Those two days in May seem to be a highpoint in Colin Pinnock’s life: a stunning election victory, a new government, and junior office for himself. But among the many congratulations he receives is one hostile message, a grubby card asking, ‘Who do you think you are?’ Is this merely someone putting him back in his place, or do the words have a more profound meaning? And who, indeed, is he? Who were his real parents? As Colin investigates these questions he is led back in time to an old political scandal: a murder case which led to a politician’s downfall and disappearance. Events in the present, however, start tangling with those of the past, and he finds himself the object of a series of incidents that at first seem designed to bring down his career with ridicule, but later actually threaten his life. A beautifully written and intriguing mystery form one of our foremost crime writers. ‘Robert Barnard has the habit of delighting his readers’ Sunday Times
From award-winning mystery writer Robert Barnard comes a classic British whodunit about a bestselling author who is murdered—and his latest unpublished manuscript has gone missing. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behavior was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. But the manuscript of the unpublished volume left to Sir Oliver’s wife, a posthumous “last case” that might be worth millions, has disappeared. And Sir Oliver’s death is beginning to look less than natural.
Opera singers are often described as being larger than life, and certainly this is true of Gaylene Ffrench. Her appetites for men, for food, for attention are gargantuan, and her ability to irritate is similarly outsized. So when someone electrocutes the bombastic Australian contralto, few tears are shed at the Northern Opera Company. In fact, most of the company members are dancing a jig, and it falls on Superintendent Nichols to determine which of them might have helped Gaylene along to her just reward. With so many potential suspects, Nichols has his hands full.
Lill Hodsden was a monster. She rode roughshod over her daughter, wiped her feet on her husband, blackmailed her lovers, and smothered her sons with a mother’s love that left them screaming out for freedom. Lill set the hackles rising all over Todmarsh, the little South Coast town she queened over. She was just asking to be done in. When Lill was found garrotted on Thursday, on the way home from one of her boyfriends’, the case was wide open, and half Todmarsh would have regarded the murderer as a civic benefactor. Inspector McHale, on his first murder case, is a man who values intelligence, particularly his own. He is convinced he is going to discover the killer. But is he going to discover the right one?
A mysterious envelope arrives on Eve McNabb's doorstep soon after she has buried her mother, a woman who kept many secrets. The puzzling letter inside this envelope hints at an illicit passion between the letter writer and Eve's mother, May McNabb. Even when she was a child, Eve sensed that there were parts of May's life she would never understand. She would never know the details of her parents' marriage or why her father suddenly disappeared from her life. While Eve has always believed that her father was dead, she begins to wonder whether her mother's life as a widow had been a ruse. Will she have to question everything her mother has told her? Could her father be alive and well? The letter writer may have some answers, but how can Eve find him or her? With only a blurred postmark for a clue, Eve sets out to locate the writer and journey into her own past. What she never suspected was that questions can be dangerous, perhaps even deadly... Filled with piercing wit and illuminating insight into the human condition, Robert Barnard's Last Post proves yet again that he is one of the great masters of mystery.
Sarah Jane Fearing has grown up in the imposing mansion of one of England’s most influential families. At the centre of Sarah’s world stands her charming uncle Frank, the only relative who seems to have escaped the straitjacket of ponderous respectability that so effectively stifles the Fearing clan. But Frank’s extravagant lifestyle leads him deep into debt and manoeuvres him into a disastrous marriage. Frank’s wedding to a coldly ambitious woman produces the family’s longed-for male scion, but the parents fall to quarrels, and then to murder. And Sarah is drawn inexorably into a morass that threatens the survival of the entire family. From the Belle Epoque to the 1950’s, A Mansion and its Murder holds its secrets to its last suspenseful moment, and proves again the author’s mettle as a mastermind of the traditional mystery.
