A distinctive exploration of how workers see work For more than twenty years, Robert Bruno has taught labor history and labor studies to union members from a wide range of occupations and demographic groups. In the class, he asked his students to finish the question “Work is—?” in six words or less. The thousands of responses he collected provide some of the rich source material behind What Work Is. Bruno draws on the thoughts and feelings experienced by workers in the present day to analyze how we might design a future of work. He breaks down perceptions of work into five categories: work and time; the space workers occupy; the impact of work on our lives; the sense of purpose that motivates workers; and the people we work for, in all senses of the term. Far-seeing and sympathetic, What Work Is merges personal experiences with research, poetry, and other diverse sources to illuminate workers’ lives in the present and envision what work could be in the future.
In 1543, Nicolaus Copernicus publicly defended his hypothesis that the earth is a planet and the sun a body resting near the center of a finite universe. But why did Copernicus make this bold proposal? And why did it matter? The Copernican Question reframes this pivotal moment in the history of science, centering the story on a conflict over the credibility of astrology that erupted in Italy just as Copernicus arrived in 1496. Copernicus engendered enormous resistance when he sought to protect astrology by reconstituting its astronomical foundations. Robert S. Westman shows that efforts to answer the astrological skeptics became a crucial unifying theme of the early modern scientific movement. His interpretation of this long sixteenth century, from the 1490s to the 1610s, offers a new framework for understanding the great transformations in natural philosophy in the century that followed.
The Master Game is a rollercoaster intellectual journey through the back streets and rat runs of history to uncover the traces in architecture and monuments of a secret religion that has shaped the world. Pivotal historical events and processes, not least the Renaissance, the birth of scientific rationalism, and the French and American revolutions, are radically reevaluated in the light of new investigative evidence presented in The Master Game. Even the belief that the United States has a "global mission," so obvious today, may ultimately prove to be less the result of a shortterm reaction to terrorism than the inevitable working out of a covert plan originally set in motion almost two thousand years ago. The Master Game refers to a scheme or "game" played on the world stage to bring about a world order governed by a lofty goal which, today, we term the "Masonic Ideal." The Master Game traces the origins of this game of symbols and words and talismans from ancient Egypt all the way to modern times, and places it squarely on the elitist Scottish Rite Freemasonry, headquartered in Washington, DC, and ruled by a secretive and powerful brotherhood of men who have attained the thirtythird degree. The Master Game exposes this world order's true purpose and, more importantly, shows how it has affected the United States of America and badly backfired on 9/11. The book is adapted and expanded from the authors' earlier, outofprint book Talisman.
This report examines the use of these entities in nearly all cases of corruption. It builds upon case law, interviews with investigators, corporate registries and financial institutions and a 'mystery shopping' exercise to provide evidence of this criminal practice.
Favelas, or shantytowns, are where cocaine is mainly sold in Rio de Janeiro. There are some six hundred favelas in the city, and most of them are controlled by well-organized and heavily armed drug gangs. The struggle for the massive profits from this drug trade has resulted in what are increasingly violent and deadly confrontations between rival drug gangs and a corrupt and brutal police force, that have transformed parts of the city into a war-zone. Lucia tells the story of one woman who was once intimately involved with drug gang life in Rio throughout the 1990s. Through a series of conversations with the author, Lucia describes conditions of poverty, violence, and injustice that are simply unimaginable to outsiders. In doing so, she explains why women like her become involved with drugs and gangs, and why this situation is unlikely to change.
