“Robert Cohen’s Falling Into Theatre is a must-read for all lovers of theatre. Personal and engaging, Dr. Cohen’s reflections on his life as both artist and educator provide the reader with a special journey, a virtual history tour of the American theatre for the past fifty years. His personal experiences are a constant reminder of how love and passion for theatre continue to inspire us and enrich our lives.” —Stacy Keach This engaging memoir is presented as a series of lucky breaks, or surprise turning points in the story that led to Robert Cohen’s dramatic success in theatre arts. In retrospect, it would have been a great surprise had Cohen not ended up in theatre arts, given his early fascination with the stage, his chance at a young age to see original cast productions of Broadway plays, and the influence of his uncle, Marty Goldblatt, a publicist for Columbia Pictures who hobnobbed with celebrities of stage and screen. It was inevitable—Robert Cohen became a man of the theatre, not only as an actor but also working as a director, stage manager, lighting designer, playwright, translator, drama scholar, theatre educator, and worldwide theatre critic.
Robert Cohen is a Motivational Speaker and writer of a book of poetry inspired by life experiences. Cohen is a native of Savannah Georgia and grew up in the Chatham County School system. He received a undergraduate Bachelor of Science in Sociology with a minor in Psychology from Savannah State University in December 2005. On March 2006 Cohen received his license to minister. For the past ten years Cohen has worked for the City of Savannah as a Summer Camp Counselor and is on the Board of Directors for the Chatham Savannah Citizens Advocacy. In his role for the Chatham Savannah Citizens Advocacy, he has developed and implemented programs to assist the disabled better their life skills. He is excited to be a member of GoodWill Good Guides mentoring program. He is also a part of a Cerebral Palsy support group. As a writer Robert is constantly seeking creative ways to foster a dynamic learning environment and to promote life to those less fortunate through his books.
Since the onset of the Black Lives Matter protests in 2020 following the murder of George Floyd, America has grappled with its racial history, leading to the removal of statues and other markers commemorating pro-slavery sympathizers and segregationists from public spaces. Some of these white supremacist statues had stood on or near college and university campuses since the Jim Crow era, symbolizing the reluctance of American higher education to confront its racist past. In Confronting Jim Crow, Robert Cohen explores the University of Georgia's long history of racism and the struggle to overcome it, shedding light on white Georgia's historical amnesia concerning the university's role in sustaining the Jim Crow system. By extending the historical analysis beyond the desegregation crisis of 1961, Cohen unveils UGA's deep-rooted anti-Black stance preceding formal desegregation efforts. Through the lens of Black and white student, faculty, and administration perspectives, this book exposes the enduring impact of Jim Crow and its lingering effects on campus integration.
This book explores how theater artistry melds the forces of collaboration and leadership, igniting creativity from the first spark of an idea to the climactic curtain call. It throws the spotlight on the dynamic interplay of roles, covering the collaboration between producer, director, playwright, actor, designer, stage manager, dramaturg, and stage crew. Each chapter illuminates various strategies and insights, revealing how you can harness these transformative techniques on your own journey, crafting spellbinding productions through the power of collective creativity. In this new edition, Joel Veenstra builds upon, updates, and expands on Robert Cohen's original concepts in the following ways: - Updated case studies and examples drawn from the combined 75 years of professional theatre-making experience of Cohen and Veenstra, as well as insights from their extensive network of collaborators - Revised flow and scope to include the collaborator's worldview, specific practices for creating collaborative milieu from the start, and conflict resolution tools - Modernized with new research, perspectives, and insights from leadership experts like Brené Brown and Simon Sinek, and team-based organizations like Google and The Second City - Refreshed exercises to enhance practical understanding and application of the concepts - Expanded lens for applications beyond the realm of theatre-making to any collaboration - Revised appendices with recommended digital resources
Throughout my life, I have jumped many hurdles. From being born with a developmental disability to going to college at Savannah State University. Sometimes I did not have anyone to write my notes for me. However, I was still able to triumph and excel to graduation.
