RADIOMAN tells a universal story -- about war, family, and growing up. Andy Hesterman's 25 years in the Marines span a huge range of world events and personal experiences. I found myself laughing, rooting for him, and shaking my head at the insanity of it all. A great book!" - Nathaniel Fick, NY Times best-selling author of ONE BULLET AWAY"From a recruit surviving boot camp to a Major flying combat helicopters and controlling F/A-18s in Iraq, Andy Hesterman shares the pride of the Corps and the pain of saying goodbye to your family for yet another deployment. With Radioman, you'll feel like you've put on the Marine cammies and marched alongside Hesty for over two decades of service to our country." - Dell Epperson, Captain, U.S. Navy (Retired)"Radioman is far more than the story of one man's 25-year journey through the modern Marine Corps - as fascinating as that story is. It is also an account of the extraordinary changes - technological, tactical, moral - that have utterly transformed the American military in that time. Both gripping and honest, Radioman is also told with a humor and humility that makes for an extremely pleasurable read." - Scott Anderson, New York Times best-selling author of THE QUIET AMERICANSFrom a Gulf War grunt to a full-fledged Marine Major in the wars in Iraq and Afghanistan, Andrew Hesterman saw it all. Radioman offers a highly personal and unfiltered view of the Marine Corps as it transitioned from the post-Vietnam analog Reagan era to the post-9/11 high-tech George W. Bush and Obama years.Radioman begins with Andy as a recruit at boot camp and the ensuing training that leads to formally becoming a Marine. After comm school and the reserves, Andy is called to active duty in 1991 for the Gulf War, where he experiences combat up close in Kuwait. The next personally, professionally, and politically tumultuous decade brings marriage (and divorce), flight school and helicopter missions in Kosovo, the shock of 9/11, another marriage, and children. Andy's journey culminates as an officer in Iraq, where he directs air support for the Marines in Fallujah.Co-authored by Robert Einaudi, a close friend of Hesterman's since high school, Radioman provides an honest and vivid military portrait of the Marine Corps and the modern US military seen through the experiences of one Marine.
From each according to his ability To each according to his needs Is this what we want America to be? A cabal of financial interests are rapidly driving America toward totalitarianism and Communism. If we are to stop them, their conspiracy must be exposed. Currently the National Debt is over $14 trillion dollars, and it grows at over $1.5 trillion a year. The Rothschild Financial Empire is driving this country into a one-world government. The financial organizations in the U.S. that are controlled by the Rothschild Cabal consists of the Rockefeller Trust, The Ford Trust, and others. These U.S. financial Institutions supply the funds for organizations such as the Council on Foreign Relations. From this organization, other organizations have been established, such as The Trilateral Commission. Other organizations are also financed by the U.S. branches of the Rothschild Cabal such as NAACP, ACLU, The Black Panthers, etc. The main purpose of these organizations are to destroy the Constitution as written by our forefathers. The Cabal is using both the Democratic Party and Republican Party as vehicles to advance their one-world agenda. This book was written to expose this conspiracy to one and all. Robert Gates, Sr. is retired military; holds a B.S. and M.B.A. degrees with a minor in Macro-economics.
The Holocaust in Italian Culture, 1944–2010 is the first major study of how postwar Italy confronted, or failed to confront, the Holocaust. Fascist Italy was the model for Nazi Germany, and Mussolini was Hitler's prime ally in the Second World War. But Italy also became a theater of war and a victim of Nazi persecution after 1943, as resistance, collaboration, and civil war raged. Many thousands of Italians—Jews and others—were deported to concentration camps throughout Europe. After the war, Italian culture produced a vast array of stories, images, and debate through which it came to terms with the Holocaust's difficult legacy. Gordon probes a rich range of cultural material as he paints a picture of this shared encounter with the darkest moment of twentieth-century history. His book explores aspects of Italian national identity and memory, offering a new model for analyzing the interactions between national and international images of the Holocaust.
