Cash on Cash offers unprecedented insight into one of the most significant American cultural figures of the twentieth century. As an interviewee, Cash was an exemplary communicator to an astonishingly broad spectrum of people: always open and articulate, part friend, part spiritual authority, part flawed hero. Throughout a decades-long career, as Cash took risks, embracing new technologies, formats, and attitudes, he cleaved to a simple, core message of unvarnished truth. A comprehensive collection of Johnny Cash interviews and feature stories, some widely published and others never previously transcribed, culled from the 1950s through the early days of the new millennium, Cash on Cash charts a singular evolution. From hardscrabble Arkansas poor boy to rockabilly roustabout; international fame to drug addiction and disgrace; born again Christian to gimlet-eyed chronicler of spiritual darkness; TV and movie star to Nashville reject; redemption to loss and back again, several times. Cash's story, told in his own words, shines unfiltered light on a journey of archetypal proportions that resonates still.
Cash on Cash offers unprecedented insight into one of the most significant American cultural figures of the twentieth century. As an interviewee, Cash was an exemplary communicator to an astonishingly broad spectrum of people: always open and articulate, part friend, part spiritual authority, part flawed hero. Throughout a decades-long career, as Cash took risks, embracing new technologies, formats, and attitudes, he cleaved to a simple, core message of unvarnished truth. A comprehensive collection of Johnny Cash interviews and feature stories, some widely published and others never previously transcribed, culled from the 1950s through the early days of the new millennium, Cash on Cash charts a singular evolution. From hardscrabble Arkansas poor boy to rockabilly roustabout; international fame to drug addiction and disgrace; born again Christian to gimlet-eyed chronicler of spiritual darkness; TV and movie star to Nashville reject; redemption to loss and back again, several times. Cash's story, told in his own words, shines unfiltered light on a journey of archetypal proportions that resonates still.
Reprint of the sole edition. Volume I: The Cravath Firm and Its Predecessors 1819-1906; Volume II: The Cravath Firm Since 1906; Volume III: The Cravath Associates; (With Photographs of the Cravath Partners). Cravath, Swaine and Moore, as it is known today, one of the most prestigious law firms in the United States, was involved in some of the most important events in history. It was also a decisive influence on the direction of American legal practice. Under the leadership of Paul D. Cravath in the 1890s, it developed the organizational model based on a large staff of associates, partners and clerical helpers that continues to dominate the modern urban law firm. Swaine [1886-1949], then a principal partner, drew heavily on the Cravath archives in the preparation of this work. The most extensive history of the firm, it is enhanced by Swaine's personal perspective. (He joined Cravath in 1910). The final volume lists biographical data for every associate and partner from 1899 to 1948.
The anniversary edition marks thirty years of offering an indispensable review and analysis of thinkers who have exerted a profound influence on contemporary rhetorical theory: I. A. Richards, Ernesto Grassi, Chaïm Perelman and Lucie Olbrechts-Tyteca, Stephen Toulmin, Richard Weaver, Kenneth Burke, Jürgen Habermas, bell hooks, Jean Baudrillard, and Michel Foucault. The brief biographical sketches locate the theorists in time and place, showing how life experiences influenced perspectives on rhetorical thought. The concise explanations of complex concepts are clear, engaging, insightful, and highly accessible, serving as an excellent primer for reading the major works of these scholars. The critical commentary is carefully chosen to highlight implications and to place the theories within a broader rhetorical context. Each chapter ends with a complete bibliography of works by the theorists.
At the beginning of 1935, Robert Penn Warren was destined for arguably the most crucial period in his distinguished career. Having escaped the brink of unemployment the previous fall to join fellow Vanderbilt alumnus and Rhodes scholar Cleanth Brooks on the English faculty at Louisiana State University (which was enjoying a boom thanks to the favoritism shown by the Long regime), the young author was poised to establish himself, against the backdrop of the Great Depression and America’s belated entry into World War II, as a compelling new voice, perhaps the most versatile writer of his generation. Continuing where Volume One of the Selected Letters left off, the missives from his Baton Rouge years show Warren exploring and testing the boundaries of his genius on a number of simultaneous fronts. Editing the Southern Review with Brooks was the center of his working life, and it offered him an almost immediate springboard to prominence on both sides of the Atlantic. Warren was determined to establish and maintain the stature of the quarterly even as he systematically nurtured the talent of a younger generation of writers that included Eudora Welty, Randall Jarrell, Peter Taylor, and John Berryman. He attended to his own writing as well and not only emerged as a celebrated poet but also published his first major fiction. During the same period, he and Brooks drew directly upon their classroom challenges to design and launch a series of textbooks that gradually transformed the teaching of poetry and fiction in American colleges and universities. What any number of commentators have called Warren’s “protean” energy is in full evidence in these letters. The range and sheer diversity of his correspondence, whether with old friends, established literary figures, hopeful young writers, his beloved wife Cinina, recalcitrant academic administrators, or sometimes troublesome publishers, reveal an extraordinarily keen mind and heightened imagination operating in concert with optimum efficiency. Scrupulously edited and thoroughly annotated by William Bedford Clark with an eye toward the needs of the lay reader as well as the specialist, Warren’s letters have the immediacy of skillful autobiography.