The long awaited Muller Report is finally published and made available to the public. The results of Special Counsel Robert Mueller's investigation provide answers to questions that caught the attention of the entire American public. Since the first evidence of Russian interference in the 2016 presidential election came up, the Democratic public has raised suspicion in President Trump's involvement. The special counsel was appointed to examine these allegations and to determine the fact regarding the biggest political scandal in the recent American history. On April 18, 2019, a redacted version of the Muller report was released to Congress and the public. In this report Robert Muller presented his findings regarding the Russian interference interfere in the 2016 United States presidential election, allegations of conspiracy or coordination between Donald Trump's presidential campaign and Russia, and allegations of obstruction of justice. Contents: The Special Counsel's Investigation Russian "Active Measures" Social Media Campaign Russian Hacking and Dumping Operations Russian Government Links to and Contacts With the Trump Campaign Prosecution and Declination Decision Executive Summary to Volume II Background Legal and Evidentiary Principles Factual Results Of The Obstruction Investigation Legal Defenses to the Application of Obstruction-Of-Justice Statutes To The President
Sociology of Deviance: Differences, Tradition, and Stigma is dedicated to a sociological analysis of deviance, a term reframed to imply differences. Deviance is approached from the outset as meaning differences: differences in attitudes, behaviors, lifestyles, and values of people. The terms OC devianceOCO or OC deviant behaviorOCO are understood as labels themselves and are used sparingly, such as in the title and in Chapter 14, OC Elite and Power DevianceOCO (OC devianceOCO appears with frequency in the theory chapters since it is a term used by the theorists addressed). Part of the title of the text is OC TraditionOCO meaning traditional topics are covered such as suicide, mental disorders and physical disabilities, addictions and substance abuse and use, criminal behaviors, and sexual behaviors and differences. The book has one chapter devoted to criminal behaviors, with emphasis placed on violent and property offenses. The term OC stigmaOCO appears in the title for two reasons: it is to honor the contributions of Erving Goffman to the study of differences, and it is used to accentuate the importance of societal reaction to attitudes, behaviors, lifestyles, and values that are varied and different in a heterogeneous society. Nowhere is this more evident than in Chapter 12, OC Societal Reaction and Stigmatization: Mental Disorders and Physical Disabilities.OCO
(Applause Books). More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power . Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!).
The Fourth Edition of this highly acclaimed book expands on previous editions with coverage of newly emerged theories and empirical updates supported by a significant amount of new references. Criminological Theory provides coverage of the latest theories in the field without diminishing the presentation of classic analysis. Major theoretical perspectives that have developed from both recent critical work and traditional schools, together with practical applications, compel the reader to apply theories to the contemporary social milieu.
Ibarra (academic affairs, U. of Wisconsin-Madison) argues for a paradigm shift in academia. Drawing on extensive interviews with Latino students and faculty, he introduces a theory of "multicontextuality" which proposes that many people learn better when teachers emphasize whole systems of knowledge and that education can best succeed where it offers and accepts many approaches to teaching and learning. Annotation copyrighted by Book News Inc., Portland, OR
Here is the first biography of Mario Savio, the brilliant leader of Berkeley's Free Speech Movement, the largest and most disruptive student rebellion in American history. Savio risked his life to register black voters in Mississippi in the Freedom Summer of 1964 and did more than anyone to bring daring forms of non-violent protest from the civil rights movement to the struggle for free speech and academic freedom on American campuses. Drawing upon previously unavailable Savio papers, as well as oral histories from friends and fellow movement leaders, Freedom's Orator illuminates Mario's egalitarian leadership style, his remarkable eloquence, and the many ways he embodied the youthful idealism of the 1960s. The book also narrates, for the first time, his second phase of activism against "Reaganite Imperialism" in Central America and the corporatization of higher education. Including a generous selection of Savio's speeches, Freedom's Orator speaks with special relevance to a new generation of activists and to all who cherish the '60s and democratic ideals for which Savio fought so selflessly.
