentaries are listed alphabetically by author, and the books by the date of publication for each author. The writers here represent a broad range of writing styles, cultural influences, and moral philosophies. And all are rated on their literary achievement, the effectiveness of plot, character, and setting, plus their recognition of the moral, ethical, and spiritual values of mankind.
In these elegant essays, many of them originally written for The New Republic and Harper's, Robert Boyers examines the role of the political imagination in shaping the works of such important contemporary writers as W. G. Sebald and Philip Roth, Nadine Gordimer and Mario Vargas Llosa, Natalia Ginzburg and Pat Barker, J. M. Coetzee and John Updike, V. S. Naipaul and Anita Desai. Occasionally he finds that politics actually figures very little in works that only pretend to be interested in politics. Elsewhere he discovers that certain writers are not equal to the political issues they take on or that their work is fatally compromised by complacency or wishful thinking. In the main, though, Boyers writes as a lover of great literature who wishes to understand how the best writers do justice to their own political obsessions without suggesting that everything is reducible to politics. Resisting the notion that novels can be effectively translated into ideas or positions, he resists as well the notion that art and politics must be held apart, lest works of fiction somehow be contaminated by their association with "real life" or public issues. The essays offer a combination of close reading, argument, and assessment. What, Boyers asks, is the relationship between form and substance in a work whose formal properties are particularly striking? Is it reasonable to think of a particular writer as "reactionary" merely because he presents an unflattering portrait of revolutionary activists or because he is less than optimistic about the future of newly independent societies? What is the status of private life in works set in politically tumultuous times? Can the novelist be "responsible" if he consistently refuses to engage the conditions that affect even the intimate lives of his characters? Such questions inform these essays, which strive to be true to the essential spirit of the works they discuss and to interrogate, as sympathetically as possible, the imagination of writers who negotiate the unstable relationships between society and the individual, art and ideas.
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