This text tells the story of the birth of the post-war Italian political system through the lens of a single event: the Italian national election of 1948. It is a story about the fall of Fascism and the achievements of the Italian Resistance, and Italian political culture.
The years 1969 and 1979 bookend a volatile decade in American history. As an articulate witness to the era of the Vietnam War, Watergate, Jimmy Carter, and the national "malaise," Robert Penn Warren produced a phenomenal body of work, securing his place in the canon of American poetry. Volume five of Selected Letters of Robert Penn Warren: Backward Glances and New Visions, 1969--1979 includes Warren's letters to friends, family, peers, editors, inquiring scholars, and critics -- recording the details of his personal and professional life and illustrating his pivotal role in twentieth-century American literature. In these turbulent but fruitful years, Warren produced both Audubon: A Vision (1969) and the revised version of Brother to Dragons (1979). In between lay some of Warren's most searching work as poet, novelist, literary critic, and social commentator. During this era Warren's achievements included his highly experimental and complex Or Else -- Poem/Poems (1974) and the Pulitzer Prize--winning Now and Then (1978). Before the end of the 1970s three more novels appeared concluding with his final book of fiction, A Place to Come To. This volume provides insight into Warren's inspiration during a remarkably productive era and will prove an essential resource on his life and work.
In the twenty years since his death, Pier Paolo Pasolini (1922-1975) has grown into a figure of defining importance in the history of post-war Italian literary and cinematographic culture. His extraordinary and continuing impact is explained by his capacity to appropriate and transform ordistort traditional genres, media, languages, and forms of art, and to bring them into stark confrontation with the deeply fractured social, political, and sexual landscape of modern Italy. Pasolini: Forms of Subjectivity aims at a global reassessment of Pasolini, examining in turn his journalismand essays, his poetry, his film theory and practice, and his sprawling, posthumously published narrative fragment Petrolio, all from the perspective of the complex shifting workings of subjectivity which animate every aspect of his work. Gordon provides a conceptual and interpretative frameworkwhich illuminates Pasolini's mastery of both the written word and the cinematographical world.
A strong preoccupation with the human body - often manifested in startling ways - is a characteristic shared by early modern Europeans and their present-day counterparts. Whilst modern manifestations of this interest include body piercing, tattoos, plastic surgery and eating disorders, early modern preoccupations encompassed such diverse phenomena as monstrous births and physical deformity, body snatching, public dissection, flagellation, judicial torture and public punishment. This volume explores such extreme manifestations of early modern bodily obsessions and fascinations, and their wider cultural significance. Agreeing that an interest in physical boundaries, extreme physical manifestations and situations developed and grew stronger during the early modern period, the essays in this volume investigate whether this interest can be traced in a wider range of cultural phenomena, and should therefore be given a prominent place in any future characterization of the early modern period. Taken as a whole, the volume can be read as an attempt to create a new context in which to explore the cultural history of the human body, as well as the metaphors of research and investigation themselves.
Juxtaposes Antonio Gramsci’s work and critical race theory to offer a new understanding of tactics as a transformative practice. While scholars of social and political movements tend to analyze tactics in terms of their effectiveness in achieving specific outcomes, Robert F. Carley argues by contrast that tactics are, above all, what social movements do. They are not mere means to an end so much as they are a public form of expression pointing out injustices and making just demands. Rooted in a highly original analysis of the tactically mediated relationship between race and mobilization in the work of Italian philosopher and revolutionary Antonio Gramsci, Culture and Tactics demonstrates how tactics impact the organizational structures of social movements and expand the affinities of political communities. Carley looks at how Gramsci used innovative tactics to bridge perceptions of racial differences between factory workers and subaltern groups, the latter having been denigrated to the point of subhumanity by a complex Italian national racial economy. Newly envisioning Gramsci as a theorist of race within a broader context of social struggle, Carley connects Gramsci’s insights into the political mobilizations of racialized subaltern groups to contemporary critical race theory and cultural studies of racialization and racism. Speaking across disciplines and drawing on a number of empirical examples, Carleyoffers a battery of original concepts to assist scholars and activists in analyzing the tactical practices of protests in which race is a central factor. “This book provides an excellent rendering of Gramsci’s political perspective applied to race, and usefully extended to broader theoretical and practical applications.” — Lee Artz, coauthor of Cultural Hegemony in the United States
Parker's acclaimed guide, fully revised with ratings on the latest vintages from around the world, is one of the most authoritative wine guides available and now comes with expanded sections on the popular wines of California and Italy.
Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 2: Techniques, Influence and Reception explores Messiaen’s imprint on recent musical life. The first part scrutinizes his compositional technique in terms of counterpoint, spectralism and later piano music, while the second charts ways in which Messiaen’s influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers. The third part includes case studies of Messiaen’s reception in Italy, Spain and the USA. The volume also includes an ornithological catalogue of Messiaen’s birds, collates information on the numerous ’tombeaux’ pieces he inspired, and concludes with a Critical Catalogue of Messiaen’s Musical Works.
The second volume in Robert Scheina's definitive study of Latin American military history draws upon years of extensive research and teaching in the field. Although wags in the United States have quipped that if Latin America's military forces were not constantly seeking political power they would have nothing to do, Scheina describes how these men have not only bravely defended their own homelands from foreign enemies but have also gone abroad to fight in both world wars and in the Korean War. This groundbreaking volume also examines the numerous U.S. interventions in Latin America during the twentieth century and the various motivations for them, ranging from the petty interests of influential North American businesses to global concerns with grand strategy which, for example, resulted in the building of the Panama Canal. Scheina concludes by exploring the role of Latin America in the Cold War and Colombia's ongoing conflict with the drug cartels. He focuses on operational history in the context of war as an instrument of politics and society, including insightful analyses of the military as an institution and of its relations with civilian government. Latin America's Wars fills a void in the literature, broadens U.S. readers' understanding of their neighbors, and serves as a point of departure for new scholarship.
The political history of Italy has been an undeniably turbulent one. The country's political system has been repeatedly threatened by the historical existence of extremist parties on the left and right, an economy which struggles to adapt, the cleavage between a developed north and an underdeveloped south, the challenge posed by terrorist groups and organized crime, high public debt, and governments that last on average only ten months. Paradoxically, however, Italy continues to muddle through from one political crisis to another with one of the world's highest standards of living and quality of life. What is the secret of Italian politics?
This book offers a critical edition of the petitions in their original Italian language that (Catholic) Jews residing in Italy submitted to the Fascist General Administration for Demography and Race (Demorazza) in order either to be “discriminated,” i.e., not subjected to various provisions of Mussolini’s racial laws.
Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy. This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.
This book is an intervention into cultural studies' theoretical and methodological foundations. It addresses a crisis in conjunctural analysis: that there is no theorized method for conjunctural analysis as it pertains to recognizing a conjunctural shift or the emergence of an organic crisis. This crisis is connected to the belief that the definition of the conjuncture is ambiguous in Gramsci’s work, but using a broader range of primary, secondary, and also untranslated sources on the conjuncture, Carley demonstrates that Gramsci has decisively settled that ambiguity. Through a philological approach to Gramsci’s original texts, this book alters the debate around conjunctural analysis and offers means to reinterpret cultural studies and its relationship to its founding thinkers.