Theories of criminality and theories of victimization have traditionally been discussed as though they bore no relationship to one another. Yet, a complete explanation for crime must examine both the decision to engage in crime by an offender and the everyday actions of ordinary citizens that increase vulnerability to criminals. The integration of these approaches yields testable models that have greater predictive power than could be obtained by looking only at models of offenders or models of victim behavior. A more general perspective that accounts for both the decision to engage in crime and the selection of particular crime targets is developed and tested.
The 2008 Photo Illustrated Edition of Robert Carl Cohen's 1972 biography of Robert Franklin Williams, advocate of armed self-defense in the 1960s Civil Rights Movement, and prophet of ghetto uprisings and a Socialist Revolution. The story of how an easily contented youngster who dreamed of becoming a poet was transformed into an archenemy of the U.S. power structure. Included in these pages are historically significant events such as Williams' talks with Fidel Castro and Mao Tse-Tung, details of the infighting within the Cuban Communist Party, his meeting with Che Guevara, and impressions of life in China during the first years of the "Great Cultural Revolution." This new edition is illustrated with previously unpublished photos of Williams & his wife, Mabel, in exile in Cuba and Africa. KIRKUS REVIEWS: "The education of one Black man you should not miss, and certainly cannot dismiss.
Robert Cohen's Theatre Brief, 10th Edition continues to provide an insiders guide to the world of theatre, where students are given a front-row seat. This lively introduction to theatre offers equal measures of appreciation of theatrical arts and descriptions of the collaborative theatrical crafts. Coverage of design, acting, and directing, as well as photo essays, provide a behind-the-scenes look at professional theatre artists performing their craft. The author illustrates live theatre through more than 250 photographs from five continents, most of them showing recent stage productions, bringing to life many exciting theatre companies and productions.
No introductory work of American history has had more influence over the past forty years than Howard Zinn’s A People’s History of the United States, which since its publication in 1980 has sold more than three million copies. Zinn’s iconoclastic critique of American militarism, racism, and capitalism has drawn bitter criticism from the Right, most recently from President Donald Trump, who at his White House Conference on American History in 2020 denounced Zinn as a Left propagandist and accused teachers aligned with Zinn of indoctrinating students to hate America and be ashamed of its history. Rethinking America’s Past is the first work to use archival and classroom evidence to assess the impact that Zinn’s classic work has had on historical teaching and learning and on American culture. This evidence refutes Trump’s charges, showing that rather than indoctrinating students, Zinn’s book has been used by teachers to have students debate and rethink conventional versions of American history. Rethinking America’s Past also explores the ways Zinn’s work fostered deeper, more critical renderings of the American past in movies and on stage and television and traces the origins and assesses the strengths and weaknesses of A People’s History in light of more recent historical scholarship.
Introduction to Production: Creating Theatre Onstage, Backstage, & Offstage defines the collaborative art of making theatre and the various job positions that go into realizing a production. Beginning with an overview of the art and industry of theatre, the book shows how theatre has evolved through history. The book then breaks down the nuts and bolts of the industry by looking at each professional role within it: from the topmost position of the producer down to the gopher, or production assistant. Each of these positions are defined along with their respective duties, rules, and resources that figure in obtaining these jobs. Each chapter offers exercises, links to videos and websites, review quizzes, and suggested readings to learn more about the creation and production of theatre.
A handbook on organizational consultation. This second edition includes more than 35 new chapters and an expanded list of international contributors. It analyzes all aspects of organizational consulting - including normative, empirical and political topics - and offers a broad view of consultation diagnoses, problem centres, and interventions.
He details the contributions and the leadership provided by the Dutch Jews and relates how they lost their "Dutchnessand their Orthodoxy within several generations of their arrival here and were absorbed into broader American Judaism.
