Using newly uncovered archival material, Calder offers provocative new insights into the war work of more than forty prominent British authors, focusing particularly on Somerset Maugham, Noel Coward, H.G. Wells, Vera Brittain, and J.B. Priestley. He provides a comprehensive analysis of the suspicions beneath the wartime Anglo-American alliance and describes the tensions that arose between the British Ministry of Information and the Foreign Office over the nature and direction of the propaganda campaign in the United States.Calder demonstrates that Britain's well-organized propaganda campaign in the United States to persuade it to enter World War I had left isolationist and Anglophobic Americans highly suspicious of anything that hinted of propaganda. Any effort to influence public opinion had therefore to be carefully and subtly undertaken, and the British Government soon realised that well-known authors - employed officially or semi-officially - were ideal for the task. Respected for their pens, they were especially suited to reminding Americans of their strongest links with Britain - a common language and a shared cultural heritage of Shakespeare, Dickens, Austen, Hardy, Thackeray, and others. As well, their profession had often led them to tour, speak, write, and live in America, and, because they could live on their royalties and speaking fees, they were not on the payroll of the British government and thus could not be identified as paid foreign agents.
An up-to-date and indispensable guide for film history buffs of all kind, this book surveys more than 500 major films based on true stories and historical subject matter. When a film is described as "based on a true story" or "inspired by true events," exactly how "true" is it? Which "factual" elements of the story were distorted for dramatic purposes, and what was added or omitted? Inspired by True Events: An Illustrated Guide to More Than 500 History-Based Films, Second Edition concisely surveys a wide range of major films, docudramas, biopics, and documentaries based on real events, addressing subject areas including military history and war, political figures, sports, and art. This book provides an up-to-date and indispensable guide for all film history buffs, students and scholars of history, and fans of the cinema.
This volume, number 15 in the Studies in Water Policy and Management Series and joins two other volumes (8 and 10) that collectively summarize a significant part of the post-World War II experience of Western experts and donors with the development and management of irrigation in Third World countries. The evolution of understanding of Third World irrigation issues has been toward a greater appreciation of the potential for augmenting traditional production and water allocation systems with improved institutional arrangements for achieving allocative efficiency and equity. The need for local inputs for planning, system operation, and system maintenance is now widely recognized, as is the need for providing proper motivation for system administrators. The authors of this volume offer improved conceptual frameworks and analytic techniques applied to specific country and regional problems in hopes of edifying future experts and donors.
With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period's most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.
When Anita Hollister finds herself owner of a gold mine, and a widow with a young son, knowing who are friends and who are enemies can be difficult to determine. Family should always be able to trust family, but that's not always the case. Join half-brothers John Hollister and Armando Alvarez in the 1800s as they grow up in northern Mexico. Live the battles of good and evil with them. Become aware of the many signs that steer them into mature solid men of upright reputation.
Four young musicians are determined to escape a ravaged industrial landscape by playing rock and roll ... and they play it with a passion and brilliance that contrasts with their poverty. Music is the only hope they have. Set against a fleeting age when music seemed about to change the world, Robert Paston's The Hour of the Innocents tells the story of the band known as The Innocents and captures the true drama of the late 1960s-not the glitter of famous names, but the yearning of the heartland guitarists and drummers who believed ... and the lovers, friends, and lives crushed along the way"--Jacket.
Once enthroned as a major international filmmaker, Carol Reed has long since been banished to a musty corner of movie history. To dust off his work, however, is to discover a dazzling body of films, a canon as remarkable for its diversity as its quality. Building his case, film by film, Robert Moss argues persuasively for a reassessment of this gifted artist, claiming a place for him in the ranks of the world's greatest directors.