Italy is a country that exercises a hold on the imagination of people all over the world. Its long history has left an inexhaustible treasure chest of cultural achievement. The historic cities of Rome, Florence, and Venice are among the most sought-after destinations in the world for tourists and art lovers, and Italy's natural beauty and cuisine are rightly renowned. Italy's history and politics are also a source of endless fascination. Modern Italy has consistently been a political laboratory for the rest of Europe. In the 19th century, Italian patriotism was of crucial importance in the struggle against the absolute governments reintroduced after the Congress of Vienna, 1814-15. After the fall of Fascism during World War II, Italy became a model of rapid economic development, though its politics has never been less than contentious and its democracy has remained a troubled one. The A to Z of Modern Italy is an attempt to introduce the key personalities, events, social developments, and cultural achievements of Italy since the beginning of the 19th century, when Italy first began to emerge as something more than a geographical entity and national feeling began to grow. This is done through a chronology, a list of acronyms and abbreviations, an introductory essay, a map, a bibliography, and some 400 cross-referenced dictionary entries on prominent individuals, basic institutions, crucial events, history, politics, economics, society, and culture.
The true nature of Mussolini's foreign policy during the late interwar period has been the subject of considerable controversy. Was Mussolini in reality pro-British, even as late as June 1940; or was his international policy more sinister and based on conquering a Fascist empire in North Africa and the Middle East? Robert Mallett makes use of much new archival evidence in order to answer this riddle of interwar history. Mallett argues that Mussolini had harboured imperial designs in the Mediterranean and Red Sea from as early as 1919, but that not until 1933, with the rise of Hitler, was it possible for Fascist Italy to pursue a programme of territorial expansion. Previously unpublished material also casts new light on the Nazi-Fascist relationship, revealing it to be at times paranoid, acrimonious and duplicitous on both sides. Although the book focuses on Italian policy, it provides an important reassessment of the Ethiopian Crisis, the Spanish Civil War, the Austro-German Anschluss, Munich and the run up to the Second World War. Mallett shows that it is erroneous to place excessive emphasis on the role of Adolf Hitler in subverting the interwar international order, and demonstrates that Mussolini was heavily implicated in the global conflict that erupted in September 1939.
A lively, engaging guide to music around the world, from prehistory to the present Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today's mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism. From Hildegard von Bingen and Clara Schumann to Bob Dylan and Aretha Franklin, great performers and composers have profoundly shaped music as we know it. Covering a remarkable range of genres, including medieval chant, classical opera, jazz, and hip hop, this Little History shines a light on the wonder of music--and why it is treasured across the world.
The most important art historian of his generation? is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall?s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ?80s and ?90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall?s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall?s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.
Symbolic and Clinical Approaches in Theory and Practiceedited by Luigi Zoja and Robert HinshawThis handsome volume, drawn from the Ninth International Congress of Analytical Psychology in Jerusalem, contains contributions reflecting on the meaning and significance of contemporary analytical work from 25 prominent Jungian analysts from around the world. Among the authors are Alfred Ziegler and Adolph Guggenbühl-Craig from Zürich, Rafael López-Pedraza from Caracas, and Aldo Carotenuto from Rome.Also available:San Francisco 1980Money, Food, Drink and Fashion, and Analytic TrainingProceedings of the 8th International Congress of the International Association for Analytical Psychology, edited by John BeebeThese proceedings from the 1980 San Francisco Congress of the IAAP have long been unavailable. Now a few last copies have been found and will be offered either singly or as a part of a package discount.From the Contents: A Contribution to Soul and Money by James Hillman; Projections: Soul and Money by Adolf Guggenbühl-Craig; The Training of Shadow and The Shadow of Training by Patricia Berry;The Hydrolith: On Drinking and Dryness in Archetypal Medicine by Alfred Ziegler; Fragmentary Vision: A Central Training Aim by Andrew Samuels; The Concealed Body Language of Anorexia Nervosa by Bani Shorter.ISBN 3-87089-304-4
As Europe has expanded its influence in world economic and political affairs, there has been an increased need to understand how Europe recovered from the devastation of World War II to become a major world player. This concise history offers a comprehensive overview of Europe's political, social, economic and cultural developments since 1945. J. Robert Wegs and Robert Ladrech balance a narrative of the major events and personalities of the post-war political scene with a critical assessment of key issues and themes, such as: - The development of the welfare state - European integration and the European Union - The Cold War - The rise and fall of the Soviet Empire - The political-economic turmoil in eastern Europe since 1989 - The place of Europe in the globalisation of the world's political-economic affairs The text also features further reading sections at the end of each chapter to aid more detailed study, and is enhanced throughout with tables, maps and illustrations. Written for students and general readers alike, this thoroughly revised, updated and expanded new edition is an ideal introduction for anyone with an interest in the history and politics of post-war Europe, east and west.