Public Corruption' is a stimulating and entertaining book about a daunting problem: the influence on public corruption of the changing nature of warfare. It will be of as much interest to the general reader and those around the seats of power as it is to historians and social scientists. The quality of the writing alone makes it a delight to read.
Robert Penn Warren's 1946 Pulitzer Prize-winning novel All the King's Men is one of the undisputed classics of American literature. Fifty years after the novel's publication, Warren's characters still stand as powerful representations of the moral dilemmas faced by individuals in positions of power. All the King's Men had its genesis in Warren's stage play Proud Flesh, unpublished in his lifetime. He also wrote a subsequent unpublished play titled Willie Stark: His Rise and Fall and a later dramatic version of the novel that shared the title All the King's Men. This volume is the first to collect all three dramatic texts and to publish Proud Flesh and Willie Stark. Proud Flesh is particularly fascinating for what it reveals about the development of All the King's Men and Warren's changing perceptions of its characters and themes. The other plays, as post-novel writings, provide a forum for Warren to clarify his intentions in the novel. The editors' introduction to this collection reviews the composition history of the works and their relationship to the novel and to each other. The new perspectives on Warren's writing presented in Robert Penn Warren's "All the King's Men": Three Stage Versions provide a glimpse into a creative mind struggling with a compelling story and offer readers another way of looking at this American classic. This book is an essential reference in Warren studies that will give students of All the King's Men another context from which to consider Warren's novel.
As one of the earliest settlements in America, Rowley was founded by Rev. Ezekiel Rogers in 1639. Few towns as small in population have given more to the nation than Rowley, with so many firsts making up its history-from the great Puritan migration voyage across the sea that Rogers shared with the nation's first printing press to Lorenzo Bradstreet's invention of the Bradstreet Sleeper, which later evolved into the Pullman sleeping car. Rowley has much to offer: scenes of the village, and the historic town common, or the "Training Place," where Benedict Arnold's expedition to Quebec encamped in 1775, the picturesque Glen Mills area with its 1642 stone arch bridge, and the site of the first fulling mill in the colonies (1642-1643), which manufactured the first cloth made in the Western world. The book displays images of country stores, wagon peddlers, and early gristmills and sawmills. It also shows shoe manufacturing, boatbuilding (at its peak in 1900), farming, and salt marsh haying. It truly brings to life another era in American history.
As a man who disclaimed any kind of religious orthodoxy, Robert Penn Warren nonetheless found in Christianity "the deepest and widest metaphor for life." The significance he drew from it was one he expressed strictly in humanistic and natural terms: spiritual renewal and redemption were possible through engagement with literature and participation in the world. In Robert Penn Warren's Modernist Spirituality, Robert Koppelman explores the spiritual or religious dimension to Warren's work in light of his admitted agnosticism. Beginning with an overview of Warren's career as a Fugitive at Vanderbilt and then, later, as a formidable New Critic, Koppelman argues that Warren's regard for the spiritual aesthetic of both literary language and form can be traced to his early study of poetic metaphor. To illustrate Warren's mature vision, Koppelman centers his study on two novels and two poetry collections: All the King's Men, A Place to Come To, Promises: Poems 1954-1956, and Now and Then: Poems 1976-1978. He also examines the critical studies that concentrate on Warren's vision of time, history, and spiritual fulfillment, as well as those essays by Warren that complement his poems and novels in such a way as to elicit the reader's participation in the redemption of their narrators. Robert Penn Warren's Modernist Spirituality renews Warren's commitment to experiencing both literature and life as opportunities to participate in a realm of beauty and vision that is still open to contemporary readers.
Examines the history of the idea of development, and doctrines governments have employed to practice development policy. Beginning with the 19th century "invention" of modern development, the authors discuss Karl Marx's critique of development and the crea
For the first time in one place, the reader will see all the likely conspirators revealed. The Warren Commission and the FBI agreed that President John F. Kennedy was killed by a lone gunman, Lee Harvey Oswald. Fifteen years later, the House Committee on Assassinations re-examined the evidence. They announced that he was not killed by a single gunman, but probably murdered as the result of a conspiracy. This House Committee hesitated to speculate on who might have been involved in that conspiracy or why John F. Kennedy was killed in Dallas on November 22, 1963 In 1979, Michael Burke and former congressman Harold Ryan were asked to continue that investigation. This historical novel will take the reader back to that time. Burke and Ryan will peel back the passage of time and the layers of secrecy and denial to reveal the reasons so many elites were determined to stop the Kennedy agenda.
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