In an original, widely researched, and accessibly written book, Robert Dale Parker helps redefine the study of Native American literature by focusing on issues of gender and literary form. Among the writers Parker highlights are Thomas King, John Joseph Mathews, D'Arcy McNickle, Leslie Marmon Silko, and Ray A. Young Bear, some of whom have previously received little scholarly attention.Parker proposes a new history of Native American literature by reinterpreting its concerns with poetry, orality, and Indian notions of authority. He also addresses representations of Indian masculinity, uncovering Native literature's recurring fascination with restless young men who have nothing to do, or who suspect or feel pressured to believe that they have nothing to do. The Invention of Native American Literature reads Native writing through a wide variety of shifting historical contexts. In its commitment to historicizing Native writing and identity, Parker's work parallels developments in scholarship on other minority literatures and is sure to provoke controversy.
Parker shows the struggle with confusion and wonder about things Bishop can never make quiet or clear - about sexuality, politics, tbe burdens of imagination, the fate of the self. He explores Bishop's troubled family background and her concerns with gender and sexuality to offer new and persuasive readings of her poems and her poetic career.
TV reporter Candy Sloan has eyes the color of cornflowers and legs that stretch all the way to heaven. She also has somebody threatening to rearrange her lovely face if she keeps on snooping into charges of Hollywood racketeering. Spenser's job is to keep Candy healthy until she breaks the biggest story of her career. But her star witness has just bowed out with three bullets in his chest, two tough guys have doubled up to test Spenser's skill with his fists, and Candy is about to use her own sweet body as live bait in a deadly romantic game--a game that may cost Spenser his life.
Hired by a museum to provide protection during a ransom exchange for a stolen painting, Spenser is personally outraged when the ransom fails and the painting is not recovered, a case that makes him suspect the innocence of the art scholar who retained him.
Jesse Stone returns in this New York Times bestselling novel of death and deception from Robert B. Parker. Stiles Island is a wealthy and exclusive enclave separated by a bridge from the Massachusetts coast town of Paradise. James Macklin sees the Island as the ultimate investment opportunity: all he needs to do is invade it, blow the bridge, and loot the island. To realize his scheme, Macklin, along with his devoted girlfriend, Faye, assembles a crew of fellow ex-cons—all experts in their fields—including Wilson Cromartie, a fearsome Apache. James Macklin is a bad man, a very bad man. And Wilson Cromartie, known as Crow, is even worse. As Macklin plans his crime, Paradise police chief Jesse Stone has his hands full. He faces romantic entanglements in triplicate: his ex-wife, Jenn, is in the Paradise jail for assault, he’s begun a new relationship with a Stiles Island realtor named Marcy Campbell, and he’s still sorting out his feelings for attorney Abby Taylor. When Macklin’s attack on Stiles Island is set in motion, both Marcy and Abby are put in jeopardy. As the casualties mount, it’s up to Jesse to keep both women from harm.
Paradise, Massachusetts, is gearing up for the busy summer season when a spate of car thefts places its quiet, tourist-friendly reputation in jeopardy. Jesse Stone fears an automobile theft gang has set up shop in town, and the silver-tongued, heavy-handed police chief vows to put a stop to their activity. Almost as soon as he starts tackling this threat, another materializes: one of a more personal nature. An old enemy, hell-bent on revenge, is fresh out of prison. Thus begins a tale of proactive policing and personal paranoia, in which Stone finds himself defending himself, his patch and - before long - his latest squeeze. In Killing the Blues, Michael Brandman combines all of Parker's tried and tested ingredients to create a highly enjoyable and authentic Jesse Stone thriller.