Fifteen-year-old Katy Bourne and sixteen-year-old Alan Coughlan are missing. Though they are students at the same school, they hardly know each other, so it's strange that they should disappear together. Katy's mother, self-centered and unloving, doesn't mind if her daughter never comes home. Alan's solid working-class parents are pained and puzzled by their son's departure. There's not much the police can do about runaway teenagers, but Detective Constable Charlie Peace goes through the motions. He interviews the families, he visits the school. Alan had friends and had aspired to a good education. Katy had nothing, least of all self-esteem. The two teens could be anywhere, even living dangerously on the streets of Leeds, so it's with relief that Charlie discovers them in a hostel for homeless young people. But are they safe? And who is Ben Marchant, the man who runs the shelter? Whoever he is, he seems to be doing well. Young people beg or work as street musicians during the day, then eat and sleep at the hostel at night. They can remain there two weeks and then must leave for two weeks before beginning the cycle again. Only Katy and Alan stay longer. Only they have a special, mysterious understanding with Ben. But all is not well at the shelter. Neighbors complain about strange goings-on. Residents too often display feelings of jealousy and suspicion. A young woman flees from a violent family member, perhaps bringing danger with her. Emotions run high, ranging from love and gratitude to fear and hate. One person may even hate enough to murder. One person's hate may destroy this place that some regard as a haven of peace and safety and others fear as something more complex and diabolical. No Place of Safety combines brilliant social commentary with a mesmerizing mystery plot that will once again enthrall Robert Barnard's legion of fans. Recognized as one of the best of all contemporary crime writers, Barnard is in top form.
In A City of Strangers, Barnard creates one of his most memorable characters ever; the dreadful Jack Phelan. Dirty, potbellied, vulgar, selfish, Jack is a man everyone loves to hate. And the rest of his family isn’t much better. The wife is slatternly, the teenaged children flirt with petty crime and prostitution, even the baby is unpleasant. Only twelve-year-old Michael Phelan seems to have escaped the family curse, and it may be just a question of time until he, too, sinks to the Phelan level.
The Burleigh school was dying. It would be called a mercy killing were it not for the little band of inept, eccentric, or otherwise unemployable teachers who depended on this absolutely awful English boys’ academy for their meagre livelihoods. A lack of funds, facilities, and foresight had brought Burleigh to the very edge of extinction. Now someone planned to give it one final, deadly push. Malice was afoot behind the ivied walls, trailing hard on the heels of Hilary Frome, Headmaster Crumwallis’s unfortunate choice for the next headboy. For when something sinister popped up in the punch on Parents’ Evening, when nasty pranks became no joke, the next event at bloody Burleigh was bound to be . . . simply murder. ‘Crackerjack entertainment . . . deserves the kind of raves heaped up on his other prize whodunits.’ Publishers Weekly ‘There is no one quite like Robert Barnard in his ability to combine chills and chuckles and to sprinkle the whole with delicious irony.’ San Diego Union ‘The wryest wit and most scathing satire in today’s mystery.’ Chicago Sun-Times
What an honor, to become a trustee of one of England’s distinguished stately homes. Yorkshire cop Charlie Peace’s wife Felicity is at first thrilled when she’s asked to help oversee Walbrook Manor, a recent gift to the nation. It’s not long, though, before both she and Charlie smell trouble. Suspenseful, witty and, as always, superbly insightful, A Charitable Body shows Barnard at his scintillating best.
From master mystery writer Robert Barnard, one of his early novels, "Death of a Mystery Writer." First published in 1979, "Death of a Mystery Writer" received an Edgar Award nomination for "Best Novel" of that year. It's with great pleasure that Scribner reissues this beloved novel from one of the most respected names in crime writing. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behavior was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. To everyone's surprise, Sir Oliver's elder son, who openly hated his father, inherits most of the estate. His wife, his daughter, and his younger son are each to receive the royalties from one carefully chosen book. But the manuscript of the unpublished volume left to Sir Oliver's wife -- a posthumous "last case" that might be worth millions -- has disappeared. And Sir Oliver's death is beginning to look less than natural. Into this bitter household comes Inspector Meredith, a spirited Welshman who in some ways resembles Sir Oliver's fictional hero. In Robert Barnard's skillful hands, Inspector Meredith's investigation becomes not only a classic example of detection but an elegant and humorous slice of crime.
One of the most critically acclaimed of all contemporary crime writers and a Diamond Dagger Award winner delivers another triumph with this witty tale of family discord and murder.
Hexton-upon-Weir was ruled by its women: they set the tone, they made the decisions, they called the tune. When they decided to band together to block the appointment of a new vicar who was not only unacceptably High Church but – of all ugly things – celibate to boot, they managed to create merry hell. As the town was riven by faction and counter-faction, Helen Kitterage tried to remain aloof, but before long she was drawn into the maelstrom, as, during the down’s fête, ill-will and conspiracy degenerated into murder. Helen was convinced that somewhere among the secrets of this murderous Cranford there must be found some key shame that someone had thought it worth killing to keep unknown. In this tart and witty updating of the traditional English village mystery, ‘the chameleon talent of Mr Barnard’ (Sunday Times) is demonstrated once again through that sharp ear and eye that led the Washington Post to exclaim: ‘One of the funniest men writing mysteries today has to be Robert Barnard.’
