Tennessee-born Horace McCoy joined the American Air Service in WWI, was wounded flying over France, became a reporter-actor in Dallas. In Hollywood, he was popular as a handsome actor, then toiled as a prolific movie-script writer. McCoy burst into fame with his first novel, They Shoot Horses, Don't They?, about Depression-era marathon dancers. His No Pockets in a Shroud features a social climber bribed to have his marriage annulled by the bride's rich father, then establishing a radical magazine. I Should Have Stayed Home exposes Hollywood moguls and rich old women exploiting would-be actors and actresses. Kiss Tomorrow Goodbye features warfare between a professional criminal and corrupt law-enforcement agents. When made into a movie it starred Jimmy Cagney. Additional films were based on McCoy's fiction. McCoy visited England and France where translations of his works were admired by existentialists. Scalpel, his best-seller, features Tom Owen, a successful WWII military surgeon at odds with his superiors, including General Patton. Owen returns to his Western Pennsylvania roots to investigate his brother's death, is drawn into high-society--temporarily? Well-educated Owen perhaps resembles what McCoy aspired to be. But love of cars, wine, travel, and the high life clipped his wings. He left Corruption City, a sixth novel, in fragmentary form--completed by a ghost writer and blasting yet another set of unclean cops and thieving politicians. McCoy's popularity in Europe may be better than in America, a land he loved and wished were cleaner. This book begins with a chronology of major events in the life of Horace McCoy (1897-1955), and then in one alphabetized sequence synopsizes the plots of his six novels and identifies each of their 494 characters--often with critical comments by publishing scholars, including Gale. It concludes with a select bibliography showing the range of scholarship on McCoy, then an index.
At the end of World War II, Grant Person abandons his family's ranch for a fishing boat on the Atlantic, only to be drawn back by his mother's death. When his brother Max returns with a young woman named Sophia, a contest of will begins between the brothers, reviving ghosts that Grant had hoped were banished from the homestead.
From history books, memoirs, news stories and public utterances it is known that untold numbers of serving United States senators dreamed of residing in the Oval Office. Many fewer committed to open pursuit of the office, and even fewer made it. Three Illinois senators from the 1950s to the 1990s- Republican Charles H. Percy, Democrats Adlai E.Stevenson III and Paul Simon-can be counted as actively engaged in the hunt, with widely differing outcomes. Each had internal and external pressures. Percy: Encouraged by Dwight Eisenhower and his brother Milton and dogged by media speculation. Stevenson III:Expected to follow in the footsteps of his greatgrandfather, and his father, Stevenson II. Simon: Ambitious to find ever-higher elective outlets for his policy ideas, and willing to take the risk. Circumstances aside, their common goal was to be president. Their stories include campaign images, and fresh perspectives based on documents.
In this, one of the year's most compelling biographies, Robert Wilson paints a brilliant portrait of Clarence King -- a scientist-explorer whose mountain-scaling, desert-crossing, river-fording, blizzard-surviving adventures helped create the new West of the nineteenth century. A sort of Howard Hughes of the 1800s, Clarence King in his youth was an icon of the new America: a man of both action and intellect, who combined science and adventure with romanticism and charm. The Explorer King vividly depicts King's amazing feats and also uncovers the reasons for the shocking decline he suffered after his days on the American frontier. The Yale-educated King went west in 1863 at age twenty-one as a geologist-explorer. During the next decade he scaled the highest peaks of the Sierra Nevada, published a popular book now considered a classic of adventure literature, initiated a groundbreaking land survey of the American West, and ultimately uncovered one of the greatest frauds of the century -- the Great Diamond Hoax, a discovery that made him an international celebrity at a time when they were few and far between. Through King's own rollicking tales, some true, some embroidered, of scaling previously unclimbed mountain peaks, of surviving a monster blizzard near Yosemite, of escaping ambush and capture by Indians, of being chased on horseback for two days by angry bandits, Robert Wilson offers a powerful combination of adventure, history, and nature writing. He also provides the bigger picture of the West at this time, showing the ways in which the terrain of the western United States was measured and charted and mastered, and how science, politics, and business began to intersect and influence one another during this era. Ultimately, King himself would come to symbolize the collision of science and business, possibly the source of his downfall. Fascinating and extensive, The Explorer King movingly portrays the America of the nineteenth century and the man who -- for better or worse -- typified the soul of the era.
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