Pinson Mounds: Middle Woodland Ceremonialism in the Midsouth is a comprehensive overview and reinterpretation of the largest Middle Woodland mound complex in the Southeast. Located in west Tennessee about ten miles south of Jackson, the Pinson Mounds complex includes at least thirteen mounds, a geometric earthen embankment, and contemporary short-term occupation areas within an area of about four hundred acres. A unique feature of Pinson Mounds is the presence of five large, rectangular platform mounds from eight to seventy-two feet in height. Around A.D. 100, Pinson Mounds was a pilgrimage center that drew visitors from well beyond the local population and accommodated many distinct cultural groups and people of varied social stations. Stylistically nonlocal ceramics have been found in virtually every excavated locality, all together representing a large portion of the Southeast. Along with an overview of this important and unique mound complex, Pinson Mounds also provides a reassessment of roughly contemporary centers in the greater Midsouth and Lower Mississippi Valley and challenges past interpretations of the Hopewell phenomenon in the region.
This book grew out of an exhibition about Dellinger’s life and work that was curated by Bob Mainfort at the Old State House Museum in Little Rock. The book includes a detailed biography of Dellinger, as well as a discussion of his work, an overview of major collecting efforts in Arkansas by out-of-state institutions, and a history of the University of Arkansas Museum. Lavishly illustrated with over two hundred images of artifacts, this book will now permit archaeologists to see some of the pieces Dellinger’s lifetime of work saved and preserved.
In 1981, James F. Cherry embarked on what evolved into a passionate, personal quest to identify and document all the known headpots of Mississippian Indian culture from northeast Arkansas and the bootheel region of southeast Missouri. Produced by two groups the Spanish called the Casqui and Pacaha and dating circa AD 1400–1700, headpots occur, with few exceptions, only in a small region of Arkansas and Missouri. Relatively little is known about these headpots: did they portray kinsmen or enemies, the living or the dead or were they used in ceremonies, in everyday life, or exclusively for the sepulcher? Cherry’s decades of research have culminated in the lavishly illustrated The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri, a fascinating, comprehensive catalog of 138 identified classical style headpots and an invaluable resource for understanding the meaning of these remarkable ceramic vessels.
With you-are-there immediacy, prisoner of war expert Robert Doyle provides a penetrating look at some of the most daring escapes in American history. From the American Revolution and Civil War, to the war in the Persian Gulf, to the undeclared war in Southeast Asia, these extraordinary true stories form a riveting history that reads like a rapid-fire thriller. Includes an exploration of the psychology of escape, as well as a look at escape in popular books and films.
This book grew out of an exhibition about Dellinger’s life and work that was curated by Bob Mainfort at the Old State House Museum in Little Rock. The book includes a detailed biography of Dellinger, as well as a discussion of his work, an overview of major collecting efforts in Arkansas by out-of-state institutions, and a history of the University of Arkansas Museum. Lavishly illustrated with over two hundred images of artifacts, this book will now permit archaeologists to see some of the pieces Dellinger’s lifetime of work saved and preserved.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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