With the Nazis bombing London on a nightly basis, many working-class families sent their children to the comparative safety of the countryside. When the Blitz ended, the families came for their kids . . . but no one ever came for Simon Thorn. His name appears on no list of the evacuated children. And none of his meagre belongings offer any clues to his origins. Now an adult, newly moved to London, Simon is puzzled by an odd sense of familiarity when he walks down certain streets. He remembers his years of terrible nightmares—nightmares that would cause him to wake up screaming, terrifying his bewildered foster parents. And he resolves, once and for all, to find out where he originally came from . . . even as everything he uncovers suggests that, really, he doesn’t want to know. Widely praised for his deliciously, maliciously witty mysteries, the multi-award-winning Robert Barnard takes a decidedly different tack in this fascinating novel of wartime London and the dark side of identity. ‘An engrossing tale of a man’s search for his identity and his discovery of an alarming past’ Publishers Weekly ‘There are shrewd characterisations and villains aplenty in this oddly affecting tale’ Time ‘Barnard untangles his riddle with great skill, and I suspect he is going to outwit all but a handful of readers’ New York Times
From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . . Some memories are better left buried in the past. Well-known author Graham Broadbent has managed to repress one particularly dangerous memory for many years, but a trip home to a school reunion brings back the shocking reality of a desperate youthful passion. It all begins with a knock on Graham's hotel door. His visitor is nineteen-year-old Christa, who read in the newspaper that he would be in town. She introduces herself as his long-lost daughter. His daughter? It's true that many years ago Graham had a fling with Christa's mother, an exquisitely alluring school actress named Peggy Somers. The dates don't work, though. Graham maintains he was out of the country when Christa was conceived. He couldn't be her father. He's almost sorry that he can't claim Christa, a lively young woman who intrigues him in a strange way. And what about Christa's mother, the formidable Peggy, who made such an impression when she portrayed Saint Joan in the school play all those years ago? Why would she have lied to Christa about her paternity? Why name Graham as the girl's father? Separated from his wife, at loose ends in his writing, Graham takes the fateful step of searching out Peggy. It's a big mistake. Peggy's life, which started with such promise, has been a major disappointment. Now it's about to become a disaster. Peggy lies. She fabricates. She fantasizes. She is the kind of person who will destroy Graham if he lets her. As Graham finds himself drawn increasingly into the turmoil surrounding this woman and her children, he must deal with deception and, ultimately, with murder. The sins of the past return to haunt the living, and the lives of those who survive will never be the same. Writing with the piercing insight and wit for which he is renowned, Robert Barnard creates a poignant masterpiece of mystery, as thoughtful as it is entertaining.
Taking a job as a governess for a family with an unpopular opinion against the war, Sara and the Hallam family begin to be on the receiving end of nasty and threatening crimes in this thrilling novel from Edgar Award nominee Robert Barnard. Sara Causseley could not be more delighted by her new job as governess to the aristocratic Hallam clan. The children are adorable, the gardens are a dream, and the conversation is stimulating. But ominous political clouds are gathering over Europe, and as England slips inexorably toward World War II, the Hallams’ political views make the family increasingly unpopular. No one, though, suspects the extent of the malice that is percolating in the surrounding countryside until a human skeleton, and then a human corpse, are found on the Hallam grounds, sending some kind of ugly message.
Lill Hodsden was a monster. She rode roughshod over her daughter, wiped her feet on her husband, blackmailed her lovers and smothered her sons with a mother love that left them screaming out for freedom. Lill set the hackles rising all over Todmarsh, the little South Coast town she queened it over. She was just asking to be done in. And her sons were very ready to oblige. In fact, they had it all worked out, for Saturday night. But when Lill was found garrotted on Thursday, on the way home from one of her boy-friends', the case was wide open, and half Todmarsh would have regarded the murderer as a civic benefactor. Inspector McHale, on his first murder case, is a man who values intelligence, particularly his own. He is convinced he is going to discover the killer. But is he going to discover the right one? In the claustrophobic relationships around the appalling Lill, Robert Barnard has used his gift for creating murderable monsters to set up a murder everybody can sympathize with.
