With thousands of lakes and streams, over 1200 miles of canoe routes, 160 miles of portage trails, and 2000 campsites, the Boundary Waters Canoe Area Wilderness is a true paddler's paradise. Extending nearly 150 miles in northern Minnesota along the Canadian border, the wilderness area encompasses more than 1 million acres. This Eastern Region edition of the classic two-volume guide has been fully updated by area journalist Louis Dzierzak, with full coverage of 50-plus entry points and routes. Trip descriptions include day-by-day paddling distances, portage tips, and difficulty ratings, and identify the appropriate water-resistant, topographic maps W.A. Fisher maps for each trip. Together, these books deliver everything a visitor needs for the experience of a lifetime.
Enjoy the adventure of a lifetime with thousands of lakes and streams, over 1,200 miles of canoe routes, 160 miles of portage trails, and 2,000 campsites--all part of a true paddler's paradise. This companion volume to the Eastern Region edition has been fully updated by area journalist Dzierzak, with trip descriptions and full coverage of 50-plus entry points and routes.
Find your way into the eastern BWCAW via 28 entry points, accessible near Grand Marais, Minnesota, from the Sawbill and Gunflint trails. The Boundary Waters Canoe Area Wilderness (BWCAW) in northeastern Minnesota—over a million acres of wilderness on the US-Canada border—is a magnet for visitors seeking to explore some of the most beautiful waterways in the world. With a canoe or kayak, you can paddle its remote lakes, rivers, waterfalls, forests, and trails. Boundary Waters Canoe Area: Eastern Region by Robert Beymer and Louis Dzierzak helps you select the perfect trip for your schedule, ability, and interests. This classic guide—along with its companion volume, Boundary Waters Canoe Area: Western Region—has been the trusted source for more than 40 years on where to go in the BWCAW and its 1,000+ lakes. Now fully updated, it’s the bible to the 1,200 miles of canoe routes and 154 miles of portage trails in the wilderness. The guide describes 28 entry points in the eastern part of the BWCAW—those accessible near Grand Marais, Minnesota, from the Sawbill Trail and the Gunflint Trail. For each entry point, both a short and a long route are described, along with all the information you’ll need to plan a successful trip. Inside you’ll find: Complete trip data, including total distance, time, difficulty, required Fisher maps, and permit and quota requirements Day-by-day details, such as number and difficulty of portages and recommended campsites Fishing recommendations for surrounding lakes and rivers Wise advice on navigation and points of interest Added bonus: “Lake Index for Fishing,” covering the 242 lakes that lie on this book’s described routes
With thousands of lakes and streams, over 1200 miles of canoe routes, 160 miles of portage trails, and 2000 campsites, the Boundary Waters Canoe Area Wilderness is a true paddler's paradise. Extending nearly 150 miles in northern Minnesota along the Canadian border, the wilderness area encompasses more than 1 million acres. This Western Region edition classic of two-volume guide has been fully updated by area journalist Louis Dzierzak, with full coverage of 50-plus entry points and routes. Trip descriptions include day-by-day paddling distances, portage tips, and difficulty ratings, and identify the appropriate water-resistant, topographic maps W.A. Fisher maps for each trip. Together, these books deliver everything a visitor needs for the experience of a lifetime.
Some say that telling the story of the Holocaust is impossible, yet, artists have told the story thousands of time since the end of World War II in novels, dramas, paintings, music, sculpture, and film. Over the past seven decades, hundreds of documentaries, narrative shorts and features, and television miniseries have confronted the horrors of the past, creating an easily recognized iconography of persecution and genocide. While it can be argued that film and television have a tendency to trivialize, using the artifacts of popular culture – film and literature – artists keep the past alive, ensuring that victims are not forgotten and the tragedy of the Holocaust is not repeated. The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical context, an introductory essay, a bibliography, a filmography of more than 600 titles, and over 100 cross-referenced dictionary entries on films, directors, and historical figures. Foreign language films and experimental films are included, as well as canonical films. This book is a must for anyone interested in the scope of films on the Holocaust and also for scholars interested in investigating ideas for future research.