In Shakespeare on Theatre, master acting teacher Robert Cohen brilliantly scrutinises Shakespeare's implicit theories of acting, paying close attention to the plays themselves and providing a wealth of fascinating historical evidence. What he finds will surprise scholars and actors alike – that Shakespeare's drama and his practice as an actor were founded on realism, though one clearly distinct from the realism later found in Stanislavski. Shakespeare on Acting is an extraordinary introduction to the way the plays articulate a profound understanding of performance and reflect the life and times of a uniquely talented theatre-maker.
This carefully revised 21st Century Edition (re)considers, in the context of today's field: questions such as 'should actors act from the inside or the outside?' and 'should the actor live the role or present the role?'; contemporary research into communication theory, cybernetics, and cognitive science; brilliantly illuminating and witty exercises for solo study and classroom use, and a through-line of useful references to classic plays; and penetrating observations about the actor's art by more than 75 distinguished professional actors and directors."--Publisher's description.
American college students during the Age of Roosevelt confronted two of the gravest crises in the twentieth century: the Great Depression and the growing international tensions that ultimately led to World War II. These crises generated more idealism than despair, politicizing undergraduates, who built the first mass student movement in American history. Led by leftists, this movement responded to the crisis in international relations by organizing national student strikes against war and fascism - which at their height in the mid-1930s mobilized almost half of the undergraduate population in the United States. While battling for peace in the international arena, the student movement responded to the Depression in America by waging a war on poverty. The movement championed a broader and more egalitarian vision of the welfare state than that of the New Dealers. Demanding "scholarships not battleships," Depression-era student activists pushed for federal educational funding and job programs for all needy young Americans. The student movement tested the limits of free speech on campus. Anti-radical college administrators sought to suppress the movement, provoking major battles over political expression. Though Depression-era student protests were almost always nonviolent and lawful, college administrators nonetheless turned over confidential information about their activist students to the Federal Bureau of Investigation - abrogating the First Amendment rights of these young activists. When the Old Left Was Young offers the first comprehensive history of the Depression-era student movement and its activism on behalf of peace, social justice, and free speech. The study explores the role that radicals - and particularly Communists - played in launching and leading the movement. Avoiding the polemics of Cold War-era historiography, When the Old Left Was Young presents Communist students in all their complexity; they emerge on these pages as idealistic champions of egalitarian social change, but also as manipulative political organizers whose eagerness to serve as apologists for the U.S.S.R. ultimately destroyed the student movement in the wake of the Nazi-Soviet pact and the Soviet invasion of Finland. Based upon sources generally ignored by political historians, including student newspapers, university records, FBI documents, and interviews with movement leaders, this book offers new insights into American political life during the Depression era. Revealing fascinating individual stories in this history of student insurgency, When the Old Left Was Young will be of key interest to readers concerned with the history of American education, youth, radicalism, free speech, U.S. and Soviet foreign policy, race relations, and the Great Depression.
Acclaimed, award-winning novelist Robert Cohen delivers a bold, provocative exploration of the panic of midlife, following two men plateaued on either side of their forties and the unexpected consequences of changing course. Teddy Hastings is a New England middle school principal desperate for transcendence. Unmoored by his brother’s death and a health scare of his own, he tries to broaden his ordinary life and winds up unemployed and on the wrong side of the law. Meanwhile, Oren Pierce, a perpetual grad student from New York, abandons, somewhat to his own surprise, his search for the extraordinary and begins settling into the humble existence that Teddy seeks to escape. What comforts Oren alarms Teddy, and their paths overlap as Teddy’s quest for the unknown and unfamiliar experience takes him on a rash trip to Africa, leaving Oren to assume the trappings of his life, including Teddy’s wife Gail. Amateur Barbarians showcases a writer at the peak of his powers, tracing domestic ambivalence, the comic perils of introspection and desire, and the terror of an unlived life with Cohen’s signature wit and uncanny perception, proving yet again why he was touted by The New York Times Book Review as the “heir to Saul Bellow and Philip Roth.”
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