In this thorough, yet accessible, book, Robert Garner explores the character of animal protection policy making in Britain and the United States and the opportunities open to animal protection movements. In showing how the political system in both countries has been responsive to the growing demands for reforms in the way animals are treated, he argues that there is a viable reformist strategy for the animal protection movement short of the adoption of animal rights objectives. Much less protection is afforded to animals in the United States, however, largely as a consequence of the particular policy networks within which animal welfare decisions are made.
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
First published in 1986, Too Much records the tumultuous period between 1960 and 1975 when, more than at any other time in history, the arts were a battleground for the conflicting forces of social change. With the new affluence of the Sixties the cultural conformism of the previous decade was rejected in favour of new forms of expression. Pop Art, pop music, fringe theatre and performance poetry helped to create the semi-mythological image of ‘Swinging London.’ The liberation ethic was feted as it masked the insecurities of a society in decline but, as a real political challenge to the status quo, it also led to conflict. The confrontation between official culture and the underground came in 1968, a year with its own mythical resonance. This book will be of interest to students of art, media studies and cultural studies.
The classic serial, invented by BBC Radio Drama sixty years ago, survived and adapted itself to television, the arrival of colour and the global market in what has become a flood of classics with all channels competing for ratings and overseas sales. This richly detailed book traces these developments and analyses the genre's response to social, economic, technical and cultural changes, which have re-shaped it into the form we recognise today. The book contains considerable interview material with performers and media professionals.
This scientific detective story is the first book which explains clearly the science used by paleontologists, and the new, cutting-edge techniques that led to the discovery of Seismosaurus, the longest dinosaur yet known--and possibly the largest land animal to have ever lived. Gillette's first-person account of the project answers the most frequently asked questions about Seismosaurus: How was it discovered? How do we know it is a new species? How did it die? Part catalogue of the workings of paleontological science in the 1990s, the book also illustrates the exciting collaboration between Gillette, the chemists and physicists who helped to reconstruct Seismosaurus.
Documents the painting and print making of Robert Clinch one of Australia's realist artists who paints in pure egg tempura. Includes an essay by David Thomas with four original lithographs and fifty-nine prints.
The real-life story of Robert Clive would be judged as wildly implausible if it came from the pen of a novelist. Clive of India was one of the most extraordinary and colorful figures Britain ever produced. The founder of Britain's Indian empire, he was also Britain's first great guerrilla fighter by the age of twenty-seven, conqueror of Bengal at thirty-one, and avenging angel of righteousness against the greed of his own fellow-countrymen at forty-one. In his later life Parliament brought him under painful scrutiny and he ended up one of the most hated men in Britain. He died violently under still-mysterious circumstances just before his fiftieth birthday. The story of Clive can be viewed on several levels: as a spirited military adventure by a man who defied death many times, who withstood the greatest siege in British military history, and conspired to force one of the most absolute and cruellest monarchs on earth off his throne; as the morality tale of a penniless young man who became the sole ruler of a huge empire, ended up as one of the richest men in Britain and was then brought to account and driven to despair; or as the story of a plundering early poacher-turned-gamekeeper who sought to establish a moral and legal order amidst slaughter and greed. Clive today lies buried in an unknown grave in an obscure corner of rural Shropshire, a reflection of the controversy he aroused in his lifetime and that still surrounds his legacy and the manner of his death. In this lively and revealing study Robert Harvey illuminates Clive's life's journey from the green fields surrounding Market Drayton through his adventures in India, his drive to success and self-destruction, to his vicious and premature death, by suicide or murder.
Documents the painting and print making of Robert Clinch one of Australia's realist artists who paints in pure egg tempura. Includes an essay by David Thomas with four original lithographs and fifty-nine prints.
The second volume, Norman Lindsay : a studio album, is 90 pages and contains an essay by Jane Clark as well as several dozen full page photographs taken by Norman Lindsay of his nude models in his studio at Springwood, and a handful of studies by Lionel Lindsay of his brother Norman. This is the second edition, the book having been first published in 2001.
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