“A mixtape of variations and a fugue on time from a postmodern master.… Familiar tales and conventional genres are made new, tinged with shuddering wonder and titillating humor.” —Yu-Yun Hsieh, The New York Times Book Review Robert Coover has been playing by his own rules for more than half a century, earning the 1987 Rea Award for the Short Story as “a writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America.” Here, in this selection of his best stories, you will find an invisible man tragically obsessed by an invisible woman; a cartoon man in a cartoon car who runs over a real man who is arrested by a real policeman with cartoon eyes; a stick man who reinvents the universe. While invading the dreams and nightmares of others, Coover cuts to the core of how realism works.
She arrives at 7.40, ten minutes late...' She babysits for Mr and Mrs Tucker. She has left a boyfriend alone for the evening. From this seemingly simple start Robert Coover masterfully explores the subtle barrier between 'reality' and thought. As the babysitter triggers the men's sexual fantasies, their erotic imaginations twist into alternative narratives simultaneously experienced by the reader: she does or does not take a bath; she does or does not invite her boyfriend over; she does or does not get caught unawares by Mr Tucker. In a profusion of happenings and imaginings, Coover layers moment upon moment, narrative upon narrative, to shatter the timeline of one evening into a multiplicity of events - contradictory, simultaneous, but all equally 'real'.
Horror and beauty, disgust and erotism combine in a brilliant tecnical display ... His writing demonstrates clearly how exciting the printed word can be.
A middle-aged accountant presides passionately over a fantasy baseball league in a “flagrantly funny” novel from the award-winning author of Huck Out West (The New York Times). J. Henry Waugh is not particularly happy in his job, but after the workday he can go home to the ballgame. With each toss of the dice, the balls and strikes, hits and runs are decided—and the tabletop players, and the individual personalities he perceives in them, seem more real and immerse him more deeply. But when a promising rookie pitcher pitches a perfect game, filling Henry with pride and excitement—and soon afterward is killed by a beanball (an “Extraordinary Occurrence” according to the probability chart)—Henry is shattered, and his life is affected in unimaginable ways, in this blackly comic and philosophical novel that veers wildly between fantasy and reality and delves into the notions of chance and power. “[A] baseball novel which isn’t really altogether about baseball . . . funny surprises, sad moments, and catchy ideas.” —Kirkus Reviews (starred review) “One of the most original and exciting writers around. Every new book from him is great news.” —McSweeney’s “Not to read it because you don’t like baseball is like not reading Balzac because you don’t like boardinghouses.” —The New York Times Book Review
Robert Coover's imagination blisteringly combines the sinister and the hilarious - in writing both wildly energetic and cruelly vaudevillian. In these three short stories, he conjures macabre scenes of a troubled circus romance, of a brutally comic traffic accident, and of a single night of babysitting where every hope or threat of violence or sex is done and undone.
An allegorical retelling of Sleeping Beauty. It features a princess who dreams of a succession of kissing princes, and a fairy who inhabits her dreams, regaling her with legends of other sleeping beauties. A look at the power of romantic desire.
From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what "might have happened" in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover's riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover's Program announces, you will get Coming Attractions, The Weekly Serial, Adventure, Comedy, Romance, and more, but turned upside-down and inside-out.
Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death.
Originally published in 1969, Robert Coover's first novel instantly established his mastery. A coal-mine explosion in a small mid-American town claims ninety-seven lives. The only survivor, a peculiar man subject to religious visions, is adopted as a prophet and quickly gains a following. Rapidly disseminated through the magic of media exposure, the cult spreads across America, and as its members gather on the Mount of Redemption to await the apocalypse, Robert Coover lays bare the madness of religious frenzy and the sometimes greater madness of normal citizens. The Origin of the Brunists is vintage Coover -- comic, fearless, incisive, and brilliantly executed.
A parody of the western novel featuring a hero who drifts into town to become both sheriff and outlaw. All the elements of the genre are present, from train robbery and runaway stagecoach, to cattle stampede. By the author of The Public Burning.
Robert Coover's wicked and surreally comic novel takes place at a chilling, ribald, and absolutely fascinating party. Amid the drunken guests, a woman turns up murdered on the living room floor. Around the corpse, one of several the evening produces, Gerald's party goes on - a chatter of voices, names, faces, overheard gags, rounds of storytelling, and a mounting curve of desire. What Coover has in store for his guests (besides an evening gone mad) is part murder mystery, part British parlor drama, and part sly and dazzling meditation on time, theater, and love.
Internationally renowned author Robert Coover returns with a major new novel set in Venice and featuring one of its most famous citizens, Pinocchio. The result is a brilliant philosophical discourse on what it means to be human; a hilarious, bawdy adventure; and a fitting tribute to the history, grandeur, and decay of Venice itself.
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