In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers. With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean’s Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective, the family as a locus of dissension and rapport, the real-world roots of the heist picture, and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life.
How do Kleinians work with projective identification? The concept of projective identification, first introduced by Melanie Klein in 1946, has been widely studied by psychoanalysts of different persuasions. However, these explorations have neglected to show what Kleinians actually do with the projective identification phenomenon in their daily casework. Projective Identification in the Clinical Setting presents a detailed study of Kleinian literature, setting a background of understanding for the day-to-day analytic atmosphere in which projective identification takes place. Extensive clinical material illustrates issues clearly identified for clinical practice, including: * the ways projective identification occurs within various psychological constellations; * the role of the analyst in countertransference experiences; * work with difficult patients who experience life within a paranoid or psychotic framework; * the path of projective identification and pathological greed. This comprehensive account of Kleinian literature on projective identification and wealth of clinical material provide a powerful and clear account of clinical practice around projective identification that all practitioners, psychoanalytic psychotherapists and trainees will benefit from reading. Robert Waska has worked in the field of psychology for the last twenty-five years. Certified as a psychoanalyst and psychoanalytic psychotherapist from the Institute of Psychoanalytic Studies, Dr Waska maintains a full-time private practice in San Francisco and Marin County.
Contains eight fantastic novels: THE HOLLOW CHOCOLATE BUNNIES OF THE APOCALYPSE, THE WITCHES OF CHISWICK, KNEES UP MOTHER EARTH, THE BRIGHINOMICON, THE TOYMINATOR, THE DA-DA-DE-DA-DA CODE, NECROPHENIA and RETROMANCER
This volume shows the therapeutic power the modern Kleinian psychoanalytic approach can have with patients throughout the diagnostic spectrum. By attending to the interpersonal, transactional, and intra-psychic levels of transference, counter-transference and unconscious phant...
Mr. Collins is a funny writer [who puts] his finger on exactly what…makes Japan bewildering, endearing, amusing inspiring…" —The New York Times Follow the adventures of Tokyo’s favorite expatriate Max Danger, as he weaves his way in and out of the intricacies and dilemmas of living in Japan from baffling bilingual breakfast meetings, through the mind-boggling enigmas of doing business in Japan, to the dubious pleasures of late-night hostess clubs. Max Danger seems to exhaust himself just trying to make it through the day.
Edward G. Robinson, a 1930s cinema icon, had an acting career that spanned more than 60 years. After a brush with silent films, he rose to true celebrity status in sound feature films and went on to take part in radio and television performances, then back to Broadway and on the road in live theatre. This work documents Robinson's every known public performance or appearance, listing co-workers, source material, background and critical commentary. The entries include feature films, documentaries, short subjects, cartoons, television and radio productions, live theatre presentations, narrations, pageants, and recordings. Also included are entries relating to his life and career, ranging from his wives to his art collection.
Lee Marvin did not receive his first starring film role until he was 40, but in three short years--following the successes of Cat Ballou (for which he won the Academy Award as Best Actor), The Professionals and especially The Dirty Dozen--he was the most popular film actor in America. Marvin was a fascinating man, a loving husband and father, and one of the most natural, effective actors of his time. This is a comprehensive reference of the Oscar-winning actor's work. It includes biographical information on Marvin, an analysis of each of his 64 movies, chapters on his two television shows (M Squad and Lawbreaker), a listing of his television appearances, and a complete filmography (which includes video availability). The work is supplemented with dozens of photographs and film stills.
Jonny Hooker has been picked as a WINNER! and all he has to do to claim his prize is to solve the Da-da-de-da-da Code. Jonny knows that beat; it always turns up in popular music - like 'Waltzing Matilda', or the National Anthem. And it has something to do with the Devil's Chord. And with Robert Johnson (who sold his soul to the Devil), whose blues influenced a generation of musicians. And it definitely has something to do with Elvis, who is still alive and rocking (of course). And with the Secret Parliament of Five, who meet in Gunnersbury Park to dictate world affairs. And when he solves the Da-da-de-da-da Code, Jonny will also discover why all the most famous rock musicians die aged twenty-seven, the truth about raising an ancient god, and the destruction of the world. It's all right there in the music. All Jonny has to do is to crack that code. Before he dies on Monday.
This book acquaints readers with traditional Polish foods associated with various occasions and furnished countless cooking tips and serving suggestions. The clearly written recipes facilitate the preparation of the dishes and their incorporation in the Polish-American mainstream culture. Calendar of Polish Festivities is devoted to those holidays and events connected to a specific time of year. Polish Rites of Passage focuses on life's milestones -- the family occasions that take place at various times of year. This "instruction manual for the culturally aware Polish American" offers over 400 recipes, along with a lexicon of basic foods and culinary concepts, ingredients and procedures, and sample menus.