By any reasonable expectation, George Arliss should not have succeeded as a star, either on stage or in film. Yet he achieved a career enjoyed by very few in the performing arts. An actor, author, playwright, and filmmaker, George Arliss won acclaim for his work first on the stage and then later, most improbably, as a Hollywood movie star. His films achieved the rare distinction of being both artistic and financial successes. Though he was neither young nor handsome, Arliss found popular acclaim for his many historical characterizations such as Voltaire, Nathan Rothschild, Cardinal Richelieu, and Benjamin Disraeli. Robert Fells traces Arliss's life and times through his film work, providing a thoroughly researched and entertaining view of one of the most important, yet neglected figures in film history. The book also reviews the actor's uneasy relationship with screenwriters, his clashes with British film producer Michael Balcon, his championing of young unknowns such as Bette Davis and James Cagney, and his prosecution by the British Government during World War II. It also includes a complete filmography and a selected stageography of Arliss's work. Includes 20 photos.
Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis. In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism. For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book’s original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the ‘post-theory’ moment in this complex and often fractured terrain. Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema.
This monograph examines the construction, operation and maintenance tasks that shape the nature of locally managed irrigation systems. The objective of the book is to identify relevant experiences and lessons for staff who are responsible for working with locally managed systems in three types of programs: direct assistance to existing locally managed irrigation systems, turnover of public owned systems to local management, and transfer of partial management to farmer groups within larger systems that remain publicly controlled.
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
R C Sherriff’s Journey’s End is a syllabus text and the most famous play about World War One. First staged in 1928, this book tells the story of what went into the making of this extraordinary and powerful trench drama. It outlines Sherriff’s career from humble insurance clerk to infantry officer and his unforgettable 10 months on the western front before he was invalided home, lucky to be alive. Sherriff poured into his first professional play his personal experience of living in a front-line dug-out. Using his diary and letters home, the book charts his emotional life under fire and relates it directly to the play, its events and its characters. It also tells the story of Journey’s End’s incredible box office success across the world, a triumph which made its shy young author famous overnight. Taking in the history of the show right up to the most recent productions, Journey’s End: The Classic War Play Explored is a meditation on Journey’s End’s achievement as a war document, its fascination for audiences when it was first staged and its continuing grip on theatregoers and students today.
I can want only the freedom of others' Jean-Paul Sartre Jean-Paul Sartre is best known as the pre-eminent philosopher of individual freedom. He is the one who told us that we are totally free. Robert Bernasconi shows how the early existentialist Sartre became, in stages, the political champion of the oppressed. Extracts are drawn from the full range of Sartre's writings: the novel Nausea, the drama No Exit, the political essay 'Communists and Peace', as well as the major philosophical texts, Being and Nothingness and Critique of Dialectical Reason. They show why of all major twentieth-century philosophers Sartre was the one who most easily passed beyond the confines of the academy to a general readership.
The new full-colour Rough Guide to Jamaica is the ultimate travel guide to the most captivating of Caribbean Islands. In-depth coverage and clear maps will help you discover the best that the island has to offer--from white-sand beaches and rum bars to misty mountains and vibrant towns--while detailed practical information will help you get around. This guide is fully updated with expert information on everything from reggae and street parties to the best coffee and the quietest beaches, plus insider reviews of the best places to stay, eat, and drink for all budgets, all of it brought to life by stunning photography. Whether you want to flop on the beach or explore every corner of the island, the Rough Guide will make sure you make the most of your time in Jamaica.
Forged during the Second World War, the close and abiding friendship of Robert Harling and Ian Fleming, one of the twentieth century's most iconic authors, would go on to define the lives and literature of both men significantly. Their paths first crossed in 1939, and Harling later became Fleming's deputy in the commando unit dubbed 'Fleming's Secret Navy', which was tasked with obtaining equipment, codebooks and intelligence from the enemy. The war made fast friends of the two writers, and Fleming would go on to immortalise Harling in his hugely popular Bond novels Thunderball and The Spy Who Loved Me. Yet beneath the pair's charm, charisma and creativity was an altogether darker reality. Documenting in vivid detail his private exchanges with Fleming, Harling exposes the personality behind his protagonist – one tempered by debilitating bouts of depression and a deep-rooted distrust of women. This extraordinary memoir provides a fascinating and unprecedented insight into the mind of the creator of James Bond – from one of those who knew him best.
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