These essays propose “a new and richly detailed engagement between Judaism and the political” (Jewish Book World). Judaism, Liberalism, and Political Theology provides the first broad encounter between modern Jewish thought and recent developments in political theology, arguing in opposition to impetuous associations of Judaism and liberalism and charges that Judaism cannot engender a universal political order. The vexed status of liberalism in Jewish thought and Judaism in political theology is interrogated with recourse to thinking from across the Continental tradition. “This collection of essays, which examines political theology from the distinct perspective of Jewish philosophy, could not be timelier or more useful for scholars and students navigating what is often viewed as very dense and difficult material.”—Claire Elise Katz, Texas A&M University
Grappling with the place of Jewish philosophy at the margin of religious studies, Robert Erlewine examines the work of five Jewish philosophers—Hermann Cohen, Martin Buber, Franz Rosenzweig, Abraham Joshua Heschel, and Joseph Soloveitchik—to bring them into dialogue within the discipline. Emphasizing the tenuous place of Jews in European, and particularly German, culture, Erlewine unapologetically contextualizes Jewish philosophy as part of the West. He teases out the antagonistic and overlapping attempts of Jewish thinkers to elucidate the philosophical and cultural meaning of Judaism when others sought to deny and even expel Jewish influences. By reading the canon of Jewish philosophy in this new light, Erlewine offers insight into how Jewish thinkers used religion to assert their individuality and modernity.
Why are religious tolerance and pluralism so difficult to achieve? Why is the often violent fundamentalist backlash against them so potent? Robert Erlewine looks to a new religion of reason for answers to these questions. Drawing on Enlightenment writers Moses Mendelssohn, Immanuel Kant, and Hermann Cohen, who placed Christianity and Judaism in tension with tolerance and pluralism, Erlewine finds a way to break the impasse, soften hostilities, and establish equal relationships with the Other. Erlewine's recovery of a religion of reason stands in contrast both to secularist critics of religion who reject religion for the sake of reason and to contemporary religious conservatives who eschew reason for the sake of religion. Monotheism and Tolerance suggests a way to deal with the intractable problem of religiously motivated and justified violence.
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
Recent decades have seen substantial growth in the range of assistance programmes for SMEs and entrepreneurs across the world. Once regarded as peripheral to the economy and public policy, the role of small firms and of entrepreneurship is now recognized as of key importance in the economic growth and development strategies of many nations. The range of interventions and support focused on promoting SMEs and entrepreneurship is substantial and expanding, so Government, SMEs and Entrepreneurship Development asks ’what are some of the main policy instruments being used, and how effective are they?’ It considers policies in different countries, examines key interventions and tools used to promote entrepreneurship and SME development and concludes with contributions on how to best evaluate their effectiveness. The contributor chapters by academics and practitioners from businesses, enterprise development agencies and governments, are empirical or evidence-based and use both quantitative and qualitative approaches. Drawing on experience from a wide range of both developed and emerging countries and economies, the contributions focus on the broad strategies that different governments and communities have adopted to foster entrepreneurship and SMEs; the policy tools and instruments that can be used to promote small business and entrepreneurship; and on the outcomes of policy instruments and the methods used to evaluate interventions. Their findings will help researchers, policy-makers, economic development officers, civil servants, elected officials, and business associations to better understand the issues in this important field.
As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
From Nobel Prize-winning work in atomic physics to community concerns over radiation leaks, Brookhaven National Laboratory's ups and downs track the changing fortunes of "big science" in the United States since World War II. But Brookhaven is also unique; it was the first major national laboratory built specifically for basic civilian research. In Making Physics, Robert P. Crease brings to life the people, the instruments, the science, and the politics of Brookhaven's first quarter-century.
Generally regarded as one of the most tragic tales in the history of rock music, the story of Badfinger makes for an impressively sombre Hollywood-style film script. A Welsh and Liverpudlian hybrid, the band were signed to Apple Records, became protégés of The Beatles and produced four global hit singles. Two of its members also co-wrote the now perennial pop standard ‘Without You’, covered most notably by Harry Nilsson. Yet Badfinger found themselves plagued by ruinous misfortune and through a combination of unscrupulous business management, record label neglect and just plain bad luck, the dream soon lay in tatters with the band’s story ultimately culminating in the suicides of two of its members, Pete Ham and Tom Evans. This book helps redress the band’s legacy and refocuses some much-needed attention on the brilliance of their music. It casts a keen critical eye over their entire musical output – albums and singles – recorded and released during their lifetime. This detailed and definitive guide not only examines and assesses the recordings but also provides valuable historical context for each album and while not ignoring the financial and legal issues that blighted the band, this book ultimately focuses on Badfinger’s considerable musical legacy. Robert Day-Webb graduated from the University of Birmingham and subsequently worked in the publishing industry for sixteen years, undertaking a wide variety of editorial and writing roles. A self-confessed music, movie and TV buff, Robert has also had several personal reflection essays published in a number of music and TV-related anthology books. He currently lives in Gloucester, UK, with his wife, Marie, their two children, Joshua and Lauren, and an extremely oversized CD collection.
