THE TANDEM RIDE is a book that follows the poet, teacher and translator Robert Bagg on various outdoor, deskbound, and romantic adventures, from boyhood through adolescence and maturity into old age. The poems are often composed in narrative blank verse or traditional forms, including Spenserian stanzas and sonnet sequences. Bagg's comfort zone has remained since his college days within the heady precincts of Greek myth, while writing about contemporary subjects in colloquial American speech.
Pulitzer Prize–winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman. Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived "normality" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.
The choice to industrialize has changed the world more than any other decision in human history. And yet the three prevailing explanations - the technical (new energy sources), the Marxist (new social relations), and the neo-liberal (people became more industrious) - are inadequate in making sense of this fundamental change. In mid-nineteenth-century Montreal, as in other early industrializing societies, change occurred as a result of the choices people made when faced with unprecedented opportunities and constraints. Montreal was the first colonial city to industrialize. Its overlapping French and English legal traditions mean that people's actions were exceptionally well documented for a North American city. Robert Sweeny’s novel reading of sources like city directories, ordinance surveys, monetary protests, and apprenticeship contracts leads him to develop important critiques of both mainstream and progressive historiography. He shows how the choice to industrialize was tied to the development of completely new ways of thinking about the world on three inter-related levels: how should we relate to each other, to property, and to nature? In Montreal, as in all the other early industrializing societies, thought preceded action. Sweeny illuminates the personal and familial decisions that tens of thousands of people made by the mid-nineteenth century which already prefigured much of what industrialized Montreal would look like in 1880. At a moment when global conflict is tied to resources and climate change, Sweeny shows how fundamental decision making can determine widespread social change. Informed by four decades of scholarship, Why Did We Choose to Industrialize? Is a politically engaged argument about history, a sustained reflection on sources and method in historical practice, and a singular vantage point on the ideas that have shaped historical understandings of industrialization.
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