England's celebrated, multiple-award-winning master crime novelist returns with a witty and poignant chiller about the evil of gossip and the sin of indifference. Father Christopher Pardoe is a good priest. He cares about his parishioners. He is also a human being -- and is thus saddled with man's inherent weaknesses. Is it a bit odd, then, how much time the good Father has been spending at the house of a certain young, single mother called Julie Norris? And why, during each of his visits, are Julie's bedroom curtains always closed? Julie looks to be pregnant again. Just who could the father be? As nasty rumors begin to scorch the parish phone lines, Father Pardoe is suspended from St. Catherine's, and Cosmo Horrocks, the West Yorkshire Chronicle's shameless, muckraking journalist, exploits the story in a big way. Nothing goes over better than a juicy sex-and-the-church scandal, except, perhaps, murder. Do Father Pardoe and Julie protest too much? Why did Julie's parents throw her out and disown her? Is she really as bad as they say? And what, exactly, does Cosmo Horrocks hear in that London-to-Leeds dining car that makes him tingle with excitement? A tale of chastity besmirched? This story could make his year. But will it lead to tragedy? And, if so, whose? When Inspector Mike Oddie and Sergeant Charlie Peace are called in to investigate a murder, they are saddened and surprised by the raw emotions -- the hate, the fear -- they find in the outwardly peaceful town of Shipley. There may be only one killer, but there are many others who must share the town's guilt and, perhaps, one day start the process of healing. Rich with eccentric characters, crisp dialogue, stylish prose, and perceptive insights into human nature, Unholy Dying is vintage Barnard, acknowledged master of suspense.
A celebrity scholar in a small village tears her nephews from their immediate family and raises them in an atmosphere of cruelty. As old Lydia Perceval plans to destroy yet another group of impressionable young children’s love for their parents, the list of those who would have her die grows longer.
In the late winter of 1979, Leeds housewife Ellen Heenan dies in childbirth – abandoning a guilt-stricken husband to insanity’s grasp and leaving four young children to find for themselves. Thirteen-year-old Matthew and Annie, age twelve, know what the authorities will do if the learn of Father’s debilitating madness. A close-knit family will be speedily unravelled, its threads scattered carelessly to the winds. So deception is the only recourse – a façade of normalcy that must be carefully constructed to fool prying neighbourhood eyes. And resourceful young Matthew and his sister have the situation well in hand – until a freshly slain corpse turns up beneath the kitchen window . . . ‘Gripping and satisfying’ Chicago Tribune ‘Subtle and surprising . . . Robert Barnard at his best’ San Diego Union-Tribune ‘A sad, sweet horror of a story . . . the suspense is delicious.’ New York Times Book Review
Three-time Edgar Award nominee Robert Barnard takes on the cunning and ruthless world of politics in this suspenseful tale centering upon the mysterious death of a member of Parliament.
Princess Helena had only a distant claim to the throne, but when her friends and lovers began turning up dead, Buckingham Palace demanded to know why. And Perry Trethowan of Scotland Yard had to catch a cold-blooded killer intent on causing a scandal that could shake the nation.
Benedict Cotteral, an elderly writer, living out his last days at his son's home, receives a visit from his long-forgotten illegitimate daughter and becomes a suspect in her murder.
Rosemary Sheffield has a sort of "reverse epiphany" one day while walking in the park: she no longer believes in God. This sudden loss of faith is at first entirely liberating, but the situation gradually becomes more complicated. Rosemary is, after all, the beloved wife of the vicar at St. Saviour's parish. A storm of controversy erupts in her husband's church congregation, but Rosemary, with the words "I do not believe," leaves behind the scandal and gossip for a seaside sojourn in Scarborough. Here she meets Stanko, a Bosnian refugee who illegally entered the country. But what begins as a supportive friendship launches an ungodly chain of events-and Rosemary soon finds herself back at home caught up in a murder investigation. "Barnard's trademark seamless plotting and riotous sense of humor stand out wonderfully in his latest whodunit." "Booklist" "His plots are downright Mozartian in their effortless complexity" "New York Newsday
Prize-winning author Robert Barnard presents seventeen witty mystery stories featuring everyday characters who discover their potential for murder, including a young woman who weds a string of old men and develops a penchant for widowhood.