Marketing and consumer research has traditionally conceptualized consumers as individuals- who exercise choice in the marketplace as individuals not as a class or a group. However an important new perspective is now emerging that rejects the individualistic view and focuses on the reality that human life is essentially social, and that who we are is an inherently social phenomenon. It is the tribus, the many little groups we belong to, that are fundamental to our experience of life. Tribal Marketing shows that it is not individual consumption of products that defines our lives but rather that this activity actually facilitates meaningful social relationships. The social ‘links’ (social relationships) are more important than the things (brands etc.) The aim of this book is therefore to offer a systematic overview of the area that has been defined as “cultures of consumption”- consumption microcultures, brand cultures, brand tribes, and brand communities. It is though these that students of marketing and marketing practitioners can begin to genuinely understand the real drivers of consumer behaviour. It will be essential to everyone who needs to understand the new paradigm in consumer research, brand management and communications management.
Horoscope Symbols takes you beyond your present conception of astrology into a deep understanding of the role of personal choice and to the true source of human experience. Every age must re-examine the astrological tradition in the light of its own experience. In Horoscope Symbols, Robert Hand, one of the foremost astrologers of his generation, recreates astrology for our time. In this book, Hand takes the reader deep into the heart of each of the planets (and other points), angular relationships (aspects and midpoints), zodiacal positions (signs), and mundane positions (angles and houses). Whether you're a beginning student or a practicing professional, Horoscope Symbols takes you beyond your present conception of astrology into a whole new realm of understanding. Horoscope Symbols takes the beginner beyond cookbook interpretations to genuine insight, beyond superficial keywords to the fundamental principles that underlie astrology, beyond overemphasis on signs to the primacy of planets and angles. Although Hand assumes little prior knowledge of astrology, the more you know, the more you will get out of this book. Hand takes the expert beyond the fatalism of tradition to a deep understanding of the role of personal choice in the life of the individual, beyond fortune telling to the true source of human experience.
Gloria Estefan: Singer profiles a singer who opened the door for Latin music everywhere. This comprehensive volume provides useful information on how to become a singer while tracing those steps taken by a professional. Gloria Estefan i
The first of two volumes chronicling the history and role of music in the African American experience, Nothing but Love in God’s Water explores how songs and singers helped African Americans challenge and overcome slavery, subjugation, and suppression. From the spirituals of southern fields and the ringing chords of black gospel to the protest songs that changed the landscape of labor and the cadences sung before dogs and water cannons in Birmingham, sacred song has stood center stage in the African American drama. Myriad interviews, one-of-a-kind sources, and rare or lost recordings are used to examine this enormously persuasive facet of the movement. Nothing but Love in God’s Water explains the historical significance of song and helps us understand how music enabled the civil rights movement to challenge the most powerful nation on the planet.
A portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds: A Celebration of Popular Song in Arkansas celebrates the diversity of musical forms and music makers that have graced the state since territorial times. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable "Featured Performers" section - lengthy discussions of individual artists with their photographs - is now one-third larger.
Grappling with the place of Jewish philosophy at the margin of religious studies, Robert Erlewine examines the work of five Jewish philosophers—Hermann Cohen, Martin Buber, Franz Rosenzweig, Abraham Joshua Heschel, and Joseph Soloveitchik—to bring them into dialogue within the discipline. Emphasizing the tenuous place of Jews in European, and particularly German, culture, Erlewine unapologetically contextualizes Jewish philosophy as part of the West. He teases out the antagonistic and overlapping attempts of Jewish thinkers to elucidate the philosophical and cultural meaning of Judaism when others sought to deny and even expel Jewish influences. By reading the canon of Jewish philosophy in this new light, Erlewine offers insight into how Jewish thinkers used religion to assert their individuality and modernity.
Why are religious tolerance and pluralism so difficult to achieve? Why is the often violent fundamentalist backlash against them so potent? Robert Erlewine looks to a new religion of reason for answers to these questions. Drawing on Enlightenment writers Moses Mendelssohn, Immanuel Kant, and Hermann Cohen, who placed Christianity and Judaism in tension with tolerance and pluralism, Erlewine finds a way to break the impasse, soften hostilities, and establish equal relationships with the Other. Erlewine's recovery of a religion of reason stands in contrast both to secularist critics of religion who reject religion for the sake of reason and to contemporary religious conservatives who eschew reason for the sake of religion. Monotheism and Tolerance suggests a way to deal with the intractable problem of religiously motivated and justified violence.
These essays propose “a new and richly detailed engagement between Judaism and the political” (Jewish Book World). Judaism, Liberalism, and Political Theology provides the first broad encounter between modern Jewish thought and recent developments in political theology, arguing in opposition to impetuous associations of Judaism and liberalism and charges that Judaism cannot engender a universal political order. The vexed status of liberalism in Jewish thought and Judaism in political theology is interrogated with recourse to thinking from across the Continental tradition. “This collection of essays, which examines political theology from the distinct perspective of Jewish philosophy, could not be timelier or more useful for scholars and students navigating what is often viewed as very dense and difficult material.”—Claire Elise Katz, Texas A&M University
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