Reveals how the largest Sun Temple in the world, built according to Hermetic principles, is located at one of Christianity’s holiest sites: the Vatican • Shows how famous Renaissance philosophers and scientists called for a Hermetic reformation of Christianity by building a magical Temple of the Sun in Rome • Explains how the Vatican architect Bernini designed St. Peter’s Square to reflect heliocentric and Hermetic principles • Reveals how the design was masterminded by Bernini, Jesuit scholars, the mystical Queen Christine of Sweden, and several popes In 16th century Italy, in the midst of the Renaissance, two powerful movements took hold. The first, the Hermetic Movement, was inspired by an ancient set of books housed in the library of Cosimo de’ Medici and written by the Egyptian sage Hermes Trismegistus. The movement expounded the return of the “true religion of the world” based on a form of natural magic that could draw down the powers of the heavens and incorporate them into statues and physical structures. The other movement, the Heliocentric Movement launched by Copernicus, was a direct challenge to the Vatican’s biblical interpretation of a geocentric world system. Declared a heresy by the Pope, those who promoted it risked the full force of the Inquisition. Exploring the meeting point of these two movements, authors Robert Bauval and Chiara Hohenzollern reveal how the most outspoken and famous philosophers, alchemists, and scientists of the Renaissance, such as Giordano Bruno and Marsilio Ficino, called for a Hermetic reformation of the Christian religion by building a magical utopic city, an architectural version of the heliocentric system. Using contemporary documents and the latest cutting-edge theses, the authors show that this Temple of the Sun was built in Rome, directly in front of the Vatican’s Basilica of St. Peter. They explain how the Vatican architect Bernini designed St. Peter’s Square to reflect the esoteric principles of the Hermetica and how the square is a detailed representation of the heliocentric system. Revealing the magical architectural plan masterminded by the Renaissance’s greatest minds, including Bernini, Jesuit scholars, Queen Christine of Sweden, and several popes, the authors expose the ultimate heresy of all time blessed by the Vatican itself.
Alex Miller: The Ruin of Time is the first sole-authored critical survey of the respected Australian novelist's eleven novels. While these books are immediately accessible to the general reading public, they are manifestly works of high literary seriousness - substantial, technically masterful and assured, intricately interconnected, and of great imaginative, intellectual and ethical weight. Among his many prizes and awards, Alex Miller has twice won the Miles Franklin Literary Award, for The Ancestor Game in 1993, and Journey to the Stone Country in 2003; the Commonwealth Writers' prize, also for The Ancestor Game in 1993; and the New South Wales Premier's Literary Awards Christina Stead Prize, for Conditions of Faith in 2001 and Lovesong in 2011. He received a Centenary Medal in 2001 and the Melbourne Prize for Literature in 2012. In 2011 he was elected a Fellow of the Australian Academy of the Humanities. Having published his eleventh novel, Coal Creek, in 2013 - which won the Victorian Premier's Fiction Award in 2014 - Miller is currently writing an autobiographical memoir with the working title 'Horizons'.
Eminent Northrop Frye scholar Robert D. Denham explores the connection between Frye and twelve writers who influenced his thinking but about whom he didn’t write anything expansive. Denham draws especially on Frye’s notebooks and other previously unpublished texts, now available in the Collected Works of Frye. Such varied thinkers as Aristotle, Lewis Carroll, Søren Kierkegaard, and Paul Tillich emerge as important figures in defining Frye’s cross-disciplinary interests. Eventually, the twelve “Others” of the title come to represent a space occupied by writers whose interests paralleled Frye’s and helped to establish his own critical universe.
Texts, chat, and tweets are making up an increasing amount of our communication these days -- even email has become blase. But how much meaning can get through in only 160 characters? Join in the exploration with eight stories from our collaborative authors, where we see how much trouble lies in a single poorly understood text message: "Remember 3/31? Need help desperately, not much time left. Please, you're the only one! 2713311869101001 You know what to do. - Alex" Can Alex be helped? Will they arrive in time? Does anyone even know what this is about? From spaceships to spies, and comic books to crime bosses, find out in the latest volume from Authors Rising: The Message.
Plans, plans, and more plans. Everyone has a plan. Among those making plans is Officer Gerald Kelly, who plans to infiltrate an organized crime ring. Coworker Paul McCaulley plans to make some money on the side. An old gangster, Gino Giovanni, plans to rid himself of an informant. And ex-boxer cum mob enforcer, Kenny O'Sullivan, plans vengeance on his former boss--life is what happens amid all their plans.