A volume in the Cultural Studies Series edited by Samir Dayal An innovative and entertaining look at genre, popular culture, enjoyment, and psychoanalysis. Detective fiction, a category that, broadly defined, runs the gamut from Oedipus Rex to "The Purloined Letter," continues to draw a range of fans and scholars, and to play a pivotal role in popular entertainment, contemporary literature, and psychoanalytic theory. But how do we derive pleasure from reading about or watching a detective’s exploits? Is our enjoyment in the vicarious experience of genius? Or in witnessing the commission of a crime, an equally vicarious experience of violence? Resisting Arrest looks at the detective genre in its many different cultural manifestations, from popular fiction (Christie) to high literature (Eco), from art films (Antonioni) to popular television series (Monk). In each case, Rushing finds that detective stories have less to do with fulfilling our hidden desires, as psychoanalytic explanations have traditionally asserted, than with purposively thwarting them. He argues that the genre is in fact constituted principally by the promises on which it fails to deliver, including the vicarious experience of both genius (readers expecting to play Sherlock Holmes are almost always cast as Watson) and antisocial violence, so that our pleasure is based on what Slavoj Zizek has called "the endless circulation around the always-missed object." Organized around the key ideas that structure the detective genre ("Desire," "Repetition," "Violence"), Resisting Arrest offers a thoroughly new interpretation that will appeal to scholars interested in questions about genre and cinema studies, popular culture, and psychoanalysis.
In this highly original work, Robert Desjarlais and Khalil Habrih present a dialogic account of the lingering effects of the terroristic attacks that occurred in Paris in November 2015. Situating the events within broader histories of state violence in metropolitan France and its colonial geographies, the authors interweave narrative accounts and photographs to explore a range of related phenomena: governmental and journalistic discourses on terrorism, the political work of archives, police and military apparatuses of control and anti-terror deterrence, the histories of wounds, and the haunting reverberations of violence in a plurality of lives and deaths. Traces of Violence is a moving work that aids our understanding of the afterlife of violence and offers an innovative example of collaborative writing across anthropology and sociology.
Robert Mallett argues that the Duce's aggressive war against the Mediterranean powers, Britain and France, was to secure access to the world's oceans. Mussolini actively pursued the Italo-German alliance to gain a Fascist empire stretching from the Mediterranean to the Indian Ocean.
THE DEFINITIVE SINGLE-VOLUME BIOGRAPHY Robert Skidelsky's three-volume biography of John Maynard Keynes has been acclaimed as the authoritative account of the great economist-statesman's life. Here, Skidelsky has revised and abridged his magnum opus into one definitive book, which examines in its entirety the intellectual and ideological journey that led an extraordinarily gifted young man to concern himself with the practical problems of an age overshadowed by war. John Maynard Keynes offers a sympathetic account of the life of a passionate visionary and an invaluable insight into the economic philosophy that still remains at the centre of political and economic thought. ROBERT SKIDELSKY is Emeritus Professor of Political Economy at the University of Warwick. His three volume biography of John Maynard Keynes (1983, 1992, 2000) received numerous prizes, including the Lionel Gelber Prize for International Relations and the Council on Foreign Relations Prize for International Relations. ('This three-volume life of the British economist should be given a Nobel Prize for History if there was such a thing' - Norman Stone.) He was made a life peer in 1991, and a Fellow of the British Academy in 1994. 'A masterpiece of biographical and historical analysis' - New York Times
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