The accomplishments of seminal jazz trumpeter Bernard "Bunny" Berigan have secured his place in the annals of American music history. In his short lifetime (1908--1942), Berigan performed on more than six hundred recordings and served as a direct link between Louis Armstrong and later musicians such as Dizzy Gillespie, Clifford Brown, and Wynton Marsalis. Berigan lent his uninhibited jazz style to the big bands of Benny Goodman, Hal Kemp, and Tommy Dorsey, and he was in demand as a studio musician for vocalists Billie Holiday, Bing Crosby, and Mildred Bailey. In addition to playing for the music industry's giants, Berigan became one himself by forming his own band in 1937 and recording his most famous hit and theme song, "I Can't Get Started." In the first comprehensive biography of Berigan, Robert Dupuis draws on hundreds of interviews with family, friends, and colleagues to present a fascinating and entertaining look at the fast-paced career and personal life of this jazz great.
Even simple agents, such as LEGO robots, are capable of exhibiting complex behaviour when they can sense and alter the world around them. From Bricks to Brains offers an introduction to embodied cognitive science and illustrates its foundational ideas through the construction and observation of LEGO Mindstorms robots. Discussing the characteristics that distinguish embodied cognitive science from classical cognitive science, the authors place a renewed emphasis on sensing and acting, on the importance of physical embodiment, and on the exploration of distributed notions of control. They also show how synthesizing simple systems and observing their behaviour can generate new theoretical insights. Numerous examples are brought forward to illustrate a key theme: the importance of environment to an actor. Even simple agents, such as LEGO robots, are capable of exhibiting complex behaviour when they can sense and alter the world around them.
In this award-winning book, human rights specialist Renée Dupuis takes a fresh look at the issues surrounding Canada's Aboriginal People and proposes some new solutions.
A survey conducted in eight colonies in June and July 1979 showed a 50% increase in the Southampton Island population but not significant change on Baffin Island.
In Vichy, a dead mistress points to an assassination plot At the Battle of Verdun, Marshal Philippe Pétain’s heroic leadership won him the respect and admiration of all of France. In the decades that follow the Great War, his ambition is boundless, but not until Hitler arrives does he claim the job he’s always wanted. When the Wehrmacht subdue the French army, Pétain takes the reins of his conquered nation, becoming World War II’s most infamous collaborator. In February 1943, as the war turns against Germany, Pétain administers his puppet state from the spa town of Vichy. In his eighties, but still able to admire a pretty face, he asks to borrow the mistress of one of his subordinates. Before she arrives, the girl is murdered. Fearing a plot against his life, Pétain calls in inspectors Jean-Louis St-Cyr and Hermann Kohler. But they find something far more sinister than a conspiracy against the war hero who became a war criminal.
First published in London in 1816, The Narrative of Robert Adams is an account of the adventures of Robert Adams, an African American seaman who survives shipwreck, slavery, and brutal efforts to convert him to Islam, before being ransomed to the British consul. In London, Adams is discovered by the Company of Merchants Trading which publishes his story, into which Adams inserts a fantastical account of a trip to Timbuctoo. Adams's story is accompanied by contemporary essays and notes that place his experience in the context of European exploration of Africa at the time, and weigh his credibility against other contemporary accounts. Professor Adams's introduction examines Adams's credibility in light of modern knowledge of Africa and discusses the significance of his story in relation to the early nineteenth century interest in Timbuctoo, and to the literary genres of the slave narrative and the Barbary Captivity narrative.
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