Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.
These 16 overlapping stories have characters mostly from Memphis, Tennessee, characters facing murder, violent crime or death and taking big chances to get things done.
This is a book about a controversial issue—whether doctors should be licensed by law to supply lethal drugs to terminally ill patients. It is written primarily for those who want to find a path through the thickets of a subject that transcends many fields of expertise. The authors have considerable experience of the matters about which they write, involving both research and hands-on medical care of dying people. They are not neutral about ‘assisted dying’: they are not convinced that the law is in need of change. However, the book employs an evidence-based approach and brings much-needed clarity to such complex issues as how the existing law works, how medical practice operates at the end of life, and what has been the experience of jurisdictions that have gone down the ‘assisted dying’ road. Above all, the book shows respect for the views of others who may judge the evidence differently.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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