This timely addition to Civil War history shares the stories of 25 unique military organizations, showing how past and future collided in the first modern war. The Civil War, of course, pitted North against South. It also pitted ancient ways of war against new, technology-inspired weaponry and tactics. In surveying the war's elite fighting units, this work covers both. The book showcases novel weapons and unorthodox strategies, including machine gunners, rocket battalions, chemical corps, the Union balloon corps, and the Confederate submarine service, all of which harnessed new technologies and were forerunners of the modern military. Chapters also cover archaic special forces, such as lancers and pikers, that had their last hurrah during this transformational conflict. Readers will also meet the fighting youth of the North Carolina Junior Reserves, the "Graybeards" of North Carolina, and the female combatants of the Nancy Harts Militia of Georgia. Going where few other studies have gone, the book fills a gap in existing Civil War literature and brings to life the stories of many of the most extraordinary units that ever served in an American army. The tales it tells will prove fascinating to Civil War and weapons buffs and to general readers alike.
Bruce Dern has worked with practically every iconic actor and director in the last 50 years, and he's not afraid to say what he thinks about all of them. In this uniquely funny memoir, he looks back over his amazing career, telling one memorable story after another.
An extraordinarily entertaining look inside the film industry "-Pierce Brosnan, award-winning actor and producer A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America. Not So Quiet on the Set is Elvis Presley wishing for a normal life during a break in recording the soundtrack for Jailhouse Rock. It's dealing with street gangs and studio politics while making West Side Story. It's trying to stay alive while working side by side with John Wayne on The Alamo. It's crashing an authentic Nazi warplane against a hillside in Germany during The Great Escape. It's getting fired by the studio while filming Bullitt in San Francisco and it's battling runaway budgets and Steve McQueen's demons in France while making Le Mans. Not So Quiet on the Set presents rare insights into the mechanics and politics of filmmaking and helps define a dynamic period in Hollywood history. A unique collaboration between father and son, it is a real-life adventure that not only illustrates how the movie industry really works but provides a revealing portrait of Hollywood's loss of innocence.
This ethics of preaching text identifies vices of irresponsible preaching practices. Preachers who fail to develop deep respect for their listeners or drift into a lack faithfulness to the Gospel can end up becoming: · The Pretender (The Problem of In-authenticity) · The Egoist (The Problem of Self-absorption) · The Manipulator (The Problem of Greediness) · The Panderer (The Problem of Trendiness) · The Crusader (The Problem of Exploitation) · The Demagogue (The Problem of Self-righteousness) Just as the church historically derived its Seven Holy Virtues (chastity, temperance, charity, diligence, patience, kindness, & humility) by naming Seven Deadly Sins (lust, gluttony, greed, sloth, wrath, envy, & pride), Reid and Hogan call preachers to turn away from pulpit vices and strive to realize the homiletic virtues of becoming: · Authentic (The Call to Be Genuine) · Altruistic (The Call to Be Selfless) · Careful (The Call to Exercise Self-Control) · Passionate (The Call to Be Honest to God) · Courteous (The Call to Woo a Reasoned Reception) · A ‘Namer’ of God (The Call to Reveal an Ineffable God) The Six Deadly Sins of Preaching explores the difference between the irresponsible practices, unfortunate missteps, and mere unthinking mistakes in preaching. A chapter is devoted to Preaching Missteps (problems that do not rise to the level of being irresponsible) that includes: · Short Changing the Process · Waving a Red Flag · Thou Shall Not Bore the Congregation · Through the Looking Glass Darkly · The Mumbler · TMI—Too Much Information · Your Cup Do Runneth Over · Where’s This Sermon Going, Anyway?
Noted Ranger historian Robert W. Black turns his attention to a trio of the Confederacy's--and America's--most infamous raiders and cavalrymen: John Singleton Mosby, John Hunt Morgan, and Nathan Bedford Forrest. Combining speed, mobility, and boldness, these three soldiers struck critical blows against the Union during the Civil War, including Morgan's notorious 1863 raid that penetrated farther north than any other uniformed Confederate force. While not overlooking their flaws, Black believes these men revolutionized warfare and sees them as forerunners of the Rangers and Special Forces of the modern era.