From Robert Barnard, the internationally acclaimed Diamond Dagger–winning crime writer . . . Kit Philipson has always felt like something of a stranger in his family. Growing up as the only child of professional parents in Glasgow, Scotland, he had every advantage. His mother was a teacher; his father, a journalist, escaped from Nazi Germany at the age of three on one of the 1939 Kindertransports. But on her deathbed, Kit’s mother tells him he was adopted and that his birth name was Novello. Soon, vague memories of his early life begin to surface: his nursery, pictures on the wall, the smell of his birth mother when she’d been cooking. And, sometimes, there are more disturbing memories—of strangers taking him by the hand and leading him away from the only family he had ever known. A search of old newspaper files reveals that a three-year-old boy named Peter Novello was abducted from his parents’ holiday hotel in Sicily in 1989. Now the young man who has known himself only as Kit sets out to rediscover his past, the story of two three-year-old boys torn from their mothers in very different circumstances. Kit’s probing inquiries are sure to bring surprises. They may also unearth dangerous secrets that dare never be revealed. With sharp wit and deep insight, Robert Barnard sweeps away all preconceptions in this powerful study of maternal love and the danger of obsession.
Stand, Columbia! Alma Mater Through the storms of Time abide Stand, Columbia! Alma Mater Through the storms of Time abide. "Stand, Columbia!" by Gilbert Oakley Ward, Columbia College 1902 (1904) Marking the 250th anniversary of one of America's oldest and most formidable educational institutions, this comprehensive history of Columbia University extends from the earliest discussions in 1704 about New York City being "a fit Place for a colledge" to the recent inauguration of president Lee Bollinger, the nineteenth, on Morningside Heights. One of the original "Colonial Nine" schools, Columbia's distinctive history has been intertwined with the history of New York City. Located first in lower Manhattan, then in midtown, and now in Morningside Heights, Columbia's national and international stature have been inextricably identified with its urban setting. Columbia was the first of America's "multiversities," moving beyond its original character as a college dedicated to undergraduate instruction to offer a comprehensive program in professional and graduate studies. Medicine, law, architecture, and journalism have all looked to the graduates and faculty of Columbia's schools to provide for their ongoing leadership and vitality. In 2003, a sampling of Columbia alumni include one member of the United States Supreme Court, three United States senators, three congressmen, three governors (New York, New Jersey, and California), a chief justice of the New York Court of Appeals, and a president of the New York City Board of Education. But it is perhaps as a contributor of ideas and voices to the broad discourse of American intellectual life that Columbia has most distinguished itself. From The Federalist Papers, written by Columbians John Jay and Alexander Hamilton, to Charles Beard's An Economic Interpretation of the Constitution and Jack Kerouac's On the Road to Edward Said's Orientalism, Columbia and its graduates have greatly influenced American intellectual and public life. Stand, Columbia also examines the experiences of immigrants, women, Jews, African Americans, and other groups as it takes critical measure of the University's efforts to become more inclusive and more reflective of the diverse city that it calls home.
American Public Administration has been the go-to introductory textbook for Public Administration courses with a focus on civil society for the better part of two decades. Now in an extensively revised and updated third edition, authors Cropf and Wagner weave the most recent and compelling research throughout every chapter to give students a useful, in-depth understanding of the field today. Changes to this edition include: Three new chapters, including one on public administration’s role in community resilience, a second on public administration and public health, and a complete rewrite of the chapter on managing information resources in public organizations. Extended discussions about the importance of civil society in public administration as well as the growing role of information technology, including the role of government in combating misinformation and disinformation. New coverage of topics, including but not limited to: the need for better disaster and pandemic planning at all levels of government; a need for greater preparedness related to global climate change; the worsening of the wealth inequality gap in the United States; America’s changing role in the world’s economy; important efforts to achieve racial, economic, and social equality and the response from government; and the increasing and evolving relationship between police and the community in the United States. Fully updated pedagogical tools including chapter summaries, discussion questions, brief case studies, case study discussion questions, key terms, and suggestions for further reading in each chapter, as well as accompanying support material that can be easily incorporated into Learning Management Systems (LMS), including Canvas and Blackboard. Comprehensive, well-written, and offering a careful consideration of the fundamentals, American Public Administration, Third Edition is an ideal introductory text for courses at undergraduate or graduate level, offering students a broader civil society context in which to understand public service.
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
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