In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the perceived threat that Communists, lesbians, and homosexuals posed to national security. Through an analysis of the films of Alfred Hitchcock, combined with new research on the historical context in which these films were produced, Corber shows how Cold War liberals tried to contain the increasing heterogeneity of American society by linking questions of gender and sexual identity directly to issues of national security, a strategic move that the films of Hitchcock both legitimated and at times undermined. Drawing on psychoanalytic and Marxist theory, Corber looks at such films as Rear Window, Strangers on a Train, and Psycho to show how Hitchcock manipulated viewers' attachments and identifications to foster and reinforce the relationship between homophobia and national security issues. A revisionary account of Hitchcock's major works, In the Name of National Security is also of great interest for what it reveals about the construction of political "reality" in American history.
After more than a decade in the United States, the Caribbean writer C. L. R. James ran afoul of McCarthyism in 1953 and was deported. In exile in London, he began to write stories in the form of letters to his four-year-old son ?Nobbie,? who remained in the States. Through a distinctive, imaginary, and sometimes absurd cast of characters?Good Boongko, Bad boo-boo-loo, Moby Dick, and Nicholas the worker, among others?these stories explore questions of friendship, conflict, community, ethics, and power in humorous and often ingenious ways; they also stand as a moving testament to a father?s struggle to be a vivid presence in the life of his son despite separation and distance. Attesting to James?s remarkable gifts as a writer and his unusual talent for engaging wide and diverse audiences, these witty and poignant stories, published here for the first time, are not just for James aficionados. Each story is a delight in its own way, making the book irresistible for children and adults alike.
In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective.
Gillian Louise Douglas, the thermonuclear blond, has thwarted and embarrassed the Russians in her previous memoirs, "Triple Play" and "War Goddess." Gillian has destroyed four Russian satellites, approximately one hundred boats belonging to terrorists & the Sicilian Mafia, and she has stolen over $400 million dollars from the bank account of a notorious Russian mobster, now dead. The Russians dispatch two assassins to America; one to kill Gillian and the other to assassinate the President of the United States. A Russian General seeks to prevent these plots and to warn Gillian. There's action and suspense aplenty as Jill & Lorraine, U.S. Marshals and CIA operatives, hunt both assassins in a desperate bid to discover them and to neutralize them. The deadly duo hire some help, a dozen, deadly angels known as SEAL Team 9. Gillian's mysterious friend from afar once more desires to witness her beloved "Jill" in action. From Moscow, to Washington DC, to New York, powers and minds clash in this tale of Retribution!
The Obelisk is a supernatural thriller that’s filled with intrigue, drama, romance, action and adventure. Life had recently become very interesting for Dr. David Sholfield?a new town, a new career, a new love interest. The happiness he felt at joining Dr. Lucas’ renowned surgical team at Northwestern Memorial Hospital in Chicago was only eclipsed by meeting the lovely Angela Stockman, a college professor at Columbia College. Angela’s friend and fellow professor, Tom Harrison, who she brought along on their first date, exhibited certain eccentricities, leading David to the conclusion that he, as well as Angela were harboring secrets, and he was determined to find out what they were. As David continued dating Angela, he learned one of her secrets, that she was heiress to the fortune of a wealthy real-estate developer. David noticed, during several outings at Angela’s parent’s mansion, that Tom Harrison’s behavior continued to deteriorate, culminating in a psychotic episode at a 4th of July celebration at a European Aristocrat’s mansion. When David visited him in his hospital room the next day, Thomas asked him to retrieve a cedar chest, located at his parent’s cabin in West Virginia. Out of sympathy, David agreed. Unfortunately, when he returned, Thomas was dead, having passed away under mysterious circumstances, leaving David in possession of the chest, which contained two books written in a strange language. After the books were translated, David learned that one of them was the memoirs of the now deceased Thomas Harrison. The information he gleaned from Tom’s memoirs changed his life forever. David knew that he had to make the most important choice that anyone could ever possibly have to make. He could either dismiss the writings as the hysterical ravings of a madman, or he could try to discover if the information contained in them was true, because if it was true, it would be the most important find in the history of mankind.