This collection convenes diverse analyses of David Lynch's newly conceived, dreamlike neo-noir representations of the American West, a first in studies of regionalism and indigeneity in his films. Twelve essays and three interviews address Lynch's image of the American West and its impact on the genre. Fans and scholars of David Lynch's work will find a study of his interpretations of the West as place and myth, spanning from his first feature film, Eraserhead (1977), through the third season of Twin Peaks in 2017. Symbols of the West in Lynch's work can be as obvious as an Odessa, Texas street sign or as subtle as the visual themes rooted in indigenous artistry. Explorations of cowboy masculinity, violence, modern frontier narratives and representations of indigeneity are all included in this collection.
This Civil War history reveals the tactics and covert operations of both Union and Confederate rangers, guerilla forces, and volunteer units. The major battles of the American Civil War are well recorded. But while much has been written about the action at Shiloh and Gettysburg, far less is known about the cover operations and irregular warfare that were equally consequential. Both the Union and Confederate armies employed small forces of highly trained soldiers for special operations behind enemy lines. In Yank and Rebel Rangers, historian Robert W. Black tells this untold story of the war between the states. Skilled in infiltration, often crossing enemy lines in disguise, these warriors went deep into enemy territory, captured important personnel, disrupted lines of communication, and sowed confusion and fear. Often wearing the uniform of the enemy, they faced execution as spies if captured. Despite these risks, and in part because of them, these warriors fought and died as American rangers.
The Radial Basis Function (RBF) network has gained in popularity in recent years. This is due to its desirable properties in classification and functional approximation applications, accompanied by training that is more rapid than that of many other neural-network techniques. RBF network research has focused on enhanced training algorithms and variations on the basic architecture to improve the performance of the network. In addition, the RBF network is proving to be a valuable tool in a diverse range of applications areas, for example, robotics, biomedical engineering, and the financial sector. The two-title series Theory and Applications of Radial Basis Function Networks provides a comprehensive survey of recent RBF network research. This volume, New Advances in Design, contains a wide range of applications in the laboratory and case-studies describing current use. The sister volume to this one, Recent Developments in Theory and Applications, covers advances in training algorithms, variations on the architecture and function of the basis neurons, and hybrid paradigms. The combination of the two volumes will prove extremely useful to practitioners in the field, engineers, researchers, students and technically accomplished managers.
Coinciding with the 50th anniversary of The Way We Were, this intriguing and impeccably researched book is the first ever account of the making of the classic film starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story . . . It’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all. Impeccably researched and eye-opening, here is the full story behind the challenges, rivalries, and real-life romance surrounding the movie. Even the iconic casting was fraught. Screenwriter Arthur Laurents wrote the role of Katie with Streisand in mind, but finding Hubbell was another matter. Redford was reluctant to play what he perceived as the “Ken doll” to Streisand’s lead, resulting in ten writers—among them Francis Ford Coppola—being called in to rework the script. The first preview was disastrous. Several scenes were cut, angering Streisand and Laurents, yet the new version was a resounding success, and its appeal endures, earning it a regular spot in the AFI’s annual Top 10 movie romances. The Way They Were also explores the deep, surprising love story that inspired the screenplay—the relationship between Laurents, a Jewish Brooklyn-born college leftist, and his longtime partner, Tom Hatcher. Drawing on Laurents’s unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and has defined romance ever since. “A spellbinding behind-the-scenes look at the seminal 1973 film The Way We Were. Hofler’s prose sparkles, and he successfully blends histrionics with on-screen magic. The captivating result makes clear that the drama happening behind the camera can be just as gripping as what’s in front of it.” —Publishers Weekly, Starred Review
This collection features "Variety" magazine's most enthralling and surprising interviews with famous personalities on the movies that changed their lives. 90 b&w photographs.
