An Almeida Theatre production that opened at the Albery Theatre with Diana Rigg and Toby Stephens, and then played for a season on Broadway. This political thriller, set in Rome at the beginning of Emperor Nero’s tyranny, lays bare the relationships at the heart of power as a world slips into moral chaos.
Adapted by Robert David MacDonald from Gitta Sereny's Into That Darkness "Robert David MacDonald’s In Quest of Conscience, based on Gitta Sereny’s Into That Darkness, a record of her interviews with death camp commandant Franz Stangl, takes it for granted that the Holocaust was a shocking crime against humanity; what it wants to know, with an urgency amounting to desperation, is how it happened, and how it can be prevented from happening again." - Joyce Macmillan, Scotland on Sunday "Stangl... bureaucrat of death who administered as massive an evil as the Holocaust in the same routine spirit in which he would have administered butter rationing ... What manner of man can be responsible for the slaughter of 1,200,000 of his fellows in the space of 14 months?" - Joseph Farrell, The Scotsman "Plays such as In Quest of Conscience are messengers of the unspeakable, which is why they should be listened to as this powerful, dignified piece was in complete moral silence." - John Peter, The Sunday Times "A brilliant and important play which is based on the actual interviews with the death camp commandant Franz Stragl by Gitta Sereny searching desperately to discover how the Holocaust happened, how one worked and lived with it, and how to prevent it occurring again" Blanche Marvin
Includes the plays The Robbers and Passion and Politics Two plays concerned with tyranny and freedom. Schiller's first play, The Robbers (1781), was written in great secrecy under the prison like conditions of Württenberg's Karlsschule: Karl, the son of a count, is disinherited through the machinations of his brother Franz, and, turning his back on a social order he finds unjust and corrupt, becomes the leader of a band of robbers. In Passion and Politics (1784), a 'bourgeoise tragedy', the love between Louise, a musician's daughter, and Ferdinand, a politician's son, crosses an unbridgeable social divide. One of the great figures in German literature, Friedrich Schiller (1759-1805) was one of the most significant playwright of his day, numbering among his devotees Coleridge and Carlyle. His plays are known for their originality of form, vivid stage imagery and powerful language, faithfully rendered in Robert David MacDonald's acclaimed translations.
Premiered in this translation by the Citizens Theatre Company, Glasgow. In Enrico Four a man believes he isHenry IV, Holy Roman Emperor. But is he? Pirandello’s study of perceptions has become a twentieth-century classic which invites us to consider our personal madness in offering a different face to everyone we meet.
Magdalena is a pupil of Mozart's. Her husband discovers that she has also been his lover. However, she has another secret that will have terrible consequences for both of them.
Includes the plays Britannicus, Phedra and Berenice Jean Racine is the greatest tragedian of the French seventeenth century, using its strict rules and conventions to tell stories of overwhelming passion and cruelty. This volume brings together three of his greatest plays. Britannicus, the earliest, is set in the court of the young Emperor Nero, and in an atmosphere seething with erotic tension, documents the power-struggles surrounding the birth of a legendary despot. Berenice probes the hearts of two lovers as they are torn apart amidst the splendours of Imperial Rome, and in Phedra, the most famous of the three, a woman betrayed by her own desires descends into a personal hell of shame, guilt and remorse. These classic versions, by two of the country's most distinguished director-translators, prove that Racine is far from untranslatable; they offer blisteringly effective poetry, urgent plotting and powerhouse roles for both actors and actresses.
Carlo Goldoni was Italy's greatest playwright of the eighteenth century and wrote at least one hundred and fifty plays, although only a handful; of these have been performed since his time. Working for theatres in both Venice and Paris, he took much of his inspiration from 'commedia dell'arte'. This collection focuses on Goldoni's more serious side and includes the plays Don Juan, Friends and Lovers and The Battlefield. The first published English-language edition of Goldoni’s worldly vision of the Don Juan legend, in verse, alongside translations of the naturalistic Friends and Lovers and The Battlefield, all of which were first seen at the Citizens Theatre in Glasgow.
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