A chilling biography of the head of Nazi Germany’s terror apparatus, a key player in the Third Reich whose full story has never before been told. Reinhard Heydrich is widely recognized as one of the great iconic villains of the twentieth century, an appalling figure even within the context of the Nazi leadership. Chief of the Nazi Criminal Police, the SS Security Service, and the Gestapo, ruthless overlord of Nazi-occupied Bohemia and Moravia, and leading planner of the "Final Solution," Heydrich played a central role in Hitler's Germany. He shouldered a major share of responsibility for some of the worst Nazi atrocities, and up to his assassination in Prague in 1942, he was widely seen as one of the most dangerous men in Nazi Germany. Yet Heydrich has received remarkably modest attention in the extensive literature of the Third Reich. Robert Gerwarth weaves together little-known stories of Heydrich's private life with his deeds as head of the Nazi Reich Security Main Office. Fully exploring Heydrich's progression from a privileged middle-class youth to a rapacious mass murderer, Gerwarth sheds new light on the complexity of Heydrich's adult character, his motivations, the incremental steps that led to unimaginable atrocities, and the consequences of his murderous efforts toward re-creating the entire ethnic makeup of Europe. “This admirable biography makes plausible what actually happened and makes human what we might prefer to dismiss as monstrous.”—Timothy Snyder, Wall Street Journal “[A] probing biography…. Gerwarth’s fine study shows in chilling detail how genocide emerged from the practicalities of implementing a demented belief system.”—Publishers Weekly “A thoroughly documented, scholarly, and eminently readable account of this mass murderer.”—The New Republic
Hidden away by a secret society living high in the mountains of the Hindu Kush, an ancient codex known only as The Mode teaches a connection between the mechanical and metaphysial aspects of the universe and foretold of the coming of a great teacher, a mechanical messiah. A few millennia later, a group of Seekers wise in the ways of the Mode meet the "Chosen One", a young mechanical genius from Detroit who they initiate into this antediluvian tradition. A prophesy, an unusual birth, mystical teachings, almost a dozen apostles, an amazingly successful ministry, plotting, betrayal, punishment... All of the elements of one of the greatest stories ever re-told. In this gentle but skewed refraction of the Gospels, Robert Greco and Shaun M. Shelton examine what it means to be a messiah in modern society, as well as the deeper question: can faith be funny?
Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.
A tribute to the undisputed master of terror and suspense and the visionary who revolutionised the art of filmmaking, this book covers everything from his 1922 silent film The Pleasure Garden to his final 1976 film, Family Plot, including such masterpieces as Vertigo, Psycho, Rear Window and The Birds, and the years of his popular television show, Alfred Hitchcock Presents. Complete with 450 b/w stills from his many films and a text that examines the background of each production, this is the ultimate portrait of the movie genius in all his cinematic glory.
The Many Faces of Sacha Baron Cohen explores the surprising political resonance of British comedian Sacha Baron Cohen's portrayals of Borat, Ali G, and Bruno. The book examines the political underpinnings of Baron Cohen's humor, the cultural ramifications of his ethnically charged satire, and the global implications of his various personae.
Featuring a fresh layout, revised maps, and more detail than ever before, the seventh edition of Parker's Wine Buyer's Guide offers collectors and amateurs alike the ultimate resource to the world's best wines. Understanding that buyers on every level appreciate a good deal, Parker separates overvalued bottles from undervalued, with wine prices instantly shifting according to his evaluations. Indifferent to the wine's pedigree, Parker's eminent 100-point rating system allows for independent, consumer-oriented, inside information. The latest edition of Parker's Wine Buyer's Guide includes expanded information on Spain, Portugal, Germany, Australia, Argentina, and Chile, as well as new sections on Israel and Central Europe. As in his previous editions, Parker provides the reassurance of a simple number rating, predictions for future buying potential, and practical overviews of regions and grapes. Altogether, an indispensable resource from the man the Los Angeles Times calls “the most powerful critic of any kind.”
The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies.
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