“Ebullient entertainment.”—Time A hotshot reporter is dead. He'd gone to take a look-see at “Miami North”—little Wheaton, Massachusetts—the biggest cocaine distribution center above the Mason-Dixon line. Did the kid die for getting too close to the truth . . . or to a sweet lady with a jealous husband? Spenser will stop at nothing to find out. Praise for Robert B. Parker's Spenser novels “Like Philip Marlowe, Spenser is a man of honor in a dishonorable world. When he says he will do something, it is done. The dialogues zings, and there is plenty of action . . . but it is the moral element that sets them above most detective fiction.”—Newsweek “Crackling dialogue, plenty of action and expert writing . . . Unexpectedly literate—[Spenser is] in many respects the very exemplar of the species.”—The New York Times “They just don’t make private eyes tougher or funnier.”—People “Parker has a recorder’s ear for dialogue, an agile wit . . . and, strangely enough, a soupçon of compassion hidden under that sardonic, flip exterior.”—Los Angeles Times “A deft storyteller, a master of pace.”—The Philadelphia Inquirer “Spenser probably had more to do with changing the private eye from a coffin-chaser to a full-bodied human being than any other detective hero.”—The Chicago Sun-Times “[Spenser is] tough, intelligent, wisecracking, principled, and brave.”—The New Yorker
Appaloosa New Mexico Territory, 1882: two itinerant lawmen walk their horses down the long,shale-scattered slope into the frontier town of Appaloosa. Below them, lies rancher Randall Braggs' new kingdom, but Virgil Cole and Everett Hitch are here to restore the rule of law. They've done it before, they know what to do only too well: shoot quick, shoot clean, reload. But they aren't the only new arrivals in town. Mrs Allison French has stepped off the train with only a dollar to her name, a keen sense of survival and a good eye for a strong man. Finding one isn't going to a problem - Appaloosa is full of them: Cole, Bragg, Hitch. The problem is that Allie French isn't afraid to hedge her bets... and that Virgil Cole's heart isn't as steady as his gun hand. Resolution The dust has yet to settle in the new frontier town of Resolution. It's barely even a town: a general store, a handful of saloons and a run-down brothel for the workers at a nearby copper mine. No sheriff has been appointed, and gunslingers have taken control. Amid the chaos, itinerant lawman Everett Hitch has created a small haven of order at the Blackfoot Saloon. Charged with protecting the girls who work the back room, Hitch has seen off passing cowboys and violent punters - though it's his scheming boss, Amos Woolfson, who stirs up the most trouble. When a greedy mine owner threatens the local ranchers, Woolfson ends up at the centre of a makeshift war. Hitch knows only too well how to protect himself, but with the bloodshed mounting, he's relieved when his friend Virgil Cole rides into town. In a place where justice and order don't yet exist, Cole and Hitch must lay down the law - without violating their codes of honour, duty and friendship. Brimstone Virgil Cole and Everett Hitch rescue Allie French, Virgil's former sweetie who ran off to become a prostitute, and head to Brimstone, south Texas. The two gunmen sign on as deputy sheriffs, but Brimstone fails to provide a quiet respite. A mysterious Indian is killing locals, and a brutal saloon owner and corrupt preacher are headed for a showdown...
“[Parker's found] the pitch-perfect voice for a guy who is straining every muscle to cut down on the booze, hang on to his new job as police chief, and not get rattled by the body of a teenage girl”(The New York Times) in this bestselling mystery in the Jesse Stone series. Robert B. Parker takes readers back in Paradise, where Detective Jesse Stone is looking for two things: the killer of a teenage girl—and someone, anyone, who is willing to claim the body... The local cops haven't seen anything like this, but Jesse's L.A. past has made him all too familiar with floaters. This girl hadn't committed suicide; she hadn't been drowned: she'd been shot and dumped, discarded like trash. Before long it becomes clear that she had a taste for the wild life; and her own parents can't be bothered to report her missing, or even admit that she once was a child of theirs. All Jesse has to go on is a young man's school ring on a gold chain, and a hunch or two. Filled with magnetic characters and the muscular writing that are Parker's trademarks, Death in Paradise is a storytelling masterpiece.
Spenser creator Robert B. Parker returns with his newest heroine, Boston P.I. Sunny Randall, coming to the aid of three very different women in three very dangerous situations. One is for business. One is for a friend. One is for family. And all could be fatal…
A murder draws Boston PI Spenser into the dramatic world of theater in this New York Times bestseller in Robert B. Parker’s long-running series. In a shabby waterfront town, an actor is shot dead onstage. Granted, the script left much to be desired. But there's more behind the scenes than an overzealous critic—and Spenser and Hawk are combing Port City’s underworld to find it... “Great fun...[Spenser] is still the cockiest and wittiest P.I. on the block.”—The New York Times
Struggling with a high-profile case involving the murders of a controversial talk-show host and a young woman, Paradise police chief Jesse Stone becomes increasingly frustrated by the lack of interest on the part of the victims' families.
