The decline of the oil industry and its economic, social, and political consequences are thoroughly probed in a study of the profound changes in this industry.
Financial organisations around Australia and their advisers must address the challenges of complying with the requirements of the Anti-Money Laundering and Counter Terrorism Financing legislation. Being effectively organised now is essential, as good practice and implementation will minimise risk and transgression. Going forward, a widening range of activities will be under scrutiny, and no adviser or designated service provider should be unprepared. ANTI-MONEY LAUNDERING HANDBOOK helps you be prepared. Major topics covered are: International money laundering and terrorism financing countermeasures, laws and standards - setting the scene; Australian AML/CTF laws and countermeasures - including the role of AUSTRAC; Establishing and maintaining successful AMLICTF systems and controls - addressing corporate strategy, a risk-based approach, due diligence, AML/CTF programs and reporting; Penalties and offences; Review of specific industries, including Industry-specific typologies/ case studies; Glossary of terms and definitions.
In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies. Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide- ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.
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