This two part rollicking tongue-in-cheek film noir mystery begins in 1951 in Eda City, a small metropolis in the Mid-West. Retired detective Phillip Bartlow has made a name for himself as the city's only Culinary Private Eye. In Part One, The Maltese Mystery Meatloaf, Bartlow is hired by a beautiful young lady to hunt down an up and coming new chef who is serving his patrons dry meatloaf. Bartlow is thrown into a comic adventure which brings him in contact with a cast of characters that include local gangsters, restauranteurs, angry police and a psychotic murderer. In the midst of this tangled web of crime and mayhem, our hero suddenly finds himself falling in love with his secretary/research assistant, Connie. Part two, The California Honeymoon Caper finds our now newlyweds, Phillip and Connie Bartlow, traveling cross country to spend their honeymoon in San Francisco and at Connie's aunt's caper farm in Santa Rosa, California. Phillip and Connie find themselves caught up in another perilous, but humorous, adventure involving revenge, murder, and exploitation by the unsavory characters that they meet on the train.
The Servian commentaries on Vergil are doubly distinguished: they are among the very few ancient commentaries on classical Latin texts to survive essentially intact; and they exist in two radically different forms-the original commentary created by the grammarian Servius early in the fifth century, emphasizing grammar and syntax, and an augmented version produced in the seventh century when a reader blended his Servius with much other recherché ancient lore. In the 1920s, the medievalist Edward Kennard Rand undertook to produce a truly modern edition that would fully reveal for the first time the character of the commentaries' two versions. All did not go smoothly, however: a volume devoted to Aeneid 1-2 appeared in 1946, and another, with the commentaries on Aeneid 3-5, in 1965; this edition of the commentaries on Aeneid 9-12 is the first new contribution to the series to appear in more than fifty years. On his death in 2013, Charles E. Murgia left publishable versions of the text, upper and lower critical apparatuses, and large parts of the introduction, and he had gathered most of the data for a testimonial apparatus. Robert A. Kaster completed the work on the testimonia and introduction (using some of Murgia's other writings to supplement the latter), added some subsidiary elements, and prepared the whole for publication. Thanks primarily to Murgia's work, this edition is superior to its predecessors in the series, and to all other editions of Servius, in every respect.
What is it to listen? How do we hear? How do we allow meanings to emerge between each other? 'This book is about what Freud called "freely" or "evenly suspended attention", a form of listening, a kind of receptive incomprehension, which is fundamental and mandatory for the practice of psychoanalysis and psychotherapy. The author steps outside the usual parameters of psychoanalytic writing and explores how works of art and literature which elicit and require such listening began to appear in Europe, in abundance, from the late eighteenth-century onwards. Uncertainties, Mysteries, Doubts is a timely reminder, in the present era of audit and manualisation, of some of psychoanalysis's deep and living cultural roots. It hopes- by immersing the reader in the emotional, critical and contextual worlds of some artists and poets of Romanticism- to help psychotherapists, psychoanalysts, and counsellors in the endless challenge of staying open to their clients and patients, faced as we all are, therapists and clients alike, by multiple pressures to knowledgeable closure.
Many counties in Florida now require that new commercial landscapes contain a percentage of native plants. Native landscapes are easier to maintain, use less water and thrive without chemical pesticides and fertilizers. Native Florida Plants describes every type of regional flora—-from seaside foliage and wildflowers to grassy meadows, shrubs, vines, and aquatic gardens—-in 301 profiles and accompanying color photographs.
This expanded and fully updated edition of Becoming Attached tells the story of one of the great undertakings of modern psychology: the hundred-year quest to understand the nature of the child and the components of good-enough care. Psychologist and journalist Robert Karen chronicles the origin and history of a groundbreaking idea - attachment theory - and its resounding impact on the fields of developmental psychology, psychiatry, and psychoanalysis.
The Great Buddha Heist By: Robert Allison Johnson It was nearly two decades ago when my wife Suzanne and I enjoyed a post-retirement trip to the Far East as tourists. Hong Kong and Singapore proved to be very interesting and definitely worth a visit. Our final stop however, was Thailand, whose charming people and culture proved to be the high point. On our final day in Bangkok we happened to visit a Buddhist Temple whose feature attraction for us was a five ton solid gold statue of a seated Buddha. I had never seen that much gold in one place before. A quick mental calculation of the value of its gold content produced a figure in excess of 150 million dollars. With that in mind, I could not resist the temptation to imagine how it could be stolen by an irreverent and unscrupulous gang of thieves. This work of fiction is the result. One of our daughters who reviewed an early draft of this book quipped that it revealed that her father possessed a latent criminal mind! Fortunately, (if this is so) the tendency has continued to be latent and has found its sole expression in the pages of The Great Buddha Heist. This criminal plot to steal the Buddha is, to my mind, so plausible and feasible that I plan to send the first copy of this book to the Chief of Police in Bangkok so that he or she may take appropriate measures to protect this national religious treasure from people whose criminal intent is more forceful than mine.
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