Words of the Lagoon is an account of the pioneering work of a marine biologist to discover, test, and record the knowledge possessed by native fisherman of the Palau Islands of Micronesia. Words of the Lagoon is an account of the pioneering work of a marine biologist to discover, test, and record the knowledge possessed by native fisherman of the Palau Islands of Micronesia.
The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression. From pop to classical, the book speaks to the creative ways that new composers mix and synthesize music, creating a music that exists along a more continuous spectrum rather than in a series of siloed practices. It pays special attention to a series of critical issues that have surfaced in recent years, including harmony, the influence of minimalism, the impact of technology, strategies of "openness," sound art, collaboration, and improvisation. Robert Carl identifies an emerging common practice that allows creators to make more informed aesthetic and technical decisions and also fosters an inherently positive approach to new methods.
Now the beloved Apostle states clearly that if we love God, we will obey His commands. And those commands are not difficult for us to obey. After all, He came to be the Savior of the world. So, three things show us clearly that Jesus came from God. Those things are the Holy Spirit, the water of Jesus’ baptism, and the blood of His death on the cross. Therefore, everyone who believes in Jesus, the Son of God, will know that what God says is true. But anyone who does not believe in God is saying that God tells lies. They just do not believe the message that God told us clearly about His Son. You don’t want to be one of those people. Truly, we can trust God to help us when we turn to Him. We know that He will hear us. When we ask for anything that He wants us to have, He listens to us. This is especially true when we see another Christian doing something bad, this is what we should do. If it is a sin that does not cause death, pray that God will help him. Then God will help that person to live forever with Him. We should settle it in our minds that nobody who has become a child of God continues to do wrong things. Instead, the Son of God keeps them safe so that Satan cannot do anything to keep them from going to heaven. So I beg you, says John, do not put anything in this world or of this world before God.
Eminent Frye scholar Robert D. Denham explores the connection between Frye and writers who influenced his thinking but about whom he never wrote anything extensive: Aristotle, Longinus, Joachim of Floris, Giordano Bruno, Henry Reynolds, Robert Burton, Kierkegaard, Lewis Carroll, Stéphane Mallarmé, Colin Still, Paul Tillich, and Frances A. Yates.
Throughout medieval Europe, for hundreds of years, monarchy was the way that politics worked in most countries. This meant power was in the hands of a family - a dynasty; that politics was family politics; and political life was shaped by the births, marriages and deaths of the ruling family. How did the dynastic system cope with female rule, or pretenders to the throne? How did dynasties use names, the numbering of rulers and the visual display of heraldry to express their identity? And why did some royal families survive and thrive, while others did not? Drawing on a rich and memorable body of sources, this engaging and original history of dynastic power in Latin Christendom and Byzantium explores the role played by family dynamics and family consciousness in the politics of the royal and imperial dynasties of Europe. From royal marriages and the birth of sons, to female sovereigns, mistresses and wicked uncles, Robert Bartlett makes enthralling sense of the complex web of internal rivalries and loyalties of the ruling dynasties and casts fresh light on an essential feature of the medieval world.
This volume explores the complex relationships between early Nineteenth-Century representations of emigration, colonization and settlement, and the social, economic and cultural conditions within which they were produced. It stresses the role of writers, illustrators and artists in 'making' colonial/settler landscapes within the metropolitan imaginary, paying particularly close attention to the complex interdependencies between metropolis and colony, which have too often been reduced to simplistic binaries of centre and periphery, metropolitan core and colonial outpost. Focusing on material dealing with Canada, the Cape, Australia and New Zealand, its interdisciplinarity and global reach consequently adds considerably to the field of colonial studies.
Using recent methodological advances in historical Jesus research, this book examines the figure of John by focusing on the two characteristic roles which he publicly performed-baptizer and prophet. The significance of these roles is studied within the context of late Second Temple Judaism in order to understand John within his social and historical context. Part I examines the traditions concerning John in Josephus's Antiquities as well as in canonical and extra canonical Gospels. Part II studies John's role as baptizer by analysing the functions of ablutions in the Old Testament and Second Temple Jewish literature, especially the Qumran literature. Part III analyses John's public role of prophet. John is seen as the leader of a prophetic movement, whose sociopolitical orientation may be compared with similar movements of the period.
This unique collection of twenty-two papers was written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time.
The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.
This book challenges the adequacy of identifying religious identity with confessional identity. The Reformation complicated the issue of religious identity, especially among Christians for whom confessional violence at home and religious wars on the continent had made the darkness of confessionalization visible. Robert E. Stillman explores the identity of “Christians without names,” as well as their agency as cultural actors in order to recover their consequence for early modern religious, political, and poetic history. Stillman argues that questions of religious identity have dominated historical and literary studies of the early modern period for over a decade. But his aim is not to resolve the controversies about early modern religious identity by negotiating new definitions of English Protestants, Catholics, or “moderate” and “radical” Puritans. Instead, he provides an understanding of the culture that produced such a heterogeneous range of believers by attending to particular figures, such as Antonio del Corro, John Harington, Henry Constable, and Aemilia Lanyer, who defined their pious identity by refusing to assume a partisan label for themselves. All of the figures in this study attempted as Christians to situate themselves beyond, between, or against particular confessions for reasons that both foreground pious motivations and inspire critical scrutiny. The desire to move beyond confessions enabled the birth of new political rhetorics promising inclusivity for the full range of England’s Christians and gained special prominence in the pursuit of a still-imaginary Great Britain. Christian Identity, Piety, and Politics in Early Modern England is a book that early modern literary scholars need to read. It will also interest students and scholars of history and religion.
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