Robert Edgar-Hunt's Books

Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the tricky balancing act of art and business, offering guidelines and basic principles rather than instructions. Divided into the three key stages of the film-making process - pre-production, production and postproduction, the book provides students with a framework to begin directing their own productions. The chapters are interspersed with case studies investigating the working practices of leading professionals such as Robert Rodriguez, and Mike Leigh.

This second book in the Basics Film-Making series teaches the key elements of screenwriting, examining areas such as dialogue, sound, setting, shots, and structure.

Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling you to apply these ideas to your own analysis or film-making. --

The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

Challenges the tired orthodoxy that the Church of England had a bad First World War.

Book's by Robert Edgar-Hunt

Basics Film-Making 03: Directing Fiction

Basics Film-Making 03: Directing Fiction

Basics Film-Making 02: Screenwriting

Basics Film-Making 02: Screenwriting

Basics Film-Making 04: The Language of Film

Basics Film-Making 04: The Language of Film

The Recorder

The Recorder

The Church of England and the Home Front, 1914-1918

The Church of England and the Home Front, 1914-1918

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