THE REDISCOVERED PULP CLASSIC! Decades before Robert Brown Parker began writing his books about Spenser, a man named Robert Bogardus Parker (1905-1955) penned this extraordinary novel of post-war intrigue. From the corridors and compartments of the Orient Express to the shadowy, ruined streets of Budapest – which he saw firsthand as a foreign correspondent during World War II – Parker takes you on a nightmare tour of a land where life is cheap, old hatreds run strong, and a couple of Americans can find themselves in more danger than they ever imagined. With all the immediacy of the wartime dispatches Parker filed from Turkey, Danzig, Warsaw, and Bucharest and all the authority of a man who himself spent three years crossing borders without a passport and narrowly avoiding arrest by the Gestapo, PASSPORT TO PERIL paints a heart-stopping picture of desperate men in a desperate time.
Spenser's never had a client like Jill Joyce, the star of TV's Fifty Minutes. She's beautiful, bitchy, sexy--and someone is stalking her. Spenser can hardly blame the would-be assassin...until he means the true meaning of "stage fright.
In his sequel to Raymond Chandler's The Big Sleep, Parker delves into the dark side of California. Hard-boiled detective Philip Marlowe returns to tackle the Sternwood case . . . again. "Parker uses flashbacks from The Big Sleep daringly and seamlessly. . . . A stunning, drop-dead success . . . dazzling".--Publishers Weekly.
Heidi Bradshaw is wealthy, beautiful, and well connected. She's also a notorious gold digger only recently separated from her latest husband - and she's just hired Spenser as a stand-in spouse for her daughter's wedding. It's not his usual kind of assignment, but Spenser has no reservations about accepting, especially after ensuring that his beloved Susan Silverman is also on the guest list. It should be a straightforward job: look after the mother of the bride, enjoy a few drinks and most importantly, spend some quality time with Susan. But then Spenser's old nemesis Rugar - the Gray Man - arrives. A storm, a kidnapping, and a series of murders tear apart what should be a joyous occasion, and Rugar is seemingly at the centre of it all. The only thing is that the perpetrator's apparent sloppiness is not Rugar's style, as Spenser knows from past encounters. With six dead bodies and more questions than he can handle, Spenser begins a search for answers - and the Gray Man.
Seriously good wine at remarkably fair pricesDiscover a wealth of remarkable yet affordable wines with Robert Parker - one of the world's most influential wine critic. This handy pocket-sized buyer's guide promises to recommend exquisite bottles of wine, all of which cost no more than £20. Search for a superb-tasting Merlot for under £10 or a deliciously crisp Chablis for under £15. With the help of Robert Parker, you will be able to find some true hidden gems that taste twice or even three times their actual price! Featuring wines from all over the world, including France, Italy, Germany, South Africa, Chile, New Zealand and many more, you can now afford some really fantastic bottles of wine that will suit any occasion. So whether you're planning a flashy dinner party for friends, or something simple for a midweek meal, you are guaranteed to find something impressive and affordable.
In 1974, a woman named Emily Gordon is shot and killed, the victim of armed robbers. Now, nearly three decades later, Emily's daughter wants to find the killer. She turns to Spenser for help.
A high-class New York madam hires Spenser to find a missing hooker, But when Spenser tracks down April Kyle, he uncovers the murder of yet another prostitute. Now Spenser is searching through a world of sex for sale. Because somewhere between Boston and a kinky Caribbean club, someone has a taste for young women, big money, and murder. . . . Praise for Taming a Seahorse “Irresistible!”—The Bergen Record “A winner.”—The Chicago Tribune
Itinerant lawmen Virgil Cole and Everett Hitch return to confront an escaped criminal in the grittiest entry yet in Robert B. Parker’s New York Times bestselling series. Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black’s murder charge was dropped. But all that changed when Augustus Noble Driggs was transferred to a stateside penitentiary just across the border from Mexico. Square-jawed, handsome, and built like a muscled thoroughbred stallion, Driggs manages to intimidate everyone inside the prison walls, including the upstart young warden. In a haunting twist of fate, Driggs and a pack of cold-blooded convicts are suddenly on the loose—and it’s up to any and all territorial lawmen, including Cole and Hitch, to capture the fugitives and rescue the woman kidnapped during their escape. But nothing is ever quite what it seems with the ever-elusive Driggs. Finally free, he’s quickly on his own furious hunt for a hidden cache of gold and jewels—and for the men who betrayed him and left him for dead. With an unlikely and unconventional Yankee detective by their side, Cole and Hitch set off on a massive manhunt. As horses' hooves thunder and guns echo deadening reports, Driggs discovers one of the lawmen on his trail is none other than a fellow West Point graduate he'd just as soon see dead. Ruthless and willing to leave a bloody path of destruction in his wake, Driggs seeks vengeance at any cost.
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