Broadway, the Golden Years, is a wonderfully readable group portrait of the great Broadway choreographers from the mid-20th century to our own time: Jerome Robbins, Agnes de Mille, Gower Champion, Bob Fosse, Michael Bennett, Tommy Tune, Graciela Daniele, and Susan Stroman. The hits generated by two generations of choreographer-directors define the Broadway stage: Oklahoma!; On the Town; West Side Story; Hello, Dolly!; Fiddler on the Roof; A Chorus Line; Dancin'; Dream Girls; The Producers; and many more
This memoir by the Academy Award nominee “proves that Dern off-screen is every bit as unpredictable, compelling and explosively honest as he is onscreen” (Newsday). One of Hollywood’s biggest personalities, Bruce Dern is not afraid to say what he thinks. He has left an indelible mark on numerous projects, from critically acclaimed films to made-for-TV movies and television series. His notable credits include The Great Gatsby, The 'Burbs, Monster, Django Unchained, and Nebraska, for which he won the Best Actor award at the 2013 Cannes Film Festival. He also earned Oscar nominations for Best Supporting Actor in Coming Home and for Best Actor in Nebraska. In Bruce Dern: A Memoir, Christopher Fryer and Robert Crane help the outspoken star frame the fascinating tale of his life in Hollywood. Dern details the challenges he faced as an artist in a cutthroat business, his struggle against typecasting, and his thoughts on and relationships with other famous figures, including Elia Kazan, Alfred Hitchcock, Jack Nicholson, Paul Newman, Bob Dylan, Matt Damon, Jane Fonda, John Wayne, and Tom Hanks. He also explores the impact of his fame on his family and discusses his unique relationship with his daughter, actress Laura Dern. Edgy and uncensored, this memoir—filled with “amusing, illuminating, and occasionally heartrending anecdotes” (Philadelphia Inquirer)—is a wild ride and an insider’s view of fifty years in the film industry.
After having a heart attack, Elliott Goodman gets a chance to save his own life when God challenges him to a golf match against such legendary opponents as Leonardo da Vinci, Babe Ruth, and Socrates.
“Quick, cutting wit . . . a keen ear.”—The New York Times Book Review Hollywood’s newest wunderkind is Peter Alan Nelsen, the brilliant, erratic director known as the King of Adventure. His films make billions, but his manners make enemies. What the boy king wants, he gets, and what Nelsen wants is for Elvis to comb the country for the wife and infant child the film-school flunkout dumped en route to becoming the third-biggest filmmaker in America. It’s the kind of case Cole can handle in his sleep—until it turns out to be a nightmare. For when Cole finds Nelsen’s ex-wife in a small Connecticut town, she’s nothing like he expects. She has some unwanted—and very nasty—mob connections, which means Elvis could be opening an East Coast branch of his P.I. office...at the bottom of the Hudson River. “Elvis [Cole] is the greatest . . . [ he is] perhaps the best detective to come along since Travis McGee.”—San Diego Tribune “[Crais is] far better at the private-eye-novel racket than most writers.”—Newsweek
The three volume set LNAI 5177, LNAI 5178, and LNAI 5179, constitutes the refereed proceedings of the 12th International Conference on Knowledge-Based Intelligent Information and Engineering Systems, KES 2008, held in Zagreb, Croatia, in September 2008. The 316 revised papers presented were carefully reviewed and selected. The papers present a wealth of original research results from the field of intelligent information processing in the broadest sense; topics covered in the first volume are artificial neural networks and connectionists systems; fuzzy and neuro-fuzzy systems; evolutionary computation; machine learning and classical AI; agent systems; knowledge based and expert systems; intelligent vision and image processing; knowledge management, ontologies, and data mining; Web intelligence, text and multimedia mining and retrieval; and intelligent robotics and control.
Offers insight into the lesser-known complexities of the general's personality, in a biography based on his unpublished personal correspondence and covering such topics as his early years, relationships with family and slaves, and thoughts on military str
“Chronicles some of Capitol Hill’s most legendary scandals, ranging from duels to murder to sex” (Roll Call). Local historian and Walking Shtick tour guide Robert S. Pohl brings us Wicked Capitol Hill. Pohl includes such historic crimes as the affair between the congressman and the Capitol Hill cobbler’s daughter that ended in murder at the hands of the press. Tales range from the backrooms of Congress and the docks of the Naval Yard to the bars of 8th Street and the grave of an infamous madam buried at the Congressional Cemetery. Pohl balances the tales between those of government officials misbehaving on the Hill and of truly local crimes